| # | Title | Artist | Length |
|---|
| 1 | Carolina in the Morning | Dean Martin | 2:17 |
| 2 | In Napoli | Dean Martin | 2:55 |
| 3 | Innamorata (Sweetheart) | Dean Martin | 2:26 |
| 4 | I’m Gonna Steal You Away | Dean Martin feat. The Nuggets | 2:31 |
| 5 | Only Trust Your Heart | Dean Martin | 2:51 |
| 6 | Beau James | Dean Martin | 2:20 |
| 7 | Good Mornin’ Life | Dean Martin | 2:14 |
| 8 | Return to Me (Ritorna‐Me) | Dean Martin | 2:26 |
| 9 | It’s 1200 Miles From Palm Springs to Texas | Dean Martin | 2:46 |
| 10 | Volare (Nel blu dipinto di blu) | Dean Martin | 3:01 |
| 11 | On an Evening in Roma (Sott’er cielo de Roma) | Dean Martin | 2:26 |
| 12 | All I Do is Dream of You | Dean Martin | 2:45 |
| 13 | Medley (live)- cover recording of:
- I’m Gonna Sit Right Down and Write Myself a Letter
- lyricist:
- Joe Young
- composer:
- Fred Ahlert and Joe Young
- publisher:
- Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC, Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music and Rytvoc, Inc.
- cover recording of:
- I’m in Love with You
- lyricist:
- Don Raye
- composer:
- Gene de Paul
- cover recording of:
- It Had to Be You
- lyricist:
- Gus Kahn (in 1924)
- composer:
- Isham Jones (in 1924)
- publisher:
- Bantam Music Publishing Co., EMI Music Publishing Ltd., Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. and Jerome H. Remick & Co. (on 1924-05-09)
- cover recording of:
- You Made Me Love You (I Didn’t Want to Do It)
- lyricist:
- Joseph McCarthy
- composer:
- James V. Monaco
- publisher:
- Broadway Music Corp.
- part of:
- Irene
| Dean Martin | 8:40 |
| 14 | My Guiding Star | Dean Martin | 1:54 |
| 15 | Until the Real Thing Comes Along- bass:
- Joe Comfort (on 1960-05-10)
- cello:
- Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (on 1960-05-10)
- drums (drum set):
- Alvin Stoller (on 1960-05-10)
- guitar:
- Al Hendrickson (on 1960-05-10)
- piano:
- Bill Miller (on 1960-05-10)
- saxophone:
- Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
- trombone:
- Russell Brown (on 1960-05-10), Dick Noel (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
- trumpet:
- Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
- viola:
- Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
- violin:
- Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (on 1960-05-10)
- vocals:
- Dean Martin (on 1960-05-10)
- orchestra:
- Nelson Riddle and His Orchestra (on 1960-05-10)
- conductor:
- Nelson Riddle (on 1960-05-10)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-05-10)
- cover recording of:
- Until the Real Thing Comes Along (on 1960-05-10)
- lyricist and composer:
- Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
- publisher:
- Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. and WB Music Corp.
| Dean Martin | 3:02 |
| 16 | Ain’t That a Kick in the Head | Dean Martin | 2:26 |
| 17 | Just In Time | Dean Martin | 2:16 |
| 18 | Be an Angel | Dean Martin | 2:51 |
| 19 | Non dimenticar | Dean Martin | 3:06 |
| 20 | Somebody Loves You | Dean Martin | 2:35 |
