100 Essential Hits

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistLength
1Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:24
2C’est si bon
recording of:
C’est si bon (It's So Good, English version)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (in 1947)
translator:
Jerry Seelen (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
Louis Armstrong3:04
3Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd., EMI Music, Redwood Music and Redwood Music Ltd.
Louis Armstrong2:54
4Blueberry Hill
recording of:
Blueberry Hill
lyricist:
Al Lewis and Larry Stock
composer:
Vincent Rose
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd., Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Louis Armstrong2:55
5Takes Two to Tango
recording of:
Takes Two to Tango
writer:
Al Hoffman (in 1952) and Dick Manning (in 1952)
Louis Armstrong2:56
6Jeepers Creepers
recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (in 1938)
publisher:
B. Feldman & Co. Ltd. and Copyright Control
part of:
The 11th Academy Award for Best Original Song (number: 2)
Louis Armstrong2:45
7You Rascal You
additional performer:
Louis Jordan
recording of:
I’ll Be Glad When You’re Dead, You Rascal You
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd.
Louis Armstrong feat. Louis Jordan3:09
8A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Louis Armstrong3:04
9After You’ve Gone
recording of:
After You’ve Gone
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Louis Armstrong3:24
10Georgia on My Mind
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation, Peermusic III, Ltd., Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. (from 1930 to present)
sub-publisher:
ピアーミュージック
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong3:25
11Lazy River
recording of:
Lazy River
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
Louis Armstrong3:53
12Stardust
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc., EMI Music Publishing Ltd., Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
part of:
American Splendor
Louis Armstrong3:36
13A Fine Romance
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Louis Armstrong feat. Ella Fitzgerald3:38
14I Ain’t Got Nobody
recorded in:
New York, New York, United States (on 1929-12-10)
alto saxophone:
Charlie Holmes (on 1929-12-10) and Albert Nicholas (on 1929-12-10)
double bass:
George "Pops" Foster (on 1929-12-10)
drums (drum set):
Paul Barbarin (on 1929-12-10)
guitar:
Will Johnson (on 1929-12-10)
piano:
Luis Russell (on 1929-12-10)
tenor saxophone:
Teddy Hill (on 1929-12-10)
trombone:
J.C. Higginbotham (on 1929-12-10)
trumpet:
Henry “Red” Allen (on 1929-12-10), Louis Armstrong (on 1929-12-10) and Otis Johnson (on 1929-12-10)
vocals:
Louis Armstrong (on 1929-12-10)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (on 1929-12-10)
lyricist:
Roger Graham
composer:
Spencer Williams
Louis Armstrong2:47
15I’m a Ding Dong Daddy
recording of:
I'm a Ding Dong Daddy
writer:
Phil Baxter
Louis Armstrong3:12
16Willow Weep for Me
recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co.
sub-publisher:
日音 Synch事業部
Louis Armstrong feat. Oscar Peterson4:20
17Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (on 1932-01-25)
double bass:
John Lindsay (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (on 1932-01-25)
piano:
Charlie Alexander (on 1932-01-25)
tenor saxophone:
Albert Washington (on 1932-01-25)
trombone:
Preston Jackson (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Louis Armstrong3:06
18When the Saints Go Marching In
recording of:
When the Saints Go Marching In
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
Louis Armstrong2:43
19Them There Eyes
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
Louis Armstrong3:11
20You’re Driving Me Crazy
recording of:
You’re Driving Me Crazy
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Louis Armstrong3:11
21St. James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
lyricist and composer:
[traditional]
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Louis Armstrong3:21
22Dinah
recording of:
Dinah
lyricist:
Sam M. Lewis and Joe Young
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. and Morley Music Corp.
part of:
The Girl’s Suite
Louis Armstrong3:22
23Let’s Do It (Let’s Fall in Love)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Louis Armstrong feat. Ella Fitzgerald8:43
24I Can’t Believe That You’re in Love with Me
recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh
publisher:
Mills Music, Inc.
Louis Armstrong3:11
25Dear Old Southland
orchestra:
Louis Armstrong and His Orchestra (on 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (on 1930-04-05)
lyricist:
Henry Creamer (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
Louis Armstrong3:20
26Exactly Like You
recording of:
Exactly Like You
lyricist:
Dorothy Fields (in 1930)
writer:
Fritz Löhner-Beda
composer:
Jimmy McHugh (in 1930)
Louis Armstrong3:30
27The Rhythm Man
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
clarinet:
Jimmy Strong (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (on 1929-07-22)
trombone:
Fred Robinson (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
That Rhythm Man (on 1929-07-22)
writer:
Harry Brooks, Andy Razaf and Thomas Waller
Louis Armstrong3:11
28Some of These Days
recording of:
Some of These Days
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams
Louis Armstrong3:16
29You’re Lucky to Me
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Marvin Johnson (on 1930-10-16)
baritone saxophone:
Les Hite (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (on 1930-10-16)
double bass:
Joe Bailey (on 1930-10-16)
drums (drum set):
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (on 1930-10-16)
piano:
Harvey Brooks (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
You’re Lucky to Me (on 1930-10-16)
lyricist:
Andy Razaf
composer:
Eubie Blake
Louis Armstrong3:29
30Blue, Turning Grey over You
recording of:
Blue, Turning Grey Over You
lyricist:
Andy Razaf
composer:
Thomas Waller
Louis Armstrong3:29
31I’m Shooting High
recorded in:
New York, New York, United States (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (on 1935-11-22), Henry “Moon” Jones (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
I’m Shooting High (on 1935-11-22)
writer:
Ted Koehler and Jimmy McHugh
Louis Armstrong2:56
32Bessie Couldn’t Help It
recorded in:
New York, New York, United States (on 1930-02-01)
alto saxophone:
Charlie Holmes (on 1930-02-01) and William Thornton Blue (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (on 1930-02-01)
guitar:
Will Johnson (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
tenor saxophone:
Teddy Hill (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
orchestra:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (on 1930-02-01)
writer:
Charles A. Bayha, Jacques Richmond and Byron Warner
Louis Armstrong3:23
33I Wonder Who
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (on 1933-04-26)
tuba:
Bill Oldham (on 1933-04-26)
vocals:
Louis Armstrong (on 1933-04-26)
orchestra:
Louis Armstrong and His Orchestra (in 1933)
recording of:
I Wonder Who (on 1933-04-26)
writer:
Paul Barbarin
Louis Armstrong3:06
34Red Sails in the Sunset
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (on 1935-12-13), Henry “Moon” Jones (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
Red Sails in the Sunset (on 1935-12-13)
lyricist:
James B. Kennedy
composer:
Hugh Williams
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. and Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:04
35(Was I to Blame For) Falling in Love with You?
recorded in:
New York, New York, United States (on 1935-11-22)
alto saxophone:
Charlie Holmes (on 1935-11-22) and Henry “Moon” Jones (on 1935-11-22)
clarinet:
Bingie Madison (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (on 1935-11-22)
writer:
Chester Conn, Gus Kahn and Victor Young
Louis Armstrong3:13
36I’m Putting All My Eggs in One Basket
recorded in:
New York, New York, United States (on 1936-02-04)
alto saxophone:
Phil Waltzer (on 1936-02-04)
clarinet:
Sid Trucker (on 1936-02-04)
double bass:
Pete Peterson (on 1936-02-04)
drums (drum set):
Stan King (on 1936-02-04)
guitar:
Dave Barbour (on 1936-02-04)
piano:
Fulton McGrath (on 1936-02-04)
tenor saxophone:
Paul Ricci (on 1936-02-04)
trombone:
Al Philburn (on 1936-02-04)
trumpet:
Louis Armstrong (on 1936-02-04), Bunny Berigan (on 1936-02-04) and Bob Mayhew (on 1936-02-04)
vocals:
Louis Armstrong (on 1936-02-04)
orchestra:
Louis Armstrong & His Orchestra (on 1936-02-04)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (on 1936-02-04)
lyricist and composer:
Irving Berlin (in 1936)
Louis Armstrong3:01
37Rhythm Saved the World
recording of:
Rhythm Saved the World
lyricist:
Sammy Cahn
composer:
Saul Chaplin
Louis Armstrong3:06
38On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd., Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
Louis Armstrong2:58
39Hear Me Talkin’ to Ya
recording of:
Hear Me Talkin' to Ya
lyricist and composer:
Louis Armstrong
Louis Armstrong3:07
40Wolverine Blues
recording of:
Wolverine Blues
lyricist:
Benjamin F Spikes and John Spikes
composer:
Jelly Roll Morton
Louis Armstrong3:20
412:19 Blues
recording of:
2.19 Blues
writer:
Mamie Desdume
Louis Armstrong2:51
42Harlem Stomp
recording of:
Harlem Stomp
writer:
Irene Higginbotham and J.C. Higginbotham
Louis Armstrong3:03
43Lazy Bones
recording of:
Lazy Bones
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd.
Louis Armstrong3:12
44Sweet Sue, Just You
recording of:
Sweet Sue, Just You
lyricist:
Will J. Harris
composer:
Will J. Harris and Victor Young
publisher:
Shapiro Bernstein & Co. Ltd.
Louis Armstrong2:46
45Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
composer:
Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Louis Armstrong3:06
46West End Blues
recording of:
West End Blues
lyricist:
Clarence Williams
composer:
King Oliver
publisher:
Clarence Williams Music
is based on:
West End Blues (original instrumental)
Louis Armstrong3:12
47Savoy Blues
recording of:
Savoy Blues
composer:
Kid Ory
Louis Armstrong3:15
48St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong3:07
49Where the Blues Were Born in New Orleans
recording of:
Where the Blues Were Born in New Orleans
writer:
Bob Carleton and Charlie Dixon
Louis Armstrong3:10
50I Get a Kick out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Louis Armstrong4:19
51That Lucky Old Sun
recording of:
That Lucky Old Sun
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
Louis Armstrong3:07
52Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Louis Armstrong4:57
53Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc., Everbright Music Co. and Mills Music, Inc.
Louis Armstrong5:15
54La vie en rose
cover recording of:
La Vie en rose (English translation)
lyricist:
Édith Piaf
composer:
Louiguy
translator:
Mack David
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック
translated version of:
La Vie en rose (French original)
Louis Armstrong3:27
55Stompin’ at the Savoy
recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
Louis Armstrong5:16
56Blues for Yesterday
recording of:
Blues for Yesterday
writer:
Leroy Carr
Louis Armstrong2:37
57I’m Confessin’ (That I Love You)
recording of:
I’m Confessin’ (That I Love You)
lyricist:
Al J. Neiburg (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
Louis Armstrong3:23
58My Sweet Hunk O’Trash
recording of:
My Sweet Hunk o’ Trash
lyricist:
Flournoy E. Miller
composer:
James P. Johnson
Louis Armstrong3:19
59Baby, Won’t You Please Come Home
recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams
publisher:
Redwood Music Ltd., Universal‐MCA Music Publishing and Universal/MCA Music Ltd.
Louis Armstrong3:20
60I Want a Little Girl
recording of:
I Want a Little Girl
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:04
61Down in Honky Tonk Town
recording of:
Down in Honky Tonk Town
writer:
Charles McCarron (in 1916) and Chris Smith (in 1916)
Louis Armstrong3:04
62Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
Louis Armstrong4:41
63Someday You’ll Be Sorry
recording of:
Someday You’ll Be Sorry
writer:
Louis Armstrong
Louis Armstrong3:15
64Dippermouth Blues
recorded in:
Los Angeles, California, United States (on 1936-08-07)
clarinet:
Jimmy Dorsey (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
recording of:
Dippermouth Blues (on 1936-08-07)
composer:
Louis Armstrong and King Oliver
Louis Armstrong2:44
65Satchel Mouth Swing
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (on 1938-01-12) and Charlie Holmes (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (on 1938-01-12)
trumpet:
Henry “Red” Allen (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Satchel Mouth Swing (on 1938-01-12)
writer:
Louis Armstrong and Mary Lou Williams
Louis Armstrong2:36
66Perdido Street Blues
recording of:
Perdido Street Blues
composer:
Lil Armstrong
Louis Armstrong3:08
67Struttin’ with Some Barbecue
recording of:
Struttin’ With Some Barbecue
composer:
Lil Hardin Armstrong
Louis Armstrong2:57
68Sweethearts on Parade
recording of:
Sweethearts on Parade
lyricist:
Charles Newman (in 1928)
composer:
Carmen Lombardo (in 1928)
Louis Armstrong2:54
69I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc.
sub-publisher:
EMI Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
Louis Armstrong2:56
70That’s My Home
recording of:
That’s My Home
composer:
Ben Ellison, Leon René and Otis René
Louis Armstrong4:59
71Bess, You Is My Woman Now
recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
Louis Armstrong5:30
72High Society Calypso
recording of:
High Society Calypso (High Society musical romantic comedy film)
lyricist and composer:
Cole Porter (in 1956)
publisher:
Chappell Music Ltd.
part of:
High Society (1956 film)
Louis Armstrong3:00
73You Won’t Be Satisfied (Until You Break My Heart)
recording of:
You Won’t Be Satisfied (Until You Break My Heart)
writer:
Freddy James and Larry Stock
Louis Armstrong2:52
74The Black Cat Has 9 Lives
recording of:
This Black Cat Has 9 Lives
composer:
Lorenzo Pack
arranger:
Oliver Nelson
Louis Armstrong2:42
75Makin’ Whoopee
recording of:
Makin’ Whoopee!
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd., Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp.
Louis Armstrong3:58
76You’ve Got Me Voodoo’d
recorded in:
New York, New York, United States (on 1940-03-14)
alto saxophone:
Charlie Holmes (on 1940-03-14)
bass:
George "Pops" Foster (on 1940-03-14)
drums (drum set):
Sid Catlett (on 1940-03-14)
guitar:
Lee Blair (on 1940-03-14)
piano:
Luis Russell (on 1940-03-14)
reeds:
Rupert Cole (on 1940-03-14)
saxophone:
Joe Garland (on 1940-03-14)
tenor saxophone:
Bingie Madison (on 1940-03-14)
trombone:
Wilbur de Paris (on 1940-03-14), J.C. Higginbotham (on 1940-03-14) and George Washington (on 1940-03-14)
trumpet:
Henry “Red” Allen (on 1940-03-14), Louis Armstrong (on 1940-03-14), Bernard Flood (on 1940-03-14) and Shelton "Scad" Hemphill (on 1940-03-14)
vocals:
Louis Armstrong (on 1940-03-14)
orchestra:
Louis Armstrong & His Orchestra (on 1940-03-14)
recording of:
You've Got Me Voodoo'd (on 1940-03-14)
composer:
Louis Armstrong, Cornelius Lawrence and Luis Russell
Louis Armstrong3:02
77Jazz Lips
recording of:
Jazz Lips
composer:
Lil Hardin Armstrong
Louis Armstrong3:11
78When It’s Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
Louis Armstrong3:17
79When You’re Smiling (The Whole World Smiles with You)
recording of:
When You’re Smiling (the Whole World Smiles With You)
lyricist:
Mark Fisher and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong4:05
80Gone Fishin’
performer:
Louis Armstrong and Bing Crosby
recording of:
Gone Fishin’
writer:
Charles Kenny and Nick Kenny
publisher:
Bourne Co. and EMI Feist Catalog Inc.
Louis Armstrong2:33
81Dream a Little Dream of Me
recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd., Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. and ティー・アール・オー・エセックス・ジャパン A事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong3:08
82Chloe (Song of the Swamp)
recording of:
Chloë (Song of the Swamp)
lyricist:
Gus Kahn (in 1927)
composer:
Gus Kahn and Charles N. Daniels (in 1927)
Louis Armstrong3:08
83Stormy Weather
recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing, Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Louis Armstrong4:18
84Alexander’s Ragtime Band
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (on 1937-07-07) and George Washington (on 1937-07-07)
trumpet:
Henry “Red” Allen (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Alexander’s Ragtime Band (on 1937-07-07)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
Louis Armstrong2:38
85Mahogany Hall Stomp
recording of:
Mahogany Hall Stomp
composer:
Spencer Williams
Louis Armstrong2:58
86On a Coconut Island
recorded in:
Los Angeles, California, United States (on 1936-08-18)
double bass:
Joe Nawahi (on 1936-08-18)
drums (drum set) and vibraphone:
Lionel Hampton (on 1936-08-18)
guitar:
George Archer (on 1936-08-18) and Harry Baty (on 1936-08-18)
steel guitar:
Sam Koki (on 1936-08-18)
trumpet:
Louis Armstrong (on 1936-08-18)
vocals:
George Archer (on 1936-08-18), Louis Armstrong (on 1936-08-18), Harry Baty (on 1936-08-18) and Joe Nawahi (on 1936-08-18)
recording of:
On a Coconut Island (on 1936-08-18)
lyricist:
Robert Alex Anderson
composer:
Robert Alex Anderson (in 1936)
Louis Armstrong3:11
87Do You Know What It Means to Miss New Orleans?
recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
Louis Armstrong3:05
88Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Louis Armstrong4:45
89Sugar
recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog and Robbins Music Corp.
Louis Armstrong3:25
90(What Did I Do to Be So) Black and Blue
recording of:
Black and Blue
lyricist:
Harry Brooks and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd.
Louis Armstrong4:28
91Old Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd.
Louis Armstrong5:06
92I’m in the Mood for Love
recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (in 1935, in 1963) and EMI Music Publishing Ltd. (in 2016)
Louis Armstrong3:10
93Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams
publisher:
EMI Music Publishing Ltd.
Louis Armstrong5:14
94Gee Baby Ain’t I Good to You?
recording of:
Gee, Baby Ain’t I Good to You
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong4:14
95You Can’t Lose a Broken Heart
recording of:
You Can’t Lose a Broken Heart
lyricist:
Flournoy E. Miller
composer:
James P. Johnson
Louis Armstrong3:17
96Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (in 1942)
composer:
Duke Ellington (in 1940)
publisher:
EMI Music, EMI Robbins Catalog Inc., Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
version of:
Never No Lament
Louis Armstrong3:40
97Let’s Call the Whole Thing Off
performer:
Louis Armstrong and Ella Fitzgerald
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
Louis Armstrong4:15
98I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc.
Louis Armstrong3:57
99Top Hat, White Tie and Tails
recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Louis Armstrong4:13
100We’ll Be Together Again
recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation, Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック and ミュージック・セールス
Louis Armstrong4:04

Credits

Release

ASIN:UK: B004H9Z10O [info]