Julian Cannonball Adderley and Strings / Jump for Joy

~ Release by Julian Cannonball Adderley (see all versions of this release, 2 available)

Annotation

UPC is correct even though it shares with CD release. Verified by iTunes.

Tracklist

1Digital Media
#TitleArtistLength
1I Cover the Waterfront
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
instrumental recording of:
I Cover the Waterfront (on 1955-10-28)
lyricist:
Edward Heyman
composer:
Johnny Green and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc.
Julian Cannonball Adderley & Richard Hayman2:29
2A Foggy Day (1955 version with Strings)
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995, in 2001) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
A Foggy Day (in London Town) (on 1955-10-28)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Julian Cannonball Adderley2:44
3Surrey With the Fringe on Top
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
The Surrey With the Fringe on Top (on 1955-10-28)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing, EMI Music Publishing Ltd. and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Julian Cannonball Adderley2:34
4Two Sleepy People
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (on 1955-10-28)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation, Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC
Julian Cannonball Adderley & Richard Hayman & Orchestra3:04
5I’ll Never Stop Loving You
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995, in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ll Never Stop Loving You (on 1955-10-28)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
Julian Cannonball Adderley2:44
6(I’m Afraid) The Masquerade Is Over
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (on 1955-10-28)
lyricist:
Herb Magidson
composer:
Allie Wrubel
publisher:
Chappell Morris Ltd. and Crawford Music Corp.
Julian Cannonball Adderley3:14
7I’ve Never Been in Love Before
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995, in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (on 1955-10-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (Broadway musical)
Julian Cannonball Adderley & Richard Hayman & Orchestra2:22
8Lonely Dreams
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Lonely Dreams (on 1955-10-28)
composer:
Terry Gibbs
Julian Cannonball Adderley & Richard Hayman & Orchestra2:32
9Falling in Love With Love
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (on 1955-10-27)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc.
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
Julian Cannonball Adderley2:35
10Street of Dreams
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (on 1955-10-27)
lyricist:
Sam M. Lewis (in 1932)
composer:
Victor Young (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
Julian Cannonball Adderley & Richard Hayman & Orchestra2:16
11Polka Dots and MoonbeamsJulian Cannonball Adderley & Richard Hayman3:07
12You Are Too BeautifulJulian Cannonball Adderley & Richard Hayman & Orchestra2:59
13Two Left Feet
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
cover recording of:
Two Left Feet (on 1958-08-21)
writer:
Hal Borne and Paul Francis Webster
Julian Cannonball Adderley3:15
14Just Squeeze Me (But Don’t Tease Me)
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1958-08-21)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (in 1941)
Julian Cannonball Adderley3:19
15I Got It Bad (and That Ain’t Good)
recorded in:
New York, New York, United States (on 1958-08-20)
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (on 1958-08-20)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Julian Cannonball Adderley2:39
16Nothin’
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995, in 2001)
recording of:
Nothin’ (on 1958-08-20)
writer:
Hal Borne, Ray Golden and Sid Kuller
Julian Cannonball Adderley4:36
17Jump for Joy
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
bass and double bass [bass]:
Milt Hinton (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
drums (drum set):
Jimmy Cobb (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995, in 2001)
instrumental recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington, Sid Kuller and Paul Francis Webster
cover recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington, Sid Kuller and Paul Francis Webster
Julian Cannonball Adderley3:23
18Bli-Blip
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
instrumental recording of:
Bli-Blip (on 1958-08-21)
lyricist:
Sid Kuller
composer:
Duke Ellington
Julian Cannonball Adderley3:51
19Chocolate Shake
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
recording of:
Chocolate Shake (on 1958-08-21)
writer:
Duke Ellington and Paul Francis Webster
Julian Cannonball Adderley2:43
20If Life Were All Peaches and Cream
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
cover recording of:
If Life Were All Peaches and Cream (on 1958-08-20)
writer:
Hal Borne and Paul Francis Webster
Julian Cannonball Adderley5:17
21Brown-Skin Gal (In the Calico Gown)
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
instrumental recording of:
The Brown-Skin Gal (in the Calico Gown) (on 1958-08-20)
writer:
Duke Ellington and Paul Francis Webster
Julian Cannonball Adderley2:52
22Tune of the Hickory Stick
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
Bill Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (in 1995)
cover recording of:
The Tune of the Hickory Stick (on 1958-08-21)
writer:
Hal Borne and Paul Francis Webster
Julian Cannonball Adderley3:24