| # | Title | Artist | Length |
|---|
| 1 | All the Same | Sick Puppies | 3:28 |
| 2 | More Than Words | Extreme | 5:35 |
| 3 | Fading Like a Flower (Every Time You Leave) | Roxette | 3:51 |
| 4 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan, Ben Fowler, Lolly Grodner, Robert Hart, John Herman, Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc., EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing, Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal, Universal Music Publishing, Universal Music Publishing Group, Universal Music Publishing Ltd., Universal PolyGram International Publishing, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4:29 |
| 5 | How Do You Talk to an Angel | The Heights | 3:25 |
| 6 | Still Got the Blues (for You) | Gary Moore | 4:11 |
| 7 | Missing You- producer:
- Gary Gersh, David Thoener and John Waite
- phonographic copyright (℗) by:
- EMI Records USA (in 1984) and EMI USA (in 1984)
- edit of:
- Missing You by John Waite
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control, Everpop Songs, Markmeem Music, Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3:30 |
| 8 | Eyes Without a Face- engineer and mixer:
- Dave Wittman
- producer:
- Keith Forsey
- bass guitar:
- Sal Cuevas
- drums (drum set):
- Thommy Price
- guitar:
- Steve Stevens
- background vocals:
- Perri Lister
- lead vocals:
- Billy Idol
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983) and Chrysalis Records, Inc. (in 1999)
- recorded at and mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Eyes Without a Face by Billy Idol
- recording of:
- Eyes Without a Face
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd., Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music and Warner Chappell Music Ltd.
| Billy Idol | 4:56 |
| 9 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control, EMI Music Publishing Ltd., Empire Music Ltd., Realsongs, Warner Bros. Music Ltd., WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2)
| Starship | 4:26 |
| 10 | Broken Wings- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1985) and Sony Music Entertainment (in 1985)
- edit of:
- Broken Wings by Mr. Mister
- recording of:
- Broken Wings
- writer:
- Steve George, John Lang and Richard Page
- publisher:
- Ali‐Aja Music, Copyright Control, Entente Music, Indolent Sloth Music, Panola Park Music, Poppy‐Due Music, Warner Chappell Music Ltd., Warner–Tamerlane Publishing Corp., Warner/Chappell Music Ltd., Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Mr. Mister | 4:23 |
| 11 | Hard to Say I’m Sorry | Chicago | 3:42 |
| 12 | All by Myself- assistant engineer:
- Joey Barbaria
- engineer:
- Jack Sherdel
- producer:
- Jimmy Ienner
- lead vocals:
- Eric Carmen (from 1975-08 until 1975-09)
- arranger:
- Eric Carmen
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1975) and Arista Records, LLC (in 1975)
- produced for:
- CAM Productions
- recorded at:
- O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
- recording of:
- All by Myself (from 1975-08 until 1975-09)
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control, Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd., Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Eric Carmen | 4:54 |
| 13 | Without You- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- acoustic guitar:
- John Uribe (in 1971-06)
- bass guitar:
- Klaus Voormann (in 1971-06)
- drums (drum set):
- Jim Keltner (in 1971-06)
- piano:
- Gary Wright (in 1971-06)
- vocals:
- Harry Nilsson (in 1971-06)
- conductor:
- Paul Buckmaster (in 1971-06)
- brass and strings arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- BMG Music (in 1971, in 1991), RCA Records (in 1971), Sony Music Entertainment (in 1971), RCA Corporation (in 1972) and RCA Records, Inc. (in 1989)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
- cover recording of:
- Without You (in 1971-06)
- writer:
- Tom Evans and W. Peter Ham
- publisher:
- 100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music and WB Music Corp. (until 2019-05-28)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Harry Nilsson | 3:18 |
| 14 | Stop | Sam Brown | 4:55 |
| 15 | If Tomorrow Never Comes | Ronan Keating | 3:34 |
| 16 | Superman (It’s Not Easy) | Five for Fighting | 3:40 |
| 17 | Wherever You Will Go- assistant recording engineer:
- Tiago Becker and Valente Torres
- recording engineer:
- Marc Greene and David Thoener
- producer:
- Marc Tanner
- mixer:
- Chris Lord‐Alge
- additional keyboard:
- Paul Mirkovich
- bass:
- Bob Glaub
- drums (drum set):
- Matt Laug
- guitar, mandolin, sampler [loops] and sitar:
- Aaron Kamin
- percussion:
- Aaron Kamin, Matt Laug and Satnam Ramgotra
- synthesizer [synth strings]:
- Ron Fair
- tabla:
- Satnam Ramgotra
- phonographic copyright (℗) by:
- BMG Entertainment (in 2001) and RCA Records (in 2001)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Image Recording in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 2002 (number: 5)
- recording of:
- Wherever You Will Go
- writer:
- Alex Band and Aaron Kamin
- publisher:
- Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd., Copyright Control, Universal Music Careers and Universal Music Publishing MGB Ltd.
| The Calling | 3:27 |
| 18 | Behind Blue Eyes | Limp Bizkit | 4:30 |
| 19 | Ordinary World | Duran Duran | 4:41 |
