| # | Title | Artist | Length |
|---|
| 1 | 18 and Life | Skid Row | 3:50 |
| 2 | Nothin’ but a Good Time | Poison | 3:44 |
| 3 | Cherry Pie- producer and mixer:
- Beau Hill
- phonographic copyright (℗) by:
- Columbia Records (in 1990), Sony BMG Music Entertainment (in 1990), Sony Music Entertainment (in 1990) and Sony Music Entertainment Inc. (in 1990)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 56)
- recording of:
- Cherry Pie
- lyricist:
- Jani Lane
- composer:
- Joey Allen, Jerry Dixon, Jani Lane, Steven Sweet and Erik Turner
- publisher:
- Crab Salad Music, Dick Dragon Music, Dixonyou Music, EMI Virgin Music Australia Pty Ltd, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music, Likite Split Music, Rich McBitch Music, Round Hill Works and Virgin Songs, Inc.
| Warrant | 3:20 |
| 4 | Nobody’s Fool- assistant engineer:
- David Glover, Joe Hauserman, Mark McKenna, Nick Didia and Paul Wertheimer
- engineer and producer:
- Andy Johns
- bass guitar:
- Eric Brittingham
- drums (drum set):
- Fred Coury
- guest keyboard:
- Jeff Paris
- guitar:
- Tom Keifer and Jeff LaBar
- piano and lead vocals:
- Tom Keifer
- background vocals:
- Eric Brittingham and Jeff LaBar
- guest background vocals:
- Tony Mills
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1986)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States, Kajem/Victory Studios in Philadelphia, Pennsylvania, United States, Sigma Sound Studios in Philadelphia, Pennsylvania, United States, Sound Factory in Los Angeles, California, United States and The Warehouse in Philadelphia, Pennsylvania, United States
- mixed at:
- The Record Plant in Hollywood, Los Angeles, California, United States
- recording of:
- Nobody’s Fool
- lyricist and composer:
- Tom Keifer
- publisher:
- Chappell & Co., Inc. and Eve Songs, Inc.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Cinderella | 4:47 |
| 5 | Kiss Me Deadly- assistant engineer:
- Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright
- engineer and mixer:
- George Tutko
- producer:
- Mike Chapman
- additional guest drums (drum set) and additional guest percussion:
- Craig Krampf (in 1987)
- bass guitar:
- Donnie Nossov (in 1987)
- drums (drum set):
- Myron Grombacher (in 1987)
- guitar:
- Lita Ford (in 1987)
- keyboard:
- David Ezrin (in 1987)
- guest background vocals:
- Mike Chapman (in 1987) and Llory McDonald (in 1987)
- vocals and performer:
- Lita Ford (in 1987)
- phonographic copyright (℗) by:
- BMG Entertainment (in 1988) and Dreamland Records (in 1988)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
- mixed at:
- One on One Studios in North Hollywood, Los Angeles, California, United States and The Village in Los Angeles, California, United States
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 33) and VH1: 100 Greatest Hard Rock Songs (number: 76)
- recording of:
- Kiss Me Deadly (in 1987)
- lyricist and composer:
- Mick Smiley
- publisher:
- Mike Chapman Publishing Enterprises, The Makiki Publishing Co. Ltd., The Twin Towers Co. and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Lita Ford | 3:59 |
| 6 | Round and Round | Ratt | 4:23 |
| 7 | Up All Night | Slaughter | 3:45 |
| 8 | Rock You Like a Hurricane- engineer:
- Mike Beiriger, Dieter Dierks, David Hewitt and Gerd Rautenbach
- producer:
- Dieter Dierks
- mixer:
- Mike Beiriger, Dieter Dierks and Scorpions
- acoustic guitar and electric guitar:
- Rudolf Schenker (in 1984)
- bass guitar:
- Francis Buchholz (in 1984)
- drums (drum set) and percussion:
- Herman Rarebell (in 1984)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1984) and Rudolf Schenker (in 1984)
- slide guitar:
- Matthias Jabs (in 1984)
- background vocals:
- Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (in 1984) and Rudolf Schenker (in 1984)
- lead vocals:
- Klaus Meine (in 1984)
- arranger:
- Dieter Dierks
- phonographic copyright (℗) by:
- BMG Rights Management GmbH (in 1984, in 2018), Breeze Music (in 1984), EMI (in 1984), The Island Def Jam Music Group (in 1984) and BMG Rights Management GmbH (in 2015)
- recorded at:
- Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1983 until 1984)
- part of:
- Alan Cross: Hurricane Songs (number: 5), VH1: 100 Greatest Hard Rock Songs (number: 18) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
- recording of:
- Rock You Like a Hurricane (in 1984)
- lyricist:
- Klaus Meine and Herman Rarebell
- composer:
- Rudolf Schenker
- publisher:
- Arabella Music Edition München, Arabella Musikverlag GmbH and Universal Music Publishing
| Scorpions | 4:12 |
| 9 | Seventeen- assistant engineer:
- Noah Baron and Jimmy Hoyson
- engineer and producer:
- Beau Hill
- audio engineer:
- Bob Caputo and Bob Schwall
- editor:
- Stephen Benben
- bass guitar and lead vocals:
- Kip Winger
- cello:
- Maria Kitsopoulos
- drums (drum set) and percussion:
- Rod Morgenstein
- guitar:
- Reb Beach and Paul Taylor
- keyboard:
- Paul Taylor and Kip Winger
- viola:
- Rebecca Young
- violin:
- Hae-Young Ham and Sandra Park
- additional vocals:
- Beau Hill and Ira McLaughlin
- background vocals:
- Reb Beach, Rod Morgenstein and Paul Taylor
- strings arranger:
- Kip Winger
- arranger:
- Beau Hill, Winger and Kip Winger
- recorded at and mixed at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 87)
- recording of:
- Seventeen
- writer:
- Reb Beach, Beau Hill and Kip Winger
- publisher:
- Blue 32 Music Inc., BMG Gold Songs, BMG Platinum Songs US, EMI Virgin Music, Inc., EMI Virgin Songs, Inc., Julian Kelly Music, Small Hope Music, Varseau Music and フジパシフィックミュージック BMG事業部
| Winger | 4:04 |
| 10 | We’re Not Gonna Take It- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello, Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza, Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 3:38 |
| 11 | Once Bitten Twice Shy | Great White | 3:59 |
| 12 | Wait | White Lion | 4:01 |
| 13 | Cum On Feel the Noize | Quiet Riot | 4:49 |
| 14 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan, Ben Fowler, Lolly Grodner, Robert Hart, John Herman, Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc., EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing, Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal, Universal Music Publishing, Universal Music Publishing Group, Universal Music Publishing Ltd., Universal PolyGram International Publishing, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4:28 |
| 15 | Don’t Treat Me Bad | FireHouse | 3:56 |
| 16 | Just Like Paradise | David Lee Roth | 4:04 |
| 17 | I Hate Myself for Loving You | Joan Jett and the Blackhearts | 4:07 |
| 18 | The Final Countdown- producer:
- Kevin Elson
- phonographic copyright (℗) by:
- CBS Records AB (in 1986), CBS, Inc. (in 1986), Sony Music Entertainment Inc. (in 1986), Epic Records (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- Copyright Control, EMI, EMI Music Publishing Australia Pty Ltd, EMI Music Publishing Ltd., EMI Music Sweden AB, Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 4:00 |
