The Operas: Complete Opera & Vocal Recordings on Deutsche Grammophon

~ Release by Karl Böhm (see all versions of this release, 1 available)

Tracklist

1CD: Beethoven: Fidelio (Act I)
2CD: Beethoven: Fidelio (Act II)
3CD: Beethoven: Missa Solemnis [1955]
4CD: Beethoven: Missa solemnis (1974) (Kyrie / Gloria / Credo)
5CD: Beethoven: Missa solemnis (1974) (Sanctus - Benedictus / Agnus Dei)
6CD: Berg: Wozzeck (Acts I, II & III beg.)
7CD: Berg: Wozzeck (Act III cont.) / Lulu (Prolog - Act I)
8CD: Berg: Lulu (Act II)
9CD: Handel: Giulio Cesare (Highlights)
10CD: Haydn: Die Jahreszeiten (Der Frühling - Der Sommer)
11CD: Haydn: Die Jahreszeiten (Die Herbst - Der Winter)
12CD: Mahler: Kindertotenlieder / 4 Lieder / Brahms: Alto Rhapsody
13CD: Mozart: Idomeneo (Act I)
14CD: Mozart: Idomeneo (Act II)
15CD: Mozart: Idomeneo (Act III)
16CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
17CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
18CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
19CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
#TitleArtistLength
1Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Quante buffonerie!” (Contessa, Susanna, Cherubino)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie” (Il Conte, La Contessa, Cherubino, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:13
2Le nozze di Figaro, K. 492: Atto Secondo. “Che novità! non fu mai vostra usanza” (Conte, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:17
3Le nozze di Figaro, K. 492: Atto Secondo. N. 13 Terzetto: “Susanna, or via, sortite” (Conte, Contessa, Susanna)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:15
4Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Dunque, voi non aprite?” (Conte, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:53
5Le nozze di Figaro, K. 492: Atto Secondo. N. 14 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:00
6Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Oh guarda il demonietto!” (Susanna)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. Recitativo “Oh guarda il demonietto!” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:21
7Le nozze di Figaro, K. 492: Atto Secondo. “Tutto è come io lasciai” (Conte, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:11
8Le nozze di Figaro, K. 492: Atto Secondo. N. 15 Finale: “Esci, omai, garzon malnato” (Conte, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:43
9Le nozze di Figaro, K. 492: Atto Secondo. N. 15 Finale: “Signore! Cos’è quel stupore?” (Susanna, Conte, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:29
10Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Susanna, son morta” (Contessa, Susanna, Conte)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Susanna! … Signore!” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:41
11Le nozze di Figaro, K. 492: Atto Secondo. N. 15 Finale: “Signori, di fuori son già i suonatori” (Figaro, Conte, Susanna, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Signore, di fuori” (Figaro, Il Conte, Susanna, La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:01
12Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Conoscete, signor Figaro” (Conte, Figaro, Susanna, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:24
13Le nozze di Figaro, K. 492: Atto Secondo. N. 15 Finale: “Ah! signore … signor” – “Cosa è stato?” (Antonio, Conte, Susanna, Contessa, Figaro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Antonio]:
Klaus Hirte (in 1968-03)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena X. (no. 16) Finale “Ah signor… signor” (Antonio, Il Conte, La Contessa, Susanna, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:43
14Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Vostre dunque saran queste carte” (Antonio, Conte, Figaro, Susanna, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le vozze di Figaro, K. 492: Atto II. (no. 16) Finale “Vostre dunque saran queste carte” (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:03
15Le nozze di Figaro, K. 492: Atto Secondo. N. 15 Finale: “Voi signor, che giusto siete” (Marcellina, Basilio, Bartolo, Conte, Susanna, Contessa, Figaro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Bartolo]:
Peter Lagger (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
tenor vocals [Basilio]:
Erwin Wohlfahrt (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:01
16Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Che imbarazzo è mai questo!” (Conte, Contessa, Susanna)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals and baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:26
17Le nozze di Figaro, K. 492: Atto Terzo. N. 16 Duetto: “Crudel! perchè finora farmi languir così?” (Conte, Susanna)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:49
18Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “E perchè fosti meco stamattina sì austera?” (Conte, Susanna, Figaro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:41
19Le nozze di Figaro, K. 492: Atto Terzo. N. 17 Recitativo: “Hai già vinta la causa!” (Conte)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:27
20Le nozze di Figaro, K. 492: Atto Terzo. N. 17 Aria: “Vedrò mentr’io sospiro” (Conte)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva] and bass vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:32
21Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, Conte, Bartolo)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Bartolo]:
Peter Lagger (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (in 1968-03)
tenor vocals [Don Curzio]:
Martin Vantin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:47
22Le nozze di Figaro, K. 492: Atto Terzo. N. 18 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Bartolo]:
Peter Lagger (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
tenor vocals [Don Curzio]:
Martin Vantin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:48
23Le nozze di Figaro, K. 492: Atto Terzo. “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
bass vocals [Bartolo]:
Peter Lagger (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:01
24Le nozze di Figaro, K. 492: Atto Terzo. “Andiamo, andiam, bel paggio” (Barbarina, Cherubino)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (in 1968-03)
soprano vocals [Barbarina]:
Barbara Vogel (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. Recitativo “Andiam, andiam, bel paggio” (Barbarina, Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:35
25Le nozze di Figaro, K. 492: Atto Terzo. N. 19 Recitativo: “E Susanna non vien!” (Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:44
26Le nozze di Figaro, K. 492: Atto Terzo. N. 19 Aria: “Dove sono i bei momenti” (Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:58
27Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Io vi dico, signor” (Antonio, Conte, Contessa, Susanna)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Antonio]:
Klaus Hirte (in 1968-03)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IX: Recitativo "Io vi dico, signor" (Antonio / Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:54
28Le nozze di Figaro, K. 492: Atto Terzo. N. 20 Duettino: [“Sull’aria…”] – “Che soave zeffiretto” (Susanna, Contessa)
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch
producer:
Carter Burwell and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
orchestrator:
Carter Burwell
balance engineer:
Günter Hermanns (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group and Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:31
29Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Piegato è il foglio” (Susanna, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:22
30Le nozze di Figaro, K. 492: Atto Terzo. N. 21 Coro: “Ricevete, o padroncina” (Contadinelle)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
other vocals [Due ragazze]:
Christa Doll (in 1968-03) and Margarethe Giehse (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
chorus master:
Walter Hagen-Groll (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:17
31Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Queste sono, Madama, le ragazze del loco” (Barbarina, Contessa, Susanna, Antonio, Conte, Cherubino, Figaro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Antonio]:
Klaus Hirte (in 1968-03)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (in 1968-03)
soprano vocals [Barbarina]:
Barbara Vogel (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XII-XIII. Recitativo “Questo sono, Madama” (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:18
32Le nozze di Figaro, K. 492: Atto Terzo. N. 22 Finale: “Ecco la marcia…andiamo” (Figaro, Susanna, Conte, Contessa)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:54
33Le nozze di Figaro, K. 492: Atto Terzo. N. 22 Finale: Allegretto – “Amanti costanti” (Due ragazzi, Coro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
chorus master:
Walter Hagen-Groll (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:16
34Le nozze di Figaro, K. 492: Atto Terzo. N. 22 Finale: Andante – “Eh già, solita usanza” (Conte, Figaro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
partial recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:31
35Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Andate, amici” (Conte, Coro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
chorus master:
Walter Hagen-Groll (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
partial recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:28
20CD: Mozart: Le nozze di Figaro (Act IV)
21CD: Mozart: Don Giovanni (1967) (Act I beg.)
22CD: Mozart: Don Giovanni (1967) (Acts I cont. & II beg.)
23CD: Mozart: Don Giovanni (1967) (Act II cont.)
24CD: Mozart: Don Giovanni (1977) (Act I beg.)
25CD: Mozart: Don Giovanni (1977) (Acts I cont. & II beg.)
26CD: Mozart: Don Giovanni (1977) (Act II cont.)
27CD: Mozart: Così fan tutte (Act I beg.)
28CD: Mozart: Così fan tutte (Acts I cont. & II)
29CD: Mozart: Die Zauberflöte (Act I)
30CD: Mozart: Die Zauberflöte (Act II beg.)
31CD: Mozart: Die Zauberflöte (Act II cont.) / Der Schauspieldirektor
32CD: Mozart: La clemenza di Tito (Act I)
33CD: Mozart: La clemenza di Tito (Act II)
34CD: Mozart: Requiem
35CD: R. Strauss: Salome (Scenes I-IV beg.)
36CD: R. Strauss: Salome: (Scene IV cont.)
37CD: R. Strauss: Elektra (beg.)
38CD: R. Strauss: Elektra (cont.)
39CD: R. Strauss: Der Rosenkavalier (1958) (Act I)
40CD: R. Strauss: Der Rosenkavalier (1958) (Act II)
41CD: R. Strauss: Der Rosenkavalier (1958) (Act III)
42CD: R. Strauss: Der Rosenkavalier (1969) (Act I)
43CD: R. Strauss: Der Rosenkavalier (1969) (Act II)
44CD: R. Strauss: Der Rosenkavalier (1969) (Act III)
45CD: R. Strauss: Ariadne auf Naxos (1944) (Vorpsiel)
46CD: R. Strauss: Ariadne auf Naxos (1944) (Oper)
47CD: R. Strauss: Ariadne auf Naxos (1954) (Vorspiel / Oper beg.)
48CD: R. Strauss: Ariadne auf Naxos (1954) (Oper cont.)
49CD: R. Strauss: Ariadne auf Naxos (1969) (Vorspiel / Oper beg.)
50CD: R. Strauss: Ariadne auf Naxos (1969) (Oper cont.)
51CD: R. Strauss: Die Frau ohne Schatten (Act I)
52CD: R. Strauss: Die Frau ohne Schatten (Act II)
53CD: R. Strauss: Die Frau ohne Schatten (Act III)
54CD: R. Strauss: Arabella (Act I)
55CD: R. Strauss: Arabella (Act II)
56CD: R. Strauss: Arabella (Act III)
57CD: R. Strauss: Die schweigsame Frau (Acts I & II beg.)
58CD: R. Strauss: Die schweigsame Frau (Acts II cont. & III)
59CD: R. Strauss: Daphne (beg.)
60CD: R. Strauss: Daphne (cont.)
61CD: R. Strauss: Capriccio (Scenes I - IX beg.)
62CD: R. Strauss: Capriccio (Scene IX cont. - Last Scene)
63CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
64CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
65CD: Wagner: Tristan und Isolde (Act I)
66CD: Wagner: Tristan und Isolde (Act II)
67CD: Wagner: Tristan und Isolde (Act III)
68CD: Das Vermächtnis meines Meisters
69CD: Karl Böhm speaks to the press on the occasion of the complete recording of Mozart's Don Giovanni in Prague / »Wolfgang Amadeus Mozart gilt meine große Liebe« / Karl Böhm speaks about his relationship with the Wiener Philharmoniker
70CD: Karl Böhm: Erzähltes Leben