A World of Classical: The Great Composers of History

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#	Title	Artist	Length
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1	French Suite no. 2 in C minor, BWV 813: 5. Menuet piano: Vladimir Ashkenazy (in 2016-04) recorded at: Potton Hall in Suffolk, England, United Kingdom (in 2016-04) recording of: Französische Suite no. 2 c-Moll, BWV 813: V. Menuet I (in 2016-04) composer: Johann Sebastian Bach part of: Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813) recording of: Menuet in C minor, BWV 813a (optional Menuet II in French Suite no. 2) (in 2016-04) composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 813a) part of: Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)	Johann Sebastian Bach	1:09
2	16 Waltzes, op. 39: 16. in C-sharp minor piano: Alfons Kontarsky (in 1980-10) and Aloys Kontarsky (in 1980-10) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1980-10, in 1981-07) recording of: 16 Waltzes, op. 39: No. 16 in D minor (for piano four hands) (in 1980-10) composer: Johannes Brahms (in 1865) part of: 16 Waltzes, op. 39 (for piano four hands)	Johannes Brahms	1:03
3	Mazurka no. 4 in E-flat minor, op. 6 no. 4 piano: Nikita Magaloff (in 1977-08) recording of: Mazurka no. 4 in E‐flat minor, op. 6 no. 4 (in 1977-08) composer: Fryderyk Chopin part of: Mazurkas, op. 6	Fryderyk Chopin	1:02
4	Piano Sonata no. 11 in A major, K. 331: 3. Alla Turca (Allegretto) piano: Daniel Barenboim recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (in 1783) part of: Classic 100: Piano (number: 32) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart	1:03
5	15 Three-part Inventions, BWV 787/801: No. 8 in F, BWV 794 producer: Michael Haas piano: András Schiff (from 1983-09-12 until 1983-09-25) balance engineer: Stanley Goodall phonographic copyright (℗) by: Universal Music Operations Ltd. (in 1985) recorded at: Kingsway Hall in London, England, United Kingdom (from 1983-09-12 until 1983-09-25) recording of: Sinfonia Nr. 8 F-Dur, BWV 794 (from 1983-09-12 until 1983-09-25) composer: Johann Sebastian Bach part of: 15 Sinfonias, BWV 787 - 801 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 794)	Johann Sebastian Bach	1:04
6	Liebeslieder-Walzer, Op. 52: No. 4 (Orchestral Version) orchestra: Gewandhausorchester Leipzig (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) conductor: Riccardo Chailly (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) recorded at: Gewandhaus in Leipzig, Sachsen, Germany (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) recording of: Liebeslieder-Walzer, op. 52: Nr. 4. Wie des Abends schöne Röte (in 2013-03) composer: Johannes Brahms (in 1869) librettist: Georg Friedrich Daumer part of: Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)	Johannes Brahms	0:43
7	The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Three Contredanses: in F, K.33B (added by E. Smith) orchestra: Academy of St Martin in the Fields (in 1971-08) conductor: Sir Neville Marriner (in 1971-08) arranger and orchestrator: Erik Smith recorded at: Wembley Town Hall in Brent, London, England, United Kingdom (in 1971-08) recording of: Piece for Piano in F major, K. 33B/Anh. A 6 (catch-all for arrangements) (in 1971-08) composer: [unknown] arrangement of: Piece for Piano in F major, K. Anh. A 6/33B. Allegro	Wolfgang Amadeus Mozart	1:16
8	The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Three Contredanses: in F, K.15h orchestra: Academy of St Martin in the Fields (in 1971-08) conductor: Sir Neville Marriner (in 1971-08) recorded at: Wembley Town Hall in Brent, London, England, United Kingdom (in 1971-08) recording of: Three Contredanses: In F, K. 15h (orch. by Smith) (in 1971-08) orchestrator: Erik Smith composer: Wolfgang Amadeus Mozart orchestration of: Contredanse in F major, K. 15h (for piano) part of: The London Sketchbook, K. 15a-15ss (orch. by Smith)	Wolfgang Amadeus Mozart	0:47
9	The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Three Contredanses: in F, K.15x orchestra: Academy of St Martin in the Fields (in 1971-08) conductor: Sir Neville Marriner (in 1971-08) recorded at: Wembley Town Hall in Brent, London, England, United Kingdom (in 1971-08) recording of: Three Contredanses: In F, K. 15x (orch. by Smith) (in 1971-08) orchestrator: Erik Smith composer: Wolfgang Amadeus Mozart orchestration of: Piano Sonata in F major, K. 15x part of: The London Sketchbook, K. 15a-15ss (orch. by Smith)	Wolfgang Amadeus Mozart	0:55
10	8 Piano Pieces, op. 76: 3. Intermezzo in A-flat piano: Dinorah Varsi (in 1971-04) recording of: 8 Klavierstücke, op. 76: Nr. 3. Intermezzo in A-flat major: Grazioso (in 1971-04) composer: Johannes Brahms (in 1878) part of: 8 Klavierstücke, op. 76 (8 Piano Pieces, op. 76)	Johannes Brahms	1:31
11	French Suite no. 5 in G major, BWV 816: IV. Gavotte producer: Andreas Neubronner piano: Murray Perahia (in 2013-07) balance engineer: Martin Nagorni piano technician: Ulrich Gerhartz recorded at: Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2013-07) recording of: Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte (in 2013-07) composer: Johann Sebastian Bach part of: Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)	Johann Sebastian Bach	1:15
12	Mazurka no. 54 in D: Allegro non troppo piano: Tamás Vásáry phonographic copyright (℗) by: Polydor International GmbH (in 1965) recording of: Mazurka in D major, B. 4, KK Anh. Ia/1 composer: Fryderyk Chopin	Fryderyk Chopin	1:11
13	Capriccio in B-flat, BWV 992 "On the departure of a dear brother": 2. (Andante) piano: Friedrich Gulda recording of: Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: II. (Andante) composer: Johann Sebastian Bach part of: Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992	Johann Sebastian Bach	1:12
14	24 Variations on "Venni Amore" in D major, WoO 65: Variation XII producer: Christian Gansch piano: Mikhail Pletnev (in 1997-03) balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1997-03) partial recording of: 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 (in 1997-03) composer: Ludwig van Beethoven (from 1790 until 1791) part of: Hess catalogue (number: Hess 55), Biamonti Catalogue (number: Bia 299) and Kinsky catalogue (number: WoO 65)	Ludwig van Beethoven	1:05
15	Variations and Fugue on a Theme by Handel, op. 24: Aria (live) piano: Alfred Brendel (on 1979-06-04) recorded at: Wiener Konzerthaus in Landstraße, Wien, Austria (on 1979-06-04) live recording of: Variations and Fugue on a Theme by Handel, op. 24: Aria (in 1979-06) composer: Johannes Brahms (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms	0:53
16	Allemande in A major, WoO 81 producer: Sid McLauchlan piano: Gianluca Cascioli (in 1996-08) balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1996-08) recording of: Allemande for Piano in A major, WoO 81 (in 1996-08) additional composer: Ludwig van Beethoven (in 1822) composer: Ludwig van Beethoven (in 1793) part of: Biamonti Catalogue (number: Bia 266) and Kinsky catalogue (number: WoO 81)	Ludwig van Beethoven	1:08
17	16 Waltzes, op. 39: 15. Waltz in A-flat executive producer: Dominic Fyfe piano [Steinway]: Nelson Freire (from 2017-02-20 until 2017-02-25) balance engineer: Jonathan Stokes piano technician: Thomas Lepler phonographic copyright (℗) by: Decca Music Group Limited (in 2017) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (from 2017-02-20 until 2017-02-25) recording of: Walzer, op. 39: Nr. 15 As-dur (Zu zwei Händen; for piano two hands) (from 2017-02-20 until 2017-02-25) composer: Johannes Brahms (in 1865) arrangement of: 16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands) part of: 16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)	Johannes Brahms	1:30
18	Mazurka in D major, op. posth. piano: Vladimir Ashkenazy recording of: Mazurka in D major, B. 4, KK Anh. Ia/1 composer: Fryderyk Chopin	Fryderyk Chopin	1:02
19	Goldberg Variations, BWV 988: Var. 4 recording engineer: Reinhild Schmidt and Stefan Flock producer: Dr. Peter Czornyj and Werner Mayer editor: Mark Buecker piano: Andrei Gavrilov solo piano: Andrei Gavrilov (in 1992-09) balance engineer: Andrew Wedman (in 1992-09) recorded at: Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen, Germany (in 1992-09) recording of: Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav. (in 1992-09) composer: Johann Sebastian Bach part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)	Johann Sebastian Bach	1:00
20	４ツノマズルカ: Mazurka no. 44 in G op. 67 no. 1 piano: Vladimir Ashkenazy (in 1983-01) recording of: Mazurka no. 42 in G major, op. 67 no. 1 (in 1983-01) composer: Fryderyk Chopin part of: Chopin National Edition: WN Catalogue (number: WN 26) part of: Mazurkas, op. 67	Fryderyk Chopin	1:02
21	Liebeslieder-Walzer, op. 52: No. 2 (orchestral version) orchestra: Gewandhausorchester Leipzig (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) conductor: Riccardo Chailly (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) recorded at: Gewandhaus in Leipzig, Sachsen, Germany (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) recording of: Liebeslieder-Walzer, op. 52: Nr. 2. Am Gesteine rauscht die Flut (in 2013-03) composer: Johannes Brahms (in 1869) librettist: Georg Friedrich Daumer part of: Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)	Johannes Brahms	0:44
22	15 Three-part Inventions, BWV 787/801: No. 10 in G, BWV 796 producer: Michael Haas piano: András Schiff (from 1983-09-12 until 1983-09-25) balance engineer: Stanley Goodall phonographic copyright (℗) by: Universal Music Operations Ltd. (in 1985) recorded at: Kingsway Hall in London, England, United Kingdom (from 1983-09-12 until 1983-09-25) recording of: Sinfonia Nr. 10 G-Dur, BWV 796 (from 1983-09-12 until 1983-09-25) composer: Johann Sebastian Bach part of: 15 Sinfonias, BWV 787 - 801 (number: 10) and Bach-Werke-Verzeichnis (number: BWV 796)	Johann Sebastian Bach	1:05
23	6 Piano Variations in F major, op. 34: Variation IV. Tempo di menuetto in E major producer: Christian Gansch piano: Mikhail Pletnev (in 1997-03) balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1997-03) recording of: 6 Variations for Piano in F major on an Original Theme, op. 34: Var. IV. Tempo di Minuetto (in 1997-03) composer: Ludwig van Beethoven (in 1802) part of: 6 Variations for Piano in F major on an Original Theme, op. 34	Ludwig van Beethoven	1:06
24	21 Hungarian Dances, WoO 1: No. 21 in E minor: Vivace (arr. for piano duet) recorded in: Paris, Île-de-France, France (in 1981-04) piano: Katia Labèque (in 1981-04) and Marielle Labèque (in 1981-04) phonographic copyright (℗) by: Universal International Music B.V. (in 1981) recording of: Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 21 in E minor: Vivace (in 1981-04) composer: Johannes Brahms (in 1880) part of: Hungarian Dances for piano, 4 hands, WoO 1, Book 4	Johannes Brahms	1:25
25	Ballet Intermezzo, K. 299c (Sketches compl. & orch. E. Smith): 1. (Allegro) orchestra: Academy of St Martin in the Fields (in 1989-12) conductor: Sir Neville Marriner (in 1989-12) recorded at: Henry Wood Hall in London, England, United Kingdom (in 1989-12) recording of: Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): I. Allegro (in 1989-12) additional composer: Erik Smith composer: Wolfgang Amadeus Mozart	Wolfgang Amadeus Mozart	0:55
26	Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 14 producer: Christopher Alder piano: Maurizio Pollini (in 2008-09) balance engineer: Klaus Hiemann recorded at: Herkulessaal in München, Bayern, Germany (in 2008-09, in 2009-02) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 14 in F-sharp minor, BWV 859: Prelude (in 2009-02) composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 14 in F-sharp minor, BWV 859	Johann Sebastian Bach	1:03
27	Aria variata (alla maniera italiana) in A minor, BWV 989: Variation V. Un poco allegro producer: Christopher Tarnow piano: Víkingur Ólafsson (from 2018-04-01 until 2018-04-04) piano technician: Sigurður Kristinsson phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2018) recorded at: Harpa in Reykjavík, Höfuðborgarsvæðið, Iceland (from 2018-04-01 until 2018-04-04) recording of: Aria variata, BWV 989: VI. Var 5 (Un poco allegro) (from 2018-04-01 until 2018-04-04) composer: Johann Sebastian Bach part of: Aria variata, BWV 989	Johann Sebastian Bach	0:59
28	21 Hungarian Dances, WoO 1: No. 12 in D minor: Presto (arr. for piano duet) recorded in: Paris, Île-de-France, France (in 1981-04) piano: Katia Labèque (in 1981-04) and Marielle Labèque (in 1981-04) phonographic copyright (℗) by: Universal International Music B.V. (in 1981) recording of: Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 12 in D minor: Presto (in 1981-04) composer: Johannes Brahms (in 1880) part of: Hungarian Dances for piano, 4 hands, WoO 1, Book 3	Johannes Brahms	2:13
29	４ツノマズルカ: Mazurka no. 19 in B minor, op. 30 no. 2 producer: James Walker piano: Vladimir Ashkenazy (in 1982-06) balance engineer: John Dunkerley (in 1982-06) recorded at: Kingsway Hall in London, England, United Kingdom (in 1982-06) recording of: Mazurka no. 19 in B minor, op. 30 no. 2 (in 1982-06) composer: Fryderyk Chopin part of: Mazurkas, op. 30	Fryderyk Chopin	1:09
30	12 Contredanses, WoO 14: 1. Contredanse in C major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 1 in C major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (from 1791 until 1801) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	0:30
31	12 Contredanses, WoO 14: 2. Contredanse in A major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 2 in A major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (in 1801) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	0:34
32	21 Hungarian Dances, WoO 1: No. 3 in F major: Allegretto (arr. for piano duet) recorded in: Paris, Île-de-France, France (in 1981-04) piano: Katia Labèque (in 1981-04) and Marielle Labèque (in 1981-04) phonographic copyright (℗) by: Universal International Music B.V. (in 1981) recording of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto (in 1981-04) composer: Johannes Brahms (from 1858 until 1868) part of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1	Johannes Brahms	2:16
33	12 Contredanses, WoO 14: 3. Contredanse - Trio in D major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 3 in D major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (in 1795) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	1:02
34	Ecossaise no. 1 in D major, op. 72 no. 3: Vivace piano: Stanislav Bunin (in 1987-12) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1987-12) recording of: Écossaises, op. 72 no. 3: No. 1 in D major (in 1987-12) composer: Fryderyk Chopin part of: 3 Écossaises, op. posth. 72/3	Fryderyk Chopin	0:57
35	Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fuga 10 a 2 producer: Christopher Alder piano: Maurizio Pollini (in 2008-09) balance engineer: Klaus Hiemann recorded at: Herkulessaal in München, Bayern, Germany (in 2008-09) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2: Fugue (former BWV 855) (in 2008-09) composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2 (former BWV 855)	Johann Sebastian Bach	1:10
36	12 Études, op. 25: No. 9 in G-flat major recording engineer: Carl Talbot assistant engineer: Christopher Johns producer: Martha de Francisco editor: Jeremy Tusz piano: Jan Lisiecki (in 2013-01) piano technician: Damon Groves recorded at: Koerner Hall in Toronto, Ontario, Canada (in 2013-01) recording of: Étude in G‐flat major, op. 25 no. 9 “Butterfly”: Allegro assai (in 2013-01) composer: Fryderyk Chopin part of: Études, op. 25	Fryderyk Chopin	0:58
37	16 Waltzes, op. 39: 11. in B minor piano: Julius Katchen recording of: Walzer, op. 39: Nr. 11 b-moll (Zu zwei Händen) composer: Johannes Brahms (in 1865) version of: 16 Waltzes, op. 39: No. 11 in B minor (for piano four hands) part of: 16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)	Johannes Brahms	1:10
38	Aria variata (alla maniera italiana) in A minor, BWV 989: Variation IX producer: Christopher Tarnow piano: Víkingur Ólafsson (from 2018-04-01 until 2018-04-04) piano technician: Sigurður Kristinsson phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2018) recorded at: Harpa in Reykjavík, Höfuðborgarsvæðið, Iceland (from 2018-04-01 until 2018-04-04) recording of: Aria variata, BWV 989: X. Var. 9 (from 2018-04-01 until 2018-04-04) composer: Johann Sebastian Bach part of: Aria variata, BWV 989	Johann Sebastian Bach	1:08
39	15 Inventions, BWV 772-786: 12. Invention in A major, BWV 783 piano: Walter Gieseking recording of: Inventio Nr. 12 A-Dur, BWV 783 composer: Johann Sebastian Bach part of: 15 Inventions, BWV 772-786 (number: 12) and Bach-Werke-Verzeichnis (number: BWV 783)	Johann Sebastian Bach	1:04
40	マズルカ: Mazurka no. 52 In B-flat (1826) piano: Vladimir Ashkenazy recording of: Mazurka in B‐flat major, B. 16 no. 2, KK IIa/3, KK. 891–895 composer: Fryderyk Chopin (in 1826) part of: Chopin National Edition: WN Catalogue (number: WN 7) part of: 2 Mazurkas, B. 16	Fryderyk Chopin	1:09
41	16 Waltzes, op. 39: 2. in E piano: Julius Katchen recording of: Walzer, op. 39: Nr. 2 E-dur (Zu zwei Händen) composer: Johannes Brahms (in 1865) version of: 16 Waltzes, op. 39: No. 2 in E major (for piano four hands) part of: 16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)	Johannes Brahms	1:07
42	6 Piano Variations in F major, op. 34: Variation II. Allegro ma non troppo in B major producer: Christian Gansch piano: Михаил Плетнёв (in 1997-03) balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1997-03) recording of: 6 Variations for Piano in F major on an Original Theme, op. 34: Var II. Allegro, ma non troppo (in 1997-03) composer: Ludwig van Beethoven (in 1802) part of: 6 Variations for Piano in F major on an Original Theme, op. 34	Ludwig van Beethoven	1:04
43	24 Preludes, op. 28: 12. in G-sharp minor recording engineer: Jürgen Bulgrin producer and balance engineer: Karl-August Naegler piano: Ivo Pogorelich (in 1989-10) phonographic copyright (℗) by: Deutsche Grammophon GmbH, Hamburg (in 1990) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-10) recording of: Prélude no. 12 in G‐sharp minor, op. 28: Presto (in 1989-10) composer: Fryderyk Chopin part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin	1:03
44	24 Preludes, op. 28: 23. in F major recording engineer: Mark Buecker (in 2007-07) producer: Arend Prohmann piano: Rafał Blechacz (in 2007-07) piano technician: Jan Kittel phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2007) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07) recording of: Prélude no. 23 in F major, op. 28: Moderato (in 2007-07) composer: Fryderyk Chopin part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin	0:58
45	15 Inventions, BWV 772-786: 14. Invention in B-flat major, BWV 785 piano: Walter Gieseking recording of: Inventio Nr. 14 B-Dur, BWV 785 composer: Johann Sebastian Bach part of: 15 Inventions, BWV 772-786 (number: 14) and Bach-Werke-Verzeichnis (number: BWV 785)	Johann Sebastian Bach	1:07
46	French Suite no. 1 in D minor, BWV 812: 4. Menuet I - II engineer: Jonathan Stokes producer: Christopher Raeburn piano: András Schiff (from 1991-01-08 until 1991-01-10) phonographic copyright (℗) by: Universal Music Operations Ltd. (in 1993) recorded at: Reitstadel in Neumarkt in der Oberpfalz, Bayern, Germany (from 1991-01-08 until 1991-01-10) recording of: Französische Suite Nr. 1 d-Moll, BWV 812: IV. Menuet I (from 1991-01-08 until 1991-01-10) composer: Johann Sebastian Bach part of: Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812, revised version (BWV 812.2), commonly performed)	Johann Sebastian Bach	1:01
47	12 Études, op. 25: No. 8 in D-flat piano: Nelson Freire (in 2002-01) recorded at: Potton Hall in Suffolk, England, United Kingdom (in 2002-01) recording of: Étude in D‐flat major, op. 25 no. 8 “Sixths”: Vivace (in 2002-01) composer: Fryderyk Chopin part of: Études, op. 25	Fryderyk Chopin	1:06
48	12 Études, op. 25: No. 8 in D-flat major "Sixths" executive producer: Rainer Brock piano: Maurizio Pollini (in 1972-05) balance engineer: Heinz Wildhagen (in 1972-05) recorded at: Herkulessaal in München, Bayern, Germany (in 1972-05) recording of: Étude in D‐flat major, op. 25 no. 8 “Sixths”: Vivace (in 1972-05) composer: Fryderyk Chopin part of: Études, op. 25	Fryderyk Chopin	1:04
49	Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 20 producer: Christopher Alder piano: Maurizio Pollini (in 2008-09) balance engineer: Klaus Hiemann recorded at: Herkulessaal in München, Bayern, Germany (in 2008-09, in 2009-02) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 20 in A minor, BWV 865: Prelude (in 2009-02) composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 20 in A minor, BWV 865	Johann Sebastian Bach	1:02
50	4 Piano Pieces, op. 119: 3. Intermezzo in C executive producer: Dominic Fyfe piano [Steinway]: Nelson Freire (from 2017-02-20 until 2017-02-25) balance engineer: Jonathan Stokes piano technician: Thomas Lepler phonographic copyright (℗) by: Decca Music Group Limited (in 2017) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (from 2017-02-20 until 2017-02-25) recording of: Klavierstücke, op. 119: Nr. 3. Intermezzo in C-Dur. Grazioso e giocoso (from 2017-02-20 until 2017-02-25) composer: Johannes Brahms (in 1893) part of: Klavierstücke, op. 119 (Piano Pieces, op. 119)	Johannes Brahms	1:33
51	Liebeslieder-Walzer, op. 52: No. 8 (orchestral version) orchestra: Gewandhausorchester Leipzig (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) conductor: Riccardo Chailly (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) recorded at: Gewandhaus in Leipzig, Sachsen, Germany (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10) recording of: Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir (in 2013-03) composer: Johannes Brahms (in 1869) librettist: Georg Friedrich Daumer part of: Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)	Johannes Brahms	1:26
52	9 Kleine Präludien, BWV 924-932: 2. Prelude in D major, BWV 925 piano: Walter Gieseking recording of: 9 kleine Präludien: Präludium D-Dur, BWV 925 composer: Johann Sebastian Bach part of: 9 Kleine Präluden (number: 2) and Bach-Werke-Verzeichnis (number: BWV 925)	Johann Sebastian Bach	1:00
53	24 Variations on "Venni Amore" in D major, WoO 65: Variation VIII producer: Christian Gansch piano: Михаил Плетнёв (in 1997-03) balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1997-03) partial recording of: 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 (in 1997-03) composer: Ludwig van Beethoven (from 1790 until 1791) part of: Hess catalogue (number: Hess 55), Biamonti Catalogue (number: Bia 299) and Kinsky catalogue (number: WoO 65)	Ludwig van Beethoven	0:56
54	４ツノマズルカ: Mazurka no. 4 in E-flat minor, op. 6 no. 4 producer: James Walker piano: Vladimir Ashkenazy (in 1983-10) recorded at: Kingsway Hall in London, England, United Kingdom (in 1983-10) recording of: Mazurka no. 4 in E‐flat minor, op. 6 no. 4 (in 1983-10) composer: Fryderyk Chopin part of: Mazurkas, op. 6	Fryderyk Chopin	0:58
55	11 Bagatelles, op. 119: 7. Allegro ma non troppo producer and balance engineer: Ursula Singer piano: Alfred Brendel (in 1996-09) recorded at: Henry Wood Hall in London, England, United Kingdom (in 1996-09) recording of: 11 Bagatelles, op. 119: No. 7 in C major: Allegro ma non troppo (in 1996-09) composer: Ludwig van Beethoven (from 1820 until 1822) part of: 11 Bagatelles, op. 119	Ludwig van Beethoven	1:07
56	21 Hungarian Dances, WoO 1: No. 18 in D major: Molto vivace (arr. for piano duet) recorded in: Paris, Île-de-France, France (in 1981-04) piano: Katia Labèque (in 1981-04) and Marielle Labèque (in 1981-04) phonographic copyright (℗) by: Universal International Music B.V. (in 1981) recording of: Hungarian Dances for piano, 4 hands, WoO 1, Book 4, no. 18 in D major: Molto vivace (in 1981-04) composer: Johannes Brahms (in 1880) part of: Hungarian Dances for piano, 4 hands, WoO 1, Book 4	Johannes Brahms	1:10
57	Goldberg Variations, BWV 988: Var. 5 recording engineer: Reinhild Schmidt and Stefan Flock producer: Dr. Peter Czornyj and Werner Mayer editor: Mark Buecker piano: Andrei Gavrilov solo piano: Andrei Gavrilov (in 1992-09) balance engineer: Andrew Wedman (in 1992-09) recorded at: Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen, Germany (in 1992-09) recording of: Goldberg-Variationen, BWV 988: Variatio 5. a 1 ô vero 2 Clav. (in 1992-09) composer: Johann Sebastian Bach part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)	Johann Sebastian Bach	1:10
58	12 Contredanses, WoO 14: 4. Contredanse in B major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (in 1795) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	0:33
59	Academic Festival Overture, op. 80 orchestra: Chicago Symphony Orchestra conductor: Sir Georg Solti recording of: Akademische Fest‐Ouvertüre, op. 80 (Academic Festival Overture, op. 80) composer: Johannes Brahms (in 1880) part of: Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 80)	Johannes Brahms	1:32
60	12 Contredanses, WoO 14: 5. Contredanse - Trio in E major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (from 1791 until 1801) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	1:01
61	12 Contredanses, WoO 14: 6. Contredanse - Trio in C major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 6 in C major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (in 1795) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	1:16
62	Aria variata (alla maniera italiana) in A minor, BWV 989: Variation I. Largo producer: Christopher Tarnow piano: Víkingur Ólafsson (from 2018-04-01 until 2018-04-04) piano technician: Sigurður Kristinsson phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2018) recorded at: Harpa in Reykjavík, Höfuðborgarsvæðið, Iceland (from 2018-04-01 until 2018-04-04) recording of: Aria variata, BWV 989: II. Var. 1 (Largo) (from 2018-04-01 until 2018-04-04) composer: Johann Sebastian Bach part of: Aria variata, BWV 989	Johann Sebastian Bach	1:10
63	15 Inventions, BWV 772-786: 1. Invention in C major, BWV 772 piano: Walter Gieseking recording of: Inventio Nr. 1 C-Dur, BWV 772 composer: Johann Sebastian Bach (from 1720 until 1723) part of: 15 Inventions, BWV 772-786 (number: 1), Bach Compendium (number: BC L 27) and Bach-Werke-Verzeichnis (number: BWV 772)	Johann Sebastian Bach	1:07
64	15 Inventions, BWV 772-786: 7. Invention in E minor, BWV 778	Johann Sebastian Bach	1:07
65	15 Sinfonias, BWV 787-801: 8. Sinfonia in F major, BWV 794 piano: Walter Gieseking (in 1950-06) recording of: Sinfonia Nr. 8 F-Dur, BWV 794 (in 1950-06) composer: Johann Sebastian Bach part of: 15 Sinfonias, BWV 787 - 801 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 794)	Johann Sebastian Bach	1:07
66	24 Préludes, Op. 28, C. 166-189: 16 in B-flat minor piano: Alicia de Larrocha recording of: Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco composer: Fryderyk Chopin (from 1836 until 1839) part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin	1:09
67	15 Sinfonias, BWV 787-801: 1. Sinfonia in C major, BWV 787 piano: Walter Gieseking (in 1950-06) recording of: Sinfonia Nr. 1 C-Dur, BWV 787 (in 1950-06) composer: Johann Sebastian Bach part of: 15 Sinfonias, BWV 787 - 801 (number: 1) and Bach-Werke-Verzeichnis (number: BWV 787)	Johann Sebastian Bach	0:58
68	15 Inventions, BWV 772-786: 11. Invention in G minor, BWV 782 piano: Walter Gieseking recording of: Inventio Nr. 11 g-Moll, BWV 782 composer: Johann Sebastian Bach part of: 15 Inventions, BWV 772-786 (number: 11) and Bach-Werke-Verzeichnis (number: BWV 782)	Johann Sebastian Bach	1:05
69	15 Sinfonias, BWV 787-801: 10. Sinfonia in G major, BWV 796 piano: Walter Gieseking (in 1950-06) recording of: Sinfonia Nr. 10 G-Dur, BWV 796 (in 1950-06) composer: Johann Sebastian Bach part of: 15 Sinfonias, BWV 787 - 801 (number: 10) and Bach-Werke-Verzeichnis (number: BWV 796)	Johann Sebastian Bach	1:06
70	2 Sonata Movements in F major, WoO 50: 1. ohne Tempoangabe producer: Sid McLauchlan piano: Gianluca Cascioli (in 1996-08) balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1996-08) recording of: Sonata for Piano in F major, WoO 50: I. [] (in 1996-08) composer: Ludwig van Beethoven (from 1790 until 1792) part of: Sonata for Piano in F major, WoO 50	Ludwig van Beethoven	1:15
71	Finale in G major, WoO 213, no. 2 recording engineer: Mark Hohn producer: Stephan Schmidt fortepiano: Tobias Koch (in 2019-05) recorded at: Klaus‐von‐Bismarck‐Saal in Köln, Nordrhein-Westfalen, Germany (in 2019-05) recording of: 4 Bagatelles, WoO 213: No. 2 in G major. Finale (in 2019-05) composer: Ludwig van Beethoven part of: Biamonti Catalogue (number: Bia 282) part of: 4 Bagatelles, WoO 213	Ludwig van Beethoven	0:58
72	15 Inventions, BWV 772-786: 13. Invention in A minor, BWV 784 piano: Walter Gieseking recording of: Inventio Nr. 13 a-Moll, BWV 784 composer: Johann Sebastian Bach part of: 15 Inventions, BWV 772-786 (number: 13) and Bach-Werke-Verzeichnis (number: BWV 784)	Johann Sebastian Bach	1:06
73	24 Preludes, op. 28: 19. in E-flat major recording engineer: Jürgen Bulgrin producer and balance engineer: Karl-August Naegler piano: Ivo Pogorelich (in 1989-10) phonographic copyright (℗) by: Deutsche Grammophon GmbH, Hamburg (in 1990) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-10) recording of: Prélude no. 19 in E‐flat major, op. 28: Vivace (in 1989-10) composer: Fryderyk Chopin part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin	1:07
74	マズルカ作品33: Mazurka no. 24 in C, op. 33 no. 3 piano: Nikita Magaloff (in 1977-08) recording of: Mazurka no. 24 in C major, op. 33 no. 3 (in 1977-08) composer: Fryderyk Chopin part of: Mazurkas, op. 33	Fryderyk Chopin	1:17
75	Piano Sonata no. 8 in C minor, op. 13: II. Adagio cantabile piano: Emil Gilels recording of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile composer: Ludwig van Beethoven (in 1798) part of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”	Ludwig van Beethoven	1:17
76	Molto adagio in G major, Hess 71 (fragment) recording engineer: Mark Hohn producer: Stephan Schmidt fortepiano: Tobias Koch (in 2019-05) recorded at: Klaus‐von‐Bismarck‐Saal in Köln, Nordrhein-Westfalen, Germany (in 2019-05) recording of: Molto adagio in G major, Hess 71 composer: Ludwig van Beethoven part of: Hess catalogue (number: Hess 71)	Ludwig van Beethoven	1:25
77	Piece in F minor, Kullack f. 51/52 recording engineer: Mark Hohn producer: Stephan Schmidt fortepiano: Tobias Koch (in 2019-05) recorded at: Klaus‐von‐Bismarck‐Saal in Köln, Nordrhein-Westfalen, Germany (in 2019-05) recording of: Piece in f, Kullak Sketchbook f.51/52 (1826) (in 2019-05) composer: Ludwig van Beethoven	Ludwig van Beethoven	1:18
78	Piano Sonata no. 14 in C-charp minor, op. 27 no. 2: I. Adagio sostenuto piano: Emil Gilels recording of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (in 1801) part of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven	1:22
79	Feuille D'Album in E, op. posth.: Moderato engineer: Hans‐Ulrich Bastin executive producer: Marion Thiem producer: Werner Mayer piano: Anatol Ugorski (in 1999-03) recording of: Feuille d’album in E, B. 151: Moderato (Moderato in E major, B. 151 "Albumleaf") (in 1999-03) composer: Fryderyk Chopin (in 1843)	Fryderyk Chopin	1:20
80	４ツノマズルカ: Mazurka no. 50 in F major, op. 68 no. 3 piano: Vladimir Ashkenazy (in 1981-11) recording of: Mazurka no. 48 in F major, op. 68 no. 3 (in 1981-11) composer: Fryderyk Chopin part of: Chopin National Edition: WN Catalogue (number: WN 25) part of: Mazurkas, op. 68	Fryderyk Chopin	1:14
81	Capriccio in B-flat, BWV 992 "On the departure of a dear brother": 5. Allegro poco. Aria di Postiglione recorded in: Uppsala, Uppsala, Sweden (on 1959-04-05) piano: Friedrich Gulda (on 1959-04-05) recording of: Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: V. Allegro poco. Aria de il Postiglione (on 1959-04-05) composer: Johann Sebastian Bach part of: Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992	Johann Sebastian Bach	1:16
82	Feuille d'album in E, op. posth. piano: Vladimir Ashkenazy recording of: Feuille d’album in E, B. 151: Moderato (Moderato in E major, B. 151 "Albumleaf") composer: Fryderyk Chopin (in 1843)	Fryderyk Chopin	1:16
83	Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 21 producer: Christopher Alder piano: Maurizio Pollini (in 2008-09) balance engineer: Klaus Hiemann recorded at: Herkulessaal in München, Bayern, Germany (in 2008-09, in 2009-02) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 21 in B-flat major, BWV 866: Prelude (in 2009-02) composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 21 in B-flat major, BWV 866	Johann Sebastian Bach	1:11
84	Feuille d'album in E, op. posth. piano: Nikita Magaloff (in 1978-02) recording of: Feuille d’album in E, B. 151: Moderato (Moderato in E major, B. 151 "Albumleaf") (in 1978-02) composer: Fryderyk Chopin (in 1843)	Fryderyk Chopin	1:17
85	11 Bagatelles, op. 119: 3. à l'Allemande piano: Stephen Kovacevich (in 1974-06) recorded at: Brent Town Hall in Brent, London, England, United Kingdom (in 1974-06) recording of: 11 Bagatelles, op. 119: No. 3 in D major: à l'Allemande (in 1974-06) composer: Ludwig van Beethoven (from 1820 until 1822) part of: 11 Bagatelles, op. 119	Stephen Kovacevich	1:19
86	Mazurka no. 56 in B-flat (for Alexandra Wolowska) piano: Pietro De Maria recording of: Mazurka in B‐flat major “à Alexandra Wolowska”, B. 73, KK IVb/1, KK. 1223 composer: Fryderyk Chopin (on 1832-06-24) part of: Chopin National Edition: WN Catalogue (number: WN 41)	Fryderyk Chopin	1:19
87	15 Three-part Inventions, BWV 787/801: No. 14 in B-flat, BWV 800 producer: Michael Haas piano: András Schiff (from 1983-09-12 until 1983-09-25) balance engineer: Stanley Goodall phonographic copyright (℗) by: Universal Music Operations Ltd. (in 1985) recorded at: Kingsway Hall in London, England, United Kingdom (from 1983-09-12 until 1983-09-25) recording of: Sinfonia Nr. 14 B-Dur, BWV 800 (from 1983-09-12 until 1983-09-25) composer: Johann Sebastian Bach part of: 15 Sinfonias, BWV 787 - 801 (number: 14) and Bach-Werke-Verzeichnis (number: BWV 800)	Johann Sebastian Bach	1:10
88	Mazurka no. 19 in B minor, op. 30 no. 2 recording engineer: Klaus Hiemann executive producer: Alexander Buhr producer: Christopher Alder piano: Maurizio Pollini (from 2011-05 until 2011-06) recorded at: Herkulessaal in München, Bayern, Germany (from 2011-05 until 2011-06) recording of: Mazurka no. 19 in B minor, op. 30 no. 2 (from 2011-05 until 2011-06) composer: Fryderyk Chopin part of: Mazurkas, op. 30	Fryderyk Chopin	1:22
89	Variations on "Là ci darem la mano", op. 2: Var. 4. Con bravura piano: Daniil Trifonov (in 2016-04) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 2016-04) recording of: Variations in B‐flat major on “Là ci darem la mano”, op. 2: Variation IV. Con bravura (in 2016-04) composer: Fryderyk Chopin (in 1827) part of: Variations in B‐flat major on “Là ci darem la mano”, op. 2	Fryderyk Chopin	1:11
90	Mazurka no. 8 in A-flat, op. 7 no. 4 piano: Pietro De Maria recording of: Mazurka no. 8 in A‐flat major, op. 7 no. 4 composer: Fryderyk Chopin part of: Mazurkas, op. 7 revision of: Mazurka in A‐flat major, B. 7	Fryderyk Chopin	1:15
91	Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fuga 11 a 3 producer: Christopher Alder piano: Maurizio Pollini (in 2008-09) balance engineer: Klaus Hiemann recorded at: Herkulessaal in München, Bayern, Germany (in 2008-09) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 11 in F major, BWV 856: Fugue (in 2008-09) composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 11 in F major, BWV 856	Johann Sebastian Bach	1:14
92	Aria variata (alla maniera italiana) in A minor, BWV 989: Aria da capo producer: Christopher Tarnow piano: Víkingur Ólafsson (from 2018-04-01 until 2018-04-04) piano technician: Sigurður Kristinsson phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2018) recorded at: Harpa in Reykjavík, Höfuðborgarsvæðið, Iceland (from 2018-04-01 until 2018-04-04) recording of: Aria variata, BWV 989: I. Thema (from 2018-04-01 until 2018-04-04) composer: Johann Sebastian Bach part of: Aria variata, BWV 989	Johann Sebastian Bach	1:19
93	12 Contredanses, WoO 14: 7. Contredanse in E major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (from 1800 until 1801) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	0:43
94	12 Contredanses, WoO 14: 10. Contredanse - Trio in C major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 10 in C major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (in 1801) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	1:06
95	12 Contredanses, WoO 14: 12. Contredanse - Trio in E major producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker (from 1959-11-24 until 1960-04-06) conductor: Lorin Maazel (from 1959-11-24 until 1960-04-06) balance engineer: Gerhard Henjes (from 1959-11-24 until 1960-04-06) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1959-11-24 until 1960-04-06) recording of: 12 Contredances for Orchestra, WoO 14: No. 12 in E-flat major (from 1959-11-24 until 1960-04-06) composer: Ludwig van Beethoven (in 1791) part of: 12 Contredances for Orchestra, WoO 14	Ludwig van Beethoven	1:48
96	Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai piano: Emil Gilels recording of: Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai composer: Ludwig van Beethoven (from 1804 until 1806) part of: Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”	Ludwig van Beethoven	1:21
97	15 Three-part Inventions, BWV 787/801: No. 12 in A, BWV 798 producer: Michael Haas piano: András Schiff (from 1983-09-12 until 1983-09-25) balance engineer: Stanley Goodall phonographic copyright (℗) by: Universal Music Operations Ltd. (in 1985) recorded at: Kingsway Hall in London, England, United Kingdom (from 1983-09-12 until 1983-09-25) recording of: Sinfonia Nr. 12 A-Dur, BWV 798 (from 1983-09-12 until 1983-09-25) composer: Johann Sebastian Bach part of: 15 Sinfonias, BWV 787 - 801 (number: 12) and Bach-Werke-Verzeichnis (number: BWV 798)	Johann Sebastian Bach	1:22
98	Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 13 producer: Christopher Alder piano: Maurizio Pollini (in 2008-09) balance engineer: Klaus Hiemann recorded at: Herkulessaal in München, Bayern, Germany (in 2008-09, in 2009-02) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 13 in F-sharp major, BWV 858: Prelude (in 2009-02) composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 13 in F-sharp major, BWV 858	Johann Sebastian Bach	1:15
99	Goldberg Variations, BWV 988: Var. 22 (Alla breve) recording engineer: Reinhild Schmidt and Stefan Flock producer: Dr. Peter Czornyj and Werner Mayer editor: Mark Buecker piano: Andrei Gavrilov solo piano: Andrei Gavrilov (in 1992-09) balance engineer: Andrew Wedman (in 1992-09) recorded at: Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen, Germany (in 1992-09) recording of: Goldberg-Variationen, BWV 988: Variatio 22. a 1 Clav. alla breve (in 1992-09) composer: Johann Sebastian Bach part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)	Johann Sebastian Bach	1:16
100	Minuet in F, K.1d piano: Mitsuko Uchida recording of: Minuet in F major, K. 1d composed in: Salzburg, Salzburg, Austria (until 1761-12-16) composer: Wolfgang Amadeus Mozart (until 1761-12-16) part of: Köchelverzeichnis (number: 1d), Köchelverzeichnis (number: K. 1d) and Nannerl Notenbuch (number: 56)	Wolfgang Amadeus Mozart	1:15
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