| # | Title | Artist | Length |
|---|
| 1 | You Really Got Me- producer:
- Shel Talmy (in 1964-07)
- additional piano:
- Perry Ford (in 1964-07)
- bass guitar:
- Pete Quaife (in 1964-07)
- drums (drum set):
- Bobby Graham (in 1964-07)
- guitar:
- Harry Fryer (in 1964-07)
- guitar [lead guitar]:
- Dave Davies (in 1964-07)
- guitar [rhythm guitar], harmonica, keyboard and lead vocals:
- Ray Davies (in 1964-07)
- phonographic copyright (℗) by:
- Sanctuary Records Group Ltd. (in 1964)
- miscellaneous support:
- PRT Records (task: Courtesy of / c/o Celebrity Licensing, Inc.)
- recorded at:
- IBC Studios in London, England, United Kingdom (in 1964-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 13), NME: 50 Greatest Guitar Riffs of All Time (number: 20), VH1: 100 Greatest Hard Rock Songs (number: 57), Rolling Stone: 500 Greatest Songs of All Time (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
- recording of:
- You Really Got Me (in 1964-07)
- lyricist and composer:
- Ray Davies
- publisher:
- Copyright Control, Edward Kassner Music Co. Ltd. and Jay Boy
| The Kinks | 2:16 |
| 2 | Do Wah Diddy Diddy | Manfred Mann | 2:24 |
| 3 | Mony Mony | Tommy James & the Shondells | 2:54 |
| 4 | Oh, Pretty Woman- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited, Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd., Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 2:59 |
| 5 | The Loco‐Motion | Little Eva | 2:27 |
| 6 | Shout, Part I | The Isley Brothers | 2:12 |
| 7 | Wooly Bully | Sam the Sham & the Pharaohs | 2:22 |
| 8 | Gimme Some Lovin’- producer:
- Chris Blackwell and Jimmy Miller
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 244)
- recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd., Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc., Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd., Warner Chappell Music Ltd., Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| The Spencer Davis Group | 3:00 |
| 9 | Just Like Me | Paul Revere and the Raiders | 2:25 |
| 10 | The Letter- producer:
- Dan Penn
- phonographic copyright (℗) by:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) and Atoll Music (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (number: 364)
- recording of:
- The Letter (in 1967)
- lyricist and composer:
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control, EMI Music, Lovolar Music, Sony Music Publishing (Japan) Inc. and Warner Chappell Music
| The Box Tops | 1:58 |
| 11 | Wild Thing | The Troggs | 2:37 |
| 12 | Happy Together | The Turtles | 2:57 |
| 13 | Incense and Peppermints | Strawberry Alarm Clock | 2:50 |
| 14 | Hang On Sloopy | The McCoys | 3:04 |
| 15 | Good Lovin’ | The Young Rascals | 2:33 |
| 16 | Double Shot (of My Baby’s Love) | The Swingin’ Medallions | 2:19 |
| 17 | Nobody but Me | The Human Beinz | 2:19 |
| 18 | If You Wanna Be Happy | Jimmy Soul | 2:23 |
| 19 | I Only Want to Be With You- producer:
- John Franz
- phonographic copyright (℗) by:
- Mercury Ltd (in 1963)
- recorded at:
- Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (in 1963)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 31) and Billboard: The 500 Best Pop Songs (number: 323)
- recording of:
- I Only Want to Be With You (in 1963)
- writer:
- Mike Hawker and Ivor Raymonde
- publisher:
- Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (until 1987) and Warner/Chappell Music International Ltd. (from 1987 to present)
| Dusty Springfield | 2:39 |
| 20 | These Boots Are Made for Walkin’ | Nancy Sinatra | 2:43 |
