Muse Sick‐N‐Hour Mess Age

~ Release by Public Enemy (see all versions of this release, 8 available)

Annotation

℗ & © «1994 UMG Recordings, Inc.»

Countries excluded (Deezer + Spotify)

(As of 2023-09-28).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)

Tracklist

1▼Digital Media
#TitleLength
1Whole Lotta Love Goin On In The Middle Of Hell
recording of:
Whole Lotta Love Goin on in the Middle of Hell
writer:
Carlton Douglas Ridenhour
composer:
Gary Rinaldo and Sean de Vore
3:12
2Theatrical Parts
recording engineer and mixer:
Nick Sansano
producer:
Bomb Squad Production
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
recording of:
Theatrical Parts (from 1993 until 1994)
composer:
Carlton Douglas Ridenhour
0:28
3Give It Up
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man
producer:
Carl Ryder and Gary G‐Wiz
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
I Got You (I Feel Good) by James Brown and the Famous Flames, Opus de Soul by Steve Cropper, Pops Staples & Albert King and Theme From Shaft by Isaac Hayes
edit of:
Give It Up by Public Enemy
recording of:
Give It Up (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Alvertis Isbell, Gary Rinaldo, Sean de Vore and Marvell Thomas
4:31
4What Side You On?
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Bomb Squad Production
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
recording of:
What Side You On? (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Kerwin Young
4:07
5Bedlam 13:13
recording engineer and mixer:
Gerry Comito
co-producer:
Larry "Panic" Walford
producer:
Bomb Squad Production
turntable [DJ work]:
Terminator X
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
recording of:
Bedlam 13:13 (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Lawrence Walford
4:07
6Stop In The Name…
recording engineer and mixer:
Jimmy O'Neil
co-producer:
Larry "Panic" Walford
producer:
Bomb Squad Production
lead vocals:
Chuck D
recorded at and mixed at:
KALA Recording Studios, Inc. in Atlanta, Georgia, United States
recording of:
Stop in the Name… (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Lawrence Walford
1:21
7What Kind Of Power We Got?
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Flavor Flav
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Kevin Boone
background vocals:
Chuck D
lead vocals:
Flavor Flav
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
(For God’s Sake) Give More Power to the People by The Chi‐Lites, Fight the Power (soundtrack version) by Public Enemy and Soul Power, Pt. 1 (single version) by James Brown
recording of:
What Kind of Power We Got? (from 1993 until 1994)
writer:
Kerwin Young and William Jonathan Drayton
composer:
Eugene Record
is based on:
(For God’s Sake) Give More Power to the People
5:31
8So Whatcha Gone Do Now?
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man
producer:
Carl Ryder and Gary G‐Wiz
lead vocals:
Chuck D
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
So Whatcha Gone Do Now? (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Gary Rinaldo and Sean de Vore
4:41
9White Heaven/Black Hell
recording engineer and mixer:
Gerry Comito
producer:
Bomb Squad Production
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
(Girl) I Love You by The Temprees
recording of:
White Heaven/Black Hell (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Jo Bridges, Carl Hampton and Tom Nixon
is based on:
(Girl) I Love You
1:06
10Race Against Time
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man
producer:
Carl Ryder and Gary G‐Wiz
turntable [DJ work]:
Kamron
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at:
Power Station Studios in Hell's Kitchen, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
samples:
Get Up, Get Into It and Get Involved (mono) by James Brown and Take My Hand, Precious Lord by Mahalia Jackson
recording of:
Race Against Time (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Gary Rinaldo and Sean de Vore
3:21
11They Used To Call It Dope
recording engineer and mixer:
Nick Sansano
producer:
Bomb Squad Production
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Bring the Noise by Public Enemy, Caught, Can We Get a Witness? by Public Enemy and Show Em Whatcha Got by Public Enemy
recording of:
They Used to Call It Dope (from 1993 until 1994)
lyricist and composer:
Carlton Douglas Ridenhour
0:30
12Aintnuttin Buttersong
recording engineer and mixer:
Gerry Comito
co-producer:
Easy Mo Bee
producer:
Bomb Squad Production
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Do Your Dance by Rose Royce, Jeep Ass Niguh by Masta Ace Incorporated and Medley: Star Spangled Banner / Purple Haze / Instrumental Solo by Jimi Hendrix
recording of:
Aintnuttin Buttersong (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Osten Harvey
composer:
Spyder Turner and Norman Whitfield
is based on:
Do Your Dance
4:24
13Live And Undrugged Pt. 1 & 2
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Bomb Squad Production
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Let’s Stay Together by Al Green, Punks Jump Up to Get Beat Down by Brand Nubian and Revolution by The Beatles
recording of:
Live and Undrugged, Parts 1 & 2 (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Kerwin Young
5:55
14Thin Line Between Law & Rape
recording engineer:
Gerry Comito
co-producer:
Larry "Panic" Walford
producer:
Bomb Squad Production
mixer:
Dino Zervos
turntable [DJ work]:
Kevin Boone
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
mixed at:
Power Play Studios in New York, New York, United States
samples:
Cinderfella Dana Dane by Dana Dane and No Woman, No Cry by Bob Marley & The Wailers
recording of:
Thin Line Between Law & Rape (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour, Collin Constantine Rochester and Lawrence Walford
4:45
15I Ain’t Mad At All
assistant recording engineer:
Layng Martine
recording engineer:
Bob Musseo
programming and producer:
Keith Shocklee
assistant mixer:
Danny Madorski
mixer:
Rod Hui
horn [horns]:
David Watson, Darryl Dixon and Bill Mobley
background vocals [backgrounds]:
Bemshi, Paulette McWilliams and Norma Jean Wright
lead vocals:
Flavor Flav
recorded at and mixed at:
Greene St. Recording in SoHo, New York, New York, United States
samples:
Bustin' Loose by Chuck Brown & The Soul Searchers and Dance Across the Floor by Jimmy “Bo” Horne
recording of:
I Ain’t Mad at All (from 1993 until 1994)
writer:
Keith Boxley, Carl DeHaney, Jeannette Harrod, Ronald Lincoln and William Jonathan Drayton
3:25
16Death Of A Carjacka
recording engineer and mixer:
Gerry Comito
producer:
Bomb Squad Production
turntable [DJ work]:
Terminator X
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Hold on I’m Coming by Sam & Dave
recording of:
Death of a Carjacka (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Isaac Hayes and David Porter
is based on:
Hold On, I’m Comin’
2:00
17I Stand Accused
recording engineer and mixer:
Gerry Comito
co-producer:
Easy Mo Bee
producer:
Bomb Squad Production
turntable [DJ work]:
Kevin Boone
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Funky Worm by Ohio Players and The Payback by James Brown
recording of:
I Stand Accused (from 1993 until 1994)
writer:
Keith Boxley, Carlton Douglas Ridenhour and Osten Harvey
3:57
18Godd Complexx
assistant recording engineer:
Imad Mansour
recording engineer:
Bob Musseo
programming and producer:
Keith Shocklee
assistant mixer:
Danny Madorski
mixer:
Rod Hui
background vocals [backgrounds]:
Carl DeHaney, Umar Bin Hassan and Keith Shocklee
lead vocals:
Flavor Flav
recorded at and mixed at:
Greene St. Recording in SoHo, New York, New York, United States
samples:
Back to the Grill by MC Serch feat. Chubb Rock, Nasty Nas & Red Hot Lover Tone and White Man's Got a God Complex by The Last Poets
recording of:
Godd Complexx (from 1993 until 1994)
lyricist and composer:
Alafia Pudim
arrangement of:
White Man's Got a God Complex
3:40
19Hitler Day
recording engineer and mixer:
Gerry Comito
co-producer:
Larry "Panic" Walford
producer:
Bomb Squad Production
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Kevin Boone
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Na Na Hey Hey Kiss Him Goodbye by Steam
recording of:
Hitler Day (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Lawrence Walford
4:28
20Harry Allen’s Interactive Super Highway Phone Call To Chuck D
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin (Sleek) Young
producer:
Bomb Squad Production
spoken vocals:
Harry Allen
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
recording of:
Harry Allen's Interactive Super Highway Phone Call To Chuck D. (from 1993 until 1994)
writer:
Harry Allen, Carlton Douglas Ridenhour and Kerwin Young
2:53
21Living In A Zoo
recording engineer and mixer:
Gary G‐Wiz
assistant engineer:
J-Technique
lead vocals:
Chuck D
remixer:
Gary G‐Wiz and Studdah Man
recorded at and mixed at:
Suburban Funk Studio in New York, New York, United States (from 1993 until 1994)
samples:
Caught, Can We Get a Witness? (Pre Black Steel Ballistic Felony dub) by Public Enemy and Spinning Wheel by Dr. Lonnie Smith
recording of:
Living In a Zoo (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour, Carl DeHaney and Hank Shocklee
composer:
Gary Rinaldo
3:38