Tracklist

1CD: Rarities & Surprises
2CD: Rarities & Surprises
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1Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante – allegro molto
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: I. Ouvertura (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Ouvertura
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
4:03
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione “Notte e giorno faticar” (Leporello)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: II. Introduzione. "Notte e giorno faticar" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:04
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: IV. "Madamina, il catalogo è questo" (for wind ensemble, Triebensee) (from 1973-11-04 until 1973-11-10)
lyricist:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:38
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: V. "Giovinette, che fate all'amore" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:10
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: VI."Là ci darem la mano" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:54
6Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria “Dalla sua pace” (Tenor)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: VIII. "Dalla sua pace" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:48
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
instruments:
Members of the Nederlands Wind Ensemble (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: IX. "Fin ch'han dal vino" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:01
8Il dissoluto punito, ossia il Don Giovanni, Op. 527: Act I. Finale I
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XI. "Presto, presto pria ch'ei venga" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
7:00
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XIV. "Deh vieni alla finestra" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:55
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria “Vedrai, carino” (Zerlina)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XVI. "Vedrai, carino" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:29
11Il dissoluto punito, ossia il Don Giovanni for Soprano in E‐flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria “Mi tradì quell’alma ingrata” (Soprano)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XVIII. "Mi tradí quell'alma ingrata" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:59
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XIX. "Non mi dir, bell'idol mio" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
4:11
13Il dissoluto punito, ossia il Don Giovanni, Op. 527: Act II. Finale II
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XX. "Già la mensa è preparata" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:08
14Die Entführung aus dem Serail, K. 384: Ouvertüre
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Overtura (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:36
15Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria “Hier soll ich Dich denn sehen” (Belmonte)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Hier soll ich dich denn sehen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:42
16Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 8 Aria “Durch Zärtlichkeit und Schmeicheln” (Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Durch Zärtlichkeit und Schmeichen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:58
17Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto “Ich gehe, doch rate ich dir” (Osmin, Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Ich gehe, doch rate ich dir (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:48
18Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria “Welche Wonne, welche Lust” (Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Welche Wonne, welche Lust (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:42
19Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto “Vivat Bacchus! Bacchus lebe!” (Pedrillo, Osmin)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Jan Spronk (in 1973-11, from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Vivat Bacchus, Bacchus lebe (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:43
20Die Entführung aus dem Serail, K. 384: Act II, Scene IX. No. 15 Aria “Wenn der Freude Tränen fließen” (Belmonte)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Wenn der Freude Tränen fließen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
3:58
21Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria “O, wie will ich triumphieren” (Osmin)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Ha, wie will ich triumphieren (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:52
3CD: Rarities & Surprises
4CD: Theatre & Ballet Music
5CD: Theatre & Ballet Music