The Jazzin’ Bing Crosby, 1927–1940

~ Release by Bing Crosby (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistLength
1I’m Coming Virginia
baritone saxophone:
Charles Strickfaden (on 1927-04-29)
cornet:
Red Nichols (on 1927-04-29)
guitar:
Gilbert Torres (on 1927-04-29)
violin:
Matty Malneck (on 1927-04-29)
baritone vocals:
Bing Crosby (on 1927-04-29)
tenor vocals:
Harry Barris (on 1927-04-29) and Al Rinker (on 1927-04-29)
orchestra:
Paul Whiteman and His Orchestra (on 1927-04-29)
conductor:
Paul Whiteman (on 1927-04-29)
arranger:
Matty Malneck
recorded at:
Liederkranz Hall in New York, New York, United States (on 1927-04-29)
cover recording of:
I’m Coming Virginia (on 1927-04-29)
lyricist:
Will Marion Cook
composer:
Donald Heywood
Paul Whiteman and His Orchestra3:05
2Side by Side
alto saxophone:
Jimmy Dorsey (on 1927-04-29)
cornet:
Red Nichols (on 1927-04-29)
double bass:
Al Armer (on 1927-04-29)
baritone vocals:
Bing Crosby (on 1927-04-29)
tenor vocals:
Harry Barris (on 1927-04-29) and Al Rinker (on 1927-04-29)
orchestra:
Paul Whiteman and His Orchestra (on 1927-04-29)
conductor:
Paul Whiteman (on 1927-04-29)
arranger:
Max Farley
recorded at:
Liederkranz Hall in New York, New York, United States (on 1927-04-29)
cover recording of:
Side by Side (on 1927-04-29)
lyricist and composer:
Harry M. Woods (in 1927)
publisher:
Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
Paul Whiteman and His Orchestra2:58
3Mississippi Mud / I Left My Sugar Standing in the Rain
recorded in:
New York, New York, United States (on 1927-06-20)
baritone vocals:
Bing Crosby (on 1927-06-20)
tenor vocals:
Harry Barris (on 1927-06-20) and Al Rinker (on 1927-06-20)
medley including a recording of:
I Left My Sugar Standing in the Rain (on 1927-06-20)
lyricist:
Irving Kahal
composer:
Sammy Fain
medley including a recording of:
Mississippi Mud (on 1927-06-20)
writer:
Harry Barris (in 1927) and James Cavanaugh (in 1927)
Paul Whiteman’s Rhythm Boys2:31
4Mary (What Are You Waiting For?)
producer:
Leroy Shield
alto saxophone:
Jimmy Dorsey (on 1927-11-25), Chester Hazlett (on 1927-11-25) and Hal McLean (on 1927-11-25)
banjo:
Mike Pingitore (on 1927-11-25)
baritone saxophone:
Charles Strickfaden (on 1927-11-25)
cornet:
Bix Beiderbecke (on 1925-11-25, on 1927-11-25)
double bass:
Steve Brown (on 1927-11-25)
drums (drum set):
Harold McDonald (on 1927-11-25)
piano:
Harry Perrella (on 1927-11-25)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1927-11-25)
trombone:
Tommy Dorsey (on 1927-11-25) and Wilbur Hall (on 1927-11-25)
trumpet:
Henry Busse (on 1927-11-25) and Charlie Margulis (on 1927-11-25)
tuba:
Mike Trafficante (on 1927-11-25)
violin:
Kurt Dieterle (on 1927-11-25), Matty Malneck (on 1927-11-25), Mario Perry (on 1927-11-25) and Mischa Russell (on 1927-11-25)
baritone vocals:
Bing Crosby (on 1925-11-25, on 1927-11-25)
orchestra:
Paul Whiteman and His Orchestra (on 1927-11-25)
conductor:
Paul Whiteman (on 1927-11-25)
arranger:
Matty Malneck
recorded at:
N Michigan Avenue Recording Studios in Chicago, Illinois, United States (on 1925-11-25, on 1927-11-25)
recording of:
Mary (What Are You Waiting For?) (on 1927-11-25)
lyricist and composer:
Walter Donaldson
Paul Whiteman and His Orchestra2:48
5Mississippi Mud
alto saxophone:
Chester Hazlett (on 1928-01-20)
alto saxophone and clarinet:
Jimmy Dorsey (on 1928-01-20)
bass saxophone:
Min Leibrook (on 1928-01-20)
clarinet:
Izzy Friedman (on 1928-01-20)
cornet:
Bix Beiderbecke (on 1928-01-20)
drums (drum set):
George Marsh (on 1928-01-20) and Hal McDonald (on 1928-01-20)
guitar:
Carl Kress (on 1928-01-20) and Eddie Lang (on 1928-01-20)
piano:
Lennie Hayton (on 1928-01-20)
reeds:
Charles Strickfaden (on 1928-01-20)
saxophone [c melody saxophone] and spoken vocals:
Frankie Trumbauer (on 1928-01-20)
trombone:
Bill Rank (on 1928-01-20)
violin:
Matty Malneck (on 1928-01-20)
baritone vocals:
Bing Crosby (on 1928-01-20)
orchestra:
Frankie Trumbauer and His Orchestra (on 1928-01-20)
concertmaster:
Frankie Trumbauer (on 1928-01-20)
recording of:
Mississippi Mud (on 1928-01-20)
writer:
Harry Barris (in 1927) and James Cavanaugh (in 1927)
Frankie Trumbauer and His Orchestra3:10
6There Ain’t No Sweet Man That’s Worth the Salt of My Tears
alto saxophone:
Rube Crozier (on 1928-02-08), Jimmy Dorsey (on 1928-02-08), Chester Hazlett (on 1928-02-08) and Hal McLean (on 1928-02-08)
banjo:
Mike Pingitore (on 1928-02-08)
baritone saxophone:
Charles Strickfaden (on 1928-02-08)
bassoon and flute:
Rube Crozier (on 1928-02-08)
clarinet:
Jimmy Dorsey (on 1928-02-08), Hal McLean (on 1928-02-08) and Charles Strickfaden (on 1928-02-08)
cornet:
Bix Beiderbecke (on 1928-02-08, on 1928-02-28)
double bass:
Steve Brown (on 1928-02-08)
drums (drum set):
Harold McDonald (on 1928-02-08)
piano:
Roy Bargy (on 1928-02-08) and Tom Satterfield (on 1928-02-08)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1928-02-08)
trombone:
Boyce Cullen (on 1928-02-08), Jack Fulton (on 1928-02-08), Wilbur Hall (on 1928-02-08) and Bill Rank (on 1928-02-08)
trumpet:
Henry Busse (on 1928-02-08) and Charlie Margulis (on 1928-02-08)
tuba:
Mike Trafficante (on 1928-02-08)
violin:
John Bowman (on 1928-02-08), Kurt Dieterle (on 1928-02-08), Charles Gaylord (on 1928-02-08), Matty Malneck (on 1928-02-08), Mario Perry (on 1928-02-08) and Mischa Russell (on 1928-02-08)
baritone vocals:
Bing Crosby (on 1928-02-08, on 1928-02-28)
tenor vocals:
Harry Barris (on 1928-02-08), Al Rinker (on 1928-02-08) and Austin “Skin” Young (on 1928-02-08)
vocals:
Jack Fulton (on 1928-02-08) and Charles Gaylord (on 1928-02-08)
orchestra:
Paul Whiteman and His Orchestra (on 1928-02-08, on 1928-02-28)
conductor:
Paul Whiteman (on 1928-02-08)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-02-08, on 1928-02-28)
cover recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (on 1928-02-08)
lyricist and composer:
Fred Fisher
publisher:
Sony/ATV Tunes LLC
Paul Whiteman and His Orchestra3:27
7From Monday On
recording of:
From Monday On (on 1928-02-28)
writer:
Harry Barris and Bing Crosby
Paul Whiteman and His Orchestra3:02
8High Water
recording of:
High Water (on 1928-02-28)
lyricist and composer:
J. Keirn Brennan and Marsh McCardy
Paul Whiteman and His Orchestra3:58
9Louisiana
alto saxophone and flute:
Hal McLean (on 1928-04-23)
banjo:
Mike Pingitore (on 1928-04-23)
bass saxophone:
Min Leibrook (on 1928-04-23)
clarinet:
Izzy Friedman (on 1928-04-23)
cornet:
Bix Beiderbecke (on 1928-04-23)
double bass:
Mike Trafficante (on 1928-04-23)
drums (drum set):
Harold McDonald (on 1928-04-23)
piano:
Roy Bargy (on 1928-04-23) and Lennie Hayton (on 1928-04-23)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1928-04-23)
trombone:
Boyce Cullen (on 1928-04-23), Jack Fulton (on 1928-04-23), Wilbur Hall (on 1928-04-23) and Bill Rank (on 1928-04-23)
trumpet:
Henry Busse (on 1928-04-23), Charlie Margulis (on 1928-04-23) and Eddie Pinder (on 1928-04-23)
violin:
John Bowman (on 1928-04-23), Kurt Dieterle (on 1928-04-23), Charles Gaylord (on 1928-04-23), Matty Malneck (on 1928-04-23), Mario Perry (on 1928-04-23) and Mischa Russell (on 1928-04-23)
vocals:
Bing Crosby (on 1928-04-23), Jack Fulton (on 1928-04-23), Charles Gaylord (on 1928-04-23) and Austin “Skin” Young (on 1928-04-23)
recording of:
Louisiana (on 1928-04-23)
lyricist:
Andy Razaf and Bob Schafer
composer:
J.C. Johnson
Paul Whiteman and His Orchestra3:00
10’Tain’t So, Honey, ’Tain’t So
alto saxophone:
Rube Crozier (on 1928-06-10) and Chester Hazlett (on 1928-06-10)
banjo:
Mike Pingitore (on 1928-06-10)
baritone saxophone:
Red Mayer (on 1928-06-10) and Charles Strickfaden (on 1928-06-10)
bass clarinet:
Chester Hazlett (on 1928-06-10)
bassoon:
Rube Crozier (on 1928-06-10)
clarinet:
Irving Friedman (on 1928-06-10) and Red Mayer (on 1928-06-10)
cor anglais:
Charles Strickfaden (on 1928-06-10)
cornet:
Bix Beiderbecke (on 1928-06-10)
double bass:
Mike Trafficante (on 1928-06-10)
drums (drum set):
George Marsh (on 1928-06-10)
piano:
Roy Bargy (on 1928-06-10)
saxophone [C-melody sax]:
Frank Trumbauer (on 1928-06-10)
tenor saxophone:
Irving Friedman (on 1928-06-10), Red Mayer (on 1928-06-10) and Charles Strickfaden (on 1928-06-10)
trombone:
Boyce Cullen (on 1928-06-10) and Bill Rank (on 1928-06-10)
trumpet:
Charles Margulis (on 1928-06-10) and Eddie Pinder (on 1928-06-10)
tuba:
Min Leibrook (on 1928-06-10)
violin:
Kurt Dieterle (on 1928-06-10), Matty Malneck (on 1928-06-10), Mario Perry (on 1928-06-10) and Mischa Russell (on 1928-06-10)
vocals:
Bing Crosby (on 1928-06-10)
orchestra:
Paul Whiteman and His Orchestra (on 1928-06-10)
recording of:
’Taint So, Honey, ’Taint So (on 1928-06-10)
lyricist and composer:
Willard Robison
Paul Whiteman and His Orchestra2:50
11Because My Baby Don’t Mean “Maybe” Now
recording of:
Because My Baby Don’t Mean Maybe Now (on 1928-06-18)
lyricist and composer:
Walter Donaldson
Paul Whiteman and His Orchestra2:57
12Rhythm King
recording of:
Rhythm King (on 1928-11-10)
lyricist and composer:
Joe Hoover
Paul Whiteman’s Rhythm Boys3:24
13I’m Crazy Over You
recording of:
I'm Crazy Over You (on 1929-01-25)
lyricist:
Al Lewis
composer:
Al Sherman
Sam Lanin and His Famous Players3:21
14Susianna
recording of:
Susianna (on 1929-01-25)
lyricist and composer:
Spencer Williams
Sam Lanin and His Famous Players3:12
15If I Had You
producer:
Sam Lanin
vocals:
Bing Crosby (on 1929-01-25)
orchestra:
Sam Lanin's Dance Orchestra (on 1929-01-25)
recording of:
If I Had You (jazz standard) (on 1929-01-25)
writer:
James Campbell, Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc., EMI Robbins Catalog Inc. and Robbins Music Corp.
Sam Lanin and His Famous Players3:09
16The Spell of the Blues
drums (drum set):
Stan King (on 1929-01-26)
guitar:
Eddie Lang (on 1929-01-26)
piano:
Arthur Schutt (on 1929-01-26)
reeds:
Arnold Brilhart (on 1929-01-26) and Jimmy Dorsey (on 1929-01-26)
tenor saxophone:
Herbert Spencer (on 1929-01-26)
trombone:
Tommy Dorsey (on 1929-01-26) and Glenn Miller (on 1929-01-26)
trumpet:
Fred "Fuzzy" Farrar (on 1929-01-26), Leo McConville (on 1929-01-26) and Phil Napoleon (on 1929-01-26)
tuba [brass bass]:
Hank Stern (on 1929-01-26)
vocals:
Bing Crosby (on 1929-01-26)
recording of:
The Spell of the Blues (on 1929-01-26)
lyricist:
Dave Dreyer and Herman Ruby
composer:
Arthur Johnston
Dorsey Brothers and Their Orchestra3:12
17Let’s Do It (Let’s Fall in Love)
drums (drum set):
Stan King (on 1929-01-26)
guitar:
Eddie Lang (on 1929-01-26)
piano:
Arthur Schutt (on 1929-01-26)
reeds:
Arnold Brilhart (on 1929-01-26) and Jimmy Dorsey (on 1929-01-26)
tenor saxophone:
Herbert Spencer (on 1929-01-26)
trombone:
Tommy Dorsey (on 1929-01-26) and Glenn Miller (on 1929-01-26)
trumpet:
Fred "Fuzzy" Farrar (on 1929-01-26), Leo McConville (on 1929-01-26) and Phil Napoleon (on 1929-01-26)
tuba [brass bass]:
Hank Stern (on 1929-01-26)
vocals:
Bing Crosby (on 1929-01-26)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1929-01-26)
lyricist and composer:
Cole Porter (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Dorsey Brothers and Their Orchestra3:18
18My Kinda Love
vocals:
Bing Crosby
orchestra:
The Dorsey Brothers Orchestra
recording of:
My Kinda Love (on 1929-01-26)
lyricist:
Jo Trent
composer:
Louis Alter
publisher:
Robbins Music
Dorsey Brothers and Their Orchestra3:12
19So the Bluebirds and the Blackbirds Got TogetherPaul Whiteman’s Rhythm Boys2:59
20Oh! Miss Hannah
recording of:
Oh Miss Hannah (on 1929-05-04)
writer:
Jessie L. Deppen and Thekla Hollingsworth
Paul Whiteman and His Orchestra3:24
21Waiting at the End of the Road
recording of:
Waiting at the End of the Road (from “Hallelujah”) (on 1929-09-13)
lyricist and composer:
Irving Berlin
Paul Whiteman and His Orchestra2:53
22After You’ve Gone
recording of:
After You’ve Gone (on 1929-10-18)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Paul Whiteman and His Orchestra3:05
23One More Time
recording of:
One More Time (on 1931-03-02)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Bing Crosby with Gus Arnheim and His Cocoanut Grvoe Orchestra2:52
24I’m Sorry Dear
recording of:
I'm Sorry Dear (on 1931-12-03)
lyricist and composer:
Johnnie Scott, Harry Tobias and Anson Weeks
Bing Crosby3:09
2CD

Credits

Release

manufactured in:EEC
copyrighted (©) by and phonographic copyright (℗) by:Charly Records Ltd. (in 1992)
Discogs:https://www.discogs.com/release/22018279 [info]
Allmusic:https://www.allmusic.com/album/release/mr0000778742 [info]