111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

111 Years of Deutsche Grammophon was released in 3 box sets:
*This is the 6 disc box set
*There is also another 6 disc box set
*There is also a 55 disc box set
*There is also a 13 DVD box set

Tracklist

1▶CD: Abbado – Carreras
2▶CD: Chung – Hahn
3▶CD: Hope – Ludwig
4▶CD: Leitner – Pogorelich
5▶CD: Pavarotti – Seefried
6▼CD: Segovia – Zimerman
#TitleArtistLength
1Recuerdos de la Alhambra
recorded in:
New York, New York, United States (in 1955-03)
guitar:
Andrés Segovia (in 1955-03)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (in 1955-03)
composer:
Francisco Tárrega
Francisco Tárrega5:16
2Motet for Soprano & Orchestra in F major, K. 158a/165: IV. “Alleluja”
executive producer:
Prof. Elsa Schiller
soprano vocals:
Maria Stader (from 1960-06-03 until 1960-06-04)
orchestra:
Radio-Symphonie-Orchester Berlin (from 1960-06-03 until 1960-06-04)
conductor:
Ferenc Fricsay (from 1960-06-03 until 1960-06-04)
balance engineer:
Günter Hermanns
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1960-06-03 until 1960-06-04)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (from 1960-06-03 until 1960-06-04)
composer:
Wolfgang Amadeus Mozart
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:40
3Nabucco: Part III, Scene II: “Va, pensiero, sull’ali dorate…”
producer:
Hans Hirsch and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (in 1982-05)
conductor:
Giuseppe Sinopoli (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:59
4Ave Maria
soprano vocals:
Cheryl Studer (in 1991-03)
orchestra:
London Symphony Orchestra (in 1991-03)
conductor:
Ion Marin (in 1991-03)
arranger:
Carlo Sabatini
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1991-03)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (in 1991-03)
composer:
Johann Sebastian Bach and Charles Gounod
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Charles‐François Gounod2:09
5Cavatina
engineer:
Lars Finnström (from 1981-05 until 1981-06)
classical guitar:
Göran Söllscher (from 1981-05 until 1981-06)
guitar arranger:
John Williams
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1981) and PolyGram AB (in 1981)
recorded at:
Mastersound Recording Studios in Skurup Municipality, Skåne, Sweden (from 1981-05 until 1981-06)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (from 1981-05 until 1981-06)
composer:
Stanley Myers
publisher:
EMI Music Publishing, Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:40
6Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great”: IV. Allegro assai
recorded in:
Berlin, Germany (in 1927)
orchestra:
Staatskapelle Berlin (in 1927)
conductor:
Richard Strauss (in 1927)
recording of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great”: IV. Allegro assai (in 1927)
composer:
Wolfgang Amadeus Mozart (from 1788 until 1788-07-25)
part of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great” (first version)
Wolfgang Amadeus Mozart4:57
7Lo spazzacamino
soprano vocals:
Rita Streich (in 1958-05)
orchestra:
Deutsches Symphonie‐Orchester Berlin (in 1958-05)
conductor:
Kurt Gaebel (in 1958-05)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1958-05)
recording of:
Seste romanze: No. 4. Lo spazzacamino (in 1958-05)
lyricist:
S. Manfredo Maggioni
composer:
Giuseppe Verdi (in 1845)
part of:
Seste romanze (second set)
Giuseppe Verdi2:53
8Songs of Travel: The Vagabond
piano:
Malcolm Martineau (in 1995-02)
bass-baritone vocals:
Bryn Terfel (in 1995-02)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1995-02)
recording of:
Songs of Travel: I. The Vagabond (in 1995-02)
lyricist:
Robert Louis Stevenson
composer:
Ralph Vaughan Williams (from 1901 until 1904)
part of:
Songs of Travel
Ralph Vaughan Williams3:14
9Lohengrin, Act III. Prelude
orchestra:
The Philadelphia Orchestra (in 1997-04)
conductor:
Christian Thielemann (in 1997-04)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1997-04)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (in 1997-04)
composer:
Richard Wagner (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:10
10Ayre: Nanni
instruments:
The Andalucian Dogs (in 2004-08)
soprano vocals:
Dawn Upshaw (in 2004-08)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 2004-08)
recording of:
Ayre: V. Nanni (in 2004-08)
lyricist and composer:
[traditional]
arranger:
Osvaldo Golijov
part of:
Ayre
Osvaldo Golijov3:22
11Rigoletto, Act I, Scene I. “Questa o quella”
tenor vocals:
Rolando Villazón (in 2007-03)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (in 2007-03)
conductor:
Daniele Callegari (in 2007-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 2008)
recorded at:
Auditorium di Milano, Fondazione Cariplo in Milano, Milano, Lombardia, Italy (in 2007-03)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 2007-03)
composer:
Giuseppe Verdi (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:54
12Suite für Violoncello solo no. 5 c‐Moll, BWV 1011: Courante
cello:
Jian Wang (in 2003-07)
recorded at:
Convento da Cartuxa in Caxias, Lisboa, Portugal (in 2003-07)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: III. Courante (Suite for Cello Solo No. 5 in C minor, BWV 1011: III. Courante) (in 2003-07)
composer:
Johann Sebastian Bach
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach2:19
13Piano Étude no. 10 “The Sorcerer’s Apprentice”
piano:
王羽佳 (in 2008-11)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-11)
recording of:
Études, Book II: No. 10. Der Zauberlehrling (in 2008-11)
composer:
György Ligeti
part of:
Études
György Ligeti2:19
14Organ Concerto no. 4 in F major, HWV 292: I. Allegro
organ:
Eduard Müller (in 1966-07)
orchestra:
Schola Cantorum Basiliensis (in 1966-07)
conductor:
August Wenzinger (in 1966-07)
recorded at:
Tituskirche in Basel, Basel-Stadt, Switzerland (in 1966-07)
recording of:
Organ Concerto in F major, op. 4 no. 4, HWV 292: I. Allegro (in 1966-07)
composer:
George Frideric Handel (in 1735)
part of:
Organ Concerto in F major, op. 4 no. 4, HWV 292
Georg Friedrich Händel4:30
15Zärtliche Liebe, WoO 123
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" (from 1965-10-31 until 1965-11-03)
lyricist:
Karl Friedrich Wilhelm Herrosee
composer:
Ludwig van Beethoven (in 1795)
part of:
Biamonti Catalogue (number: Bia 287) and Kinsky catalogue (number: WoO 123)
Ludwig van Beethoven2:14
16Six Chorales of Diverse Kinds, BWV 645 “Wachet auf, ruft uns die Stimme”
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1956-09)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:22
17Prelude no. 1 in E minor
guitar:
Narciso Yepes (in 1971-02)
recorded at:
Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1971-02)
recording of:
Cinco prelúdios, W419, nº 1: Andante espressivo (in 1971-02)
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos4:59
18Chanson dans la nuit
producer:
Heinz Reinicke
harp:
Nicanor Zabaleta (in 1957-01)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-01)
recording of:
Chanson dans la nuit (in 1957-01)
composer:
Carlos Salzedo
Carlos Salzedo4:02
19F.A.E. Sonata: Scherzo
executive producer:
Günther Breest
producer:
Wolfgang Stengel
piano:
Daniel Barenboim (in 1974-11)
violin:
Pinchas Zukerman (in 1974-11)
balance engineer:
Hans‐Rudolf Müller and Klaus Scheibe (in 1974-11)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1974-11)
recording of:
F-A-E Sonata: III. Scherzo c-moll (Sonata for Violin and Piano, WoO post 2, "F-A-E": III. Scherzo in C minor) (in 1974-11)
composer:
Johannes Brahms (in 1853)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: WoO 2)
part of:
F-A-E Sonata
Johannes Brahms5:39
20Impromptu in A‐flat major, D 899
piano:
Krystian Zimerman (in 1990-02)
recorded at:
Rudolf‐Oetker‐Halle in Bielefeld, Nordrhein-Westfalen, Germany (in 1990-02)
recording of:
Impromptu in A‐flat major, op. 90, D. 899: No. 4. Allegretto (in 1990-02)
composer:
Franz Schubert (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert8:00