Greatest Hits of Miles Davis

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleLength
1Blue in Green
engineer:
Fred Plaut
producer:
Irving Townsend
double bass:
Paul Chambers (on 1959-03-02)
drums (drum set):
Jimmy Cobb (on 1959-03-02)
piano:
Bill Evans (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Blue in Green by Miles Davis
recording of:
Blue in Green (on 1959-03-02)
composer:
Miles Davis and Bill Evans
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp.
5:35
2Round Midnight
recording engineer:
Ray Moore (on 1956-09-10)
producer:
George Avakian
double bass:
Paul Chambers (on 1956-09-10)
drums (drum set):
Philly Joe Jones (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
5:54
3Bye, Bye, Blackbird
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
instrumental cover recording of:
Bye Bye Blackbird (on 1956-06-05)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
7:53
4Dear Old Stockholm
recording engineer:
Ray Moore (on 1956-06-05)
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
cover recording of:
Dear Old Stockholm (on 1956-06-05)
writer:
[traditional]
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
7:49
5Flamenco Sketches
9:24
6Freddie Freeloader
recorded in:
New York, New York, United States (on 1959-03-02, from 1959-03 until 1959-04)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (on 1959-03-02)
drums (drum set):
Jimmy Cobb (on 1959-03-02)
piano:
Wynton Kelly (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (on 1959-03-02, from 1959-03 until 1959-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Freddie Freeloader by Miles Davis Quintet
recording of:
Freddie Freeloader (original Miles Davis instrumental version) (on 1959-03-02)
composer:
Miles Davis
publisher:
Jazz Horn Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
9:45
7So What
9:22
8All Blues
11:33
9All of You
6:59
10Tadd's Delight
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
recording of:
Tadd's Delight (on 1956-06-05)
composer:
Tadd Dameron
4:27
11If I Were a Bell
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
If I Were a Bell (Guys and Dolls) (on 1956-10-26)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
8:08
12Ah-Leu-Cha
5:50
13Woody'n You
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Woody ’n’ You (on 1956-05-11)
composer:
Dizzy Gillespie
recording of:
Woody ’n’ You
composer:
Dizzy Gillespie
5:03
14You're My Everything
instrumental cover recording of:
You’re My Everything (on 1956-10-26)
lyricist:
Mort Dixon and Joe Young
composer:
Harry Warren
recording of:
You’re My Everything
lyricist:
Mort Dixon and Joe Young
composer:
Harry Warren
4:47
15Oleo
recorded in:
New York, New York, United States (on 1956-10-26)
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
edit of:
Oleo by Miles Davis Quintet
recording of:
Oleo (on 1956-10-26)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
5:53
16Springsville
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
recording of:
Springsville (on 1957-05-23)
composer:
John Carisi
3:27
17I Could Write a Book
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
I Could Write a Book (on 1956-10-26)
lyricist:
Lorenz Hart
composer:
Richard Rodgers
publisher:
Chappell & Co., Inc.
part of:
Pal Joey
5:08
18It Could Happen to You
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
It Could Happen to You (on 1956-05-11)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
6:36
19Au bar du petit Bac
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Au bar du petit bac (in 1957-12)
composer:
Miles Davis
publisher:
Edition Continentale
2:55
20My Ship
alto saxophone:
Lee Konitz (on 1957-05-10)
bass clarinet:
Danny Banks (on 1957-05-10)
bass trombone:
Tom Mitchell (on 1957-05-10)
clarinet and flute:
Sid Cooper (on 1957-05-10) and Romeo Penque (on 1957-05-10)
double bass [bass]:
Paul Chambers (on 1957-05-10)
drums (drum set):
Art Taylor (on 1957-05-10)
flugelhorn:
Miles Davis (on 1957-05-10)
French horn:
Willie Ruff (on 1957-05-10)
trombone:
Joe Bennett (on 1957-05-10), Jimmy Cleveland (on 1957-05-10) and Frank Rehak (on 1957-05-10)
trumpet:
John Carisi (on 1957-05-10), Bernie Glow (on 1957-05-10), Taft Jordan (on 1957-05-10), Louis R. Mucci (on 1957-05-10) and Ernie Royal (on 1957-05-10)
tuba:
Bill Barber (on 1957-05-10)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-10)
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill
version of:
Lady in the Dark: My Ship
4:28
21Miles Ahead
3:30
22The Maids of Cadiz
alto saxophone:
Lee Konitz (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (on 1957-05-06)
clarinet and flute:
Sid Cooper (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (on 1957-05-06), Jimmy Cleveland (on 1957-05-06) and Frank Rehak (on 1957-05-06)
trumpet:
John Carisi (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements) (on 1957-05-06)
lyricist:
Alfred de Musset
composer:
Léo Delibes
arrangement of:
Les Filles de Cadix (Chanson espagnole)
4:00
23The Duke
alto saxophone:
Lee Konitz (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (on 1957-05-06)
clarinet and flute:
Sid Cooper (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (on 1957-05-06), Jimmy Cleveland (on 1957-05-06) and Frank Rehak (on 1957-05-06)
trumpet:
John Carisi (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
The Duke (on 1957-05-06)
composer:
Dave Brubeck
dedicated to:
Duke Ellington
publisher:
Derry Music Company
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington
publisher:
Derry Music Company
3:29
24New Rhumba
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
New Rhumba (on 1957-05-23)
composer:
Ahmad Jamal
recording of:
New Rhumba
composer:
Ahmad Jamal
4:35
25Lament
2:16
26Sur l'autoroute
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Sur l’autoroute (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:21
27Blues for Pablo
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
orchestra:
The Gil Evans Orchestra
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
Blues for Pablo (on 1957-05-23)
composer:
Gil Evans
5:20
28Chez le photographe du motel
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Chez le photographe du motel (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
3:56
29Julien dans l'ascenseur
bass:
Pierre Michelot (on 1957-12-04)
drums (drum set):
Kenny Clarke (on 1957-12-04)
piano:
René Urtreger (on 1957-12-04)
tenor saxophone:
Barney Wilen (on 1957-12-04)
trumpet:
Miles Davis (on 1957-12-04)
recording of:
Julien dans l'ascenseur (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:09
30The Meaning of the Blues
alto saxophone:
Lee Konitz (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (on 1957-05-27)
clarinet and flute:
Sid Cooper (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
The Meaning of the Blues (on 1957-05-27)
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
instrumental recording of:
The Meaning of the Blues (on 1957-05-27)
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
2:50
31Dîner au motel
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Dîner au motel (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
3:59
32It Never Entered My Mind
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
It Never Entered My Mind (on 1956-05-11)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:21
33Evasion de Julien
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Évasion de Julien (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
0:55
34I Don't Wanna Be Kissed (By Anyone but You)
alto saxophone:
Lee Konitz (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (on 1957-05-27)
clarinet and flute:
Sid Cooper (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You) (on 1957-05-27)
composer:
John Elliot and Harold Spina
recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot and Harold Spina
3:03
35In Your Own Sweet Way
5:45
36Trane's Blues
8:27
37Four
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Four (original instrumental version) (on 1956-05-11)
composer:
Miles Davis
7:11
38Half Nelson
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Half Nelson (on 1956-05-11)
composer:
Miles Davis
4:44
39Ahmad's Blues
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Ahmad’s Blues (on 1956-05-11)
composer:
Ahmad Jamal
7:21
40Florence sur les Champs-Élysées
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Florence sur les Champs-Élysées (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
2:53
41The Theme (Take 1)
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
The Theme (on 1956-05-11)
composer:
Miles Davis
1:59
42L'assassinat de Carala
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
L'assassinat de Carala (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:11
43Visite du Vigile
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Visite du vigile (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:06
44The Theme (Take 2)
1:03
45Générique
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Générique (Ascenseur pour l’échafaud) (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
2:51