The Complete Art Hodes Blue Note Sessions

~ Release by Art Hodes (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistLength
1None of My Jelly Roll (take 1)
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (on 1945-09-14)
drums (drum set):
Freddie Moore (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
instrumental recording of:
I Ain’t Gonna Give Nobody None o’ This Jelly Roll (on 1945-09-14)
lyricist and composer:
Clarence Williams and Spencer Williams
Art Hodes's Back Room Boys3:00
2Blues for Jelly (alternate take 1)
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (on 1945-09-14)
drums (drum set):
Freddie Moore (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
recording of:
Blues for Jelly (on 1945-09-14)
composer:
Omer Simeon
Art Hodes's Back Room Boys3:33
3Blues for Jelly (alternate take 2)
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (on 1945-09-14)
drums (drum set):
Freddie Moore (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
recording of:
Blues for Jelly (on 1945-09-14)
composer:
Omer Simeon
Art Hodes's Back Room Boys3:25
4Blues for Jelly
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (on 1945-09-14)
drums (drum set):
Freddie Moore (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
recording of:
Blues for Jelly (on 1945-09-14)
composer:
Omer Simeon
Art Hodes's Back Room Boys3:29
5Beale Street Blues
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (on 1945-09-14)
drums (drum set):
Freddie Moore (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
instrumental recording of:
Beale Street Blues (on 1945-09-14)
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
Art Hodes's Back Room Boys4:11
6Jack Daily Blues
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (on 1945-09-14)
drums (drum set):
Freddie Moore (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
recording of:
Jack Daily Blues (on 1945-09-14)
composer:
Art Hodes
Art Hodes's Back Room Boys4:49
7None of My Jelly Roll (take 2)
clarinet:
Omer Simeon (on 1945-09-14)
double bass:
Al Lucas (on 1945-09-14)
drums (drum set):
Freddie Moore (on 1945-09-14)
piano:
Art Hodes (on 1945-09-14)
trumpet:
Oliver Mesheux (on 1945-09-14)
recorded at:
WOR Studios in New York, New York, United States (on 1945-09-14)
instrumental recording of:
I Ain’t Gonna Give Nobody None o’ This Jelly Roll (on 1945-09-14)
lyricist and composer:
Clarence Williams and Spencer Williams
Art Hodes's Back Room Boys3:20
8Save It Pretty Mama
clarinet:
Sidney Bechet (on 1945-10-12)
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
Save It, Pretty Mama (on 1945-10-12)
writer:
Paul Denniker, Joseph M. Davis and Don Redman
Art Hodes' Hot Five3:11
9Way Down Yonder in New Orleans
clarinet:
Sidney Bechet (on 1945-10-12)
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
’Way Down Yonder in New Orleans (on 1945-10-12)
lyricist:
Henry Creamer
composer:
Turner Layton
publisher:
Shapiro, Bernstein & Co., Inc.
Art Hodes' Hot Five3:09
10Memphis Blues
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
The Memphis Blues (on 1945-10-12)
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
Art Hodes' Hot Five2:57
11Shine
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
Shine (on 1945-10-12)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
Art Hodes' Hot Five2:58
12St. James Infirmary
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1945-10-12)
lyricist and composer:
[traditional]
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Art Hodes' Hot Five3:22
13Darktown Strutter’s Ball
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
Darktown Strutters’ Ball (on 1945-10-12)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
Art Hodes' Hot Five3:01
14Darktown Strutter’s Ball (alternate take)
clarinet:
Sidney Bechet (on 1945-10-12)
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
recorded at:
WOR Studios in New York, New York, United States (on 1945-10-12)
instrumental recording of:
Darktown Strutters’ Ball (on 1945-10-12)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
Art Hodes' Hot Five3:09
15Feelin’ At Ease
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
recording of:
Feelin’ At Ease (on 1945-12-16)
composer:
Albert Nicholas
Baby Dodds's Jazz Four3:12
16Careless Love (78 take)
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
Careless Love (on 1945-12-16)
writer:
[traditional], William Christopher Handy, Martha Koenig and Spencer Williams
version of:
Careless Love
Baby Dodds's Jazz Four2:27
17High Society (alternate take)
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
High Society (Armand J. Piron/Clarence Williams) (on 1945-12-16)
writer:
Armand J. Piron and Clarence Williams
is based on:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Baby Dodds's Jazz Four3:39
18High Society
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
High Society (Armand J. Piron/Clarence Williams) (on 1945-12-16)
writer:
Armand J. Piron and Clarence Williams
is based on:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Baby Dodds's Jazz Four3:10
19Winnin’ Boy Blues
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
Winin’ Boy Blues (on 1945-12-16)
lyricist and composer:
Jelly Roll Morton
publisher:
Edwin H. Morris & Co., Inc., EMI Music Publishing Ltd. and MPL Music Publishing Inc.
Baby Dodds's Jazz Four3:24
20Careless Love (alternate take)
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
Careless Love (on 1945-12-16)
writer:
[traditional], William Christopher Handy, Martha Koenig and Spencer Williams
version of:
Careless Love
Baby Dodds's Jazz Four3:18
21Careless Love (LP take)
clarinet:
Albert Nicholas (on 1945-12-16)
double bass:
Wellman Braud (on 1945-12-16)
drums (drum set):
Warren “Baby” Dodds (on 1945-12-16)
piano:
Art Hodes (on 1945-12-16)
recorded at:
WOR Studios in New York, New York, United States (on 1945-12-16)
instrumental recording of:
Careless Love (on 1945-12-16)
writer:
[traditional], William Christopher Handy, Martha Koenig and Spencer Williams
version of:
Careless Love
Baby Dodds's Jazz Four4:30