Schwarzkopf Edition

~ Release by Elisabeth Schwarzkopf (see all versions of this release, 1 available)

Tracklist

1▶CD: 24 Lieder
2▶CD: Lieder
3▼CD: Airs d'opéras
#TitleArtistLength
1Le Nozze di Figaro: Atto II. "Porgi amor" (La Contessa)
producer:
Walter Legge
soprano vocals:
Elisabeth Schwarzkopf (from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (from 1950-06-17 until 1950-10-31)
balance engineer:
Douglas Larter, Anthony Griffith (from 1950-06-17 until 1950-10-31) and Robert Becket (from 1950-06-17 until 1950-10-31)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1952)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:08
2Così fan tutte: Atto II. "Ei parte... Per pieta, ben mio" (Fioriligi)
producer:
Walter Legge
soprano vocals:
Elisabeth Schwarzkopf (from 1954-07-14 until 1954-11-06)
orchestra:
Philharmonia Orchestra (from 1954-07-14 until 1954-11-06)
conductor:
Herbert von Karajan (from 1954-07-14 until 1954-11-06)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1954-07-14 until 1954-11-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1954-07-14 until 1954-11-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart9:20
3Don Giovanni: "In quali eccessi ... Mi tradi" (Donna Elvira)
producer and balance engineer:
[unknown]
soprano vocals:
Elisabeth Schwarzkopf (on 1954-08-06)
orchestra:
Wiener Philharmoniker (on 1954-08-06)
conductor:
Wilhelm Furtwängler (on 1954-08-06)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1986)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (on 1954-08-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (on 1954-08-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:25
4Messa da requiem: "Libera me"
producer:
Walter Legge
soprano vocals:
Elisabeth Schwarzkopf (from 1954-06-18 until 1954-06-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1954-06-18 until 1954-06-27)
conductor:
Victor de Sabata (from 1954-06-18 until 1954-06-27)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1954)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1954-06-18 until 1954-06-27)
recording of:
Messa da requiem: VII. Libera me (soprano, coro) (from 1954-06-18 until 1954-06-27)
composer:
Giuseppe Verdi (in 1874)
quotes lyrics from:
Libera me, Domine (Gregorian chant)
version of:
Messa per Rossini: VII. Responsorium. Libera me, Domine
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi14:18
5Hänsel und Gretel: Akt III. "Wo bin ich? Wach' ich?" (Gretel)
producer:
Walter Legge
soprano vocals:
Elisabeth Grümmer (from 1953-06-27 until 1953-07-02) and Elisabeth Schwarzkopf (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt III, 1. Szene. “Wo bin ich? Wach'ich?” (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (from 1891 until 1892)
librettist:
Adelheid Wette
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck6:01
6Die Lustige Witwe: Akt II. "Nun lasst uns aber wie daheim... Vilja, oh Vilja, du Waldmägdelein" (Hanna)
producer:
Walter Legge
solo soprano vocals:
Elisabeth Schwarzkopf (from 1953-04-16 until 1953-04-21)
orchestra:
Philharmonia Orchestra (from 1953-04-16 until 1953-04-21)
conductor:
Otto Ackermann (from 1953-04-16 until 1953-04-21)
balance engineer:
Douglas Larter (from 1953-04-16 until 1953-04-21)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1953-04-16 until 1953-04-21)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) (from 1953-04-16 until 1953-04-21)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár5:47
7Die Fledermaus: Akt II. Csárdás "Klänge der Heimat" (Rosalinde)
producer:
Walter Legge
soprano vocals [Rosalinde]:
Elisabeth Schwarzkopf (from 1955-04-26 until 1955-04-30)
orchestra:
Philharmonia Orchestra (from 1955-04-26 until 1955-04-30)
conductor:
Herbert von Karajan (from 1955-04-26 until 1955-04-30)
balance engineer:
Douglas Larter (from 1955-04-26 until 1955-04-30)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1955-04-26 until 1955-04-30)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (from 1955-04-26 until 1955-04-30)
composer:
Johann Strauss
part of:
Die Fledermaus: Akt II
Johann Strauss4:46
8Turandot: Atto I. "Signore ascolta!" (Liù)
producer:
Walter Jellinek and Walter Legge
soprano vocals [Liù]:
Elisabeth Schwarzkopf (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Italiana S.p.A.
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (on 1957-07-15)
composer:
Giacomo Puccini
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:31
9Ariadne auf Naxos: "Es gibt ein Reich, wo alles rein ist" (Ariadne)
producer:
Walter Legge
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:47
10Der Rosenkavalier: Akt I. "Quinquin, er soll jetzt geh'n... Ich werd jetzt in die Kirchen" (Die Feldmarschallin)
producer:
Walter Legge
soprano vocals:
Elisabeth Schwarzkopf (from 1956-12-12 until 1956-12-22)
orchestra:
Philharmonia Orchestra (from 1956-12-12 until 1956-12-22)
conductor:
Herbert von Karajan (from 1956-12-12 until 1956-12-22)
balance engineer:
Christopher Parker
phonographic copyright (℗) by:
EMI Records Ltd. (in 1957)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1956-12-12 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (from 1956-12-12 until 1956-12-22)
composer:
Richard Strauss (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:43
11Capriccio: "Morgen mittag um elf ! ... Kein Andres, das mir so im Herzen loht" (Die Gräfin)
producer:
Walter Legge
baritone vocals:
Karl Schmitt-Walter (from 1957-09-02 until 1957-09-11)
soprano vocals:
Elisabeth Schwarzkopf (from 1957-09-02 until 1957-09-11)
orchestra:
Philharmonia Orchestra (from 1957-09-02 until 1957-09-11)
conductor:
Wolfgang Sawallisch (from 1957-09-02 until 1957-09-11)
balance engineer:
Douglas Larter (from 1957-09-02 until 1957-09-11)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1959)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-09-02 until 1957-09-11)
recording of:
Capriccio, op. 85: Letzte Szene. „Morgen mittag um elf! … Kein andres, das mir so im Herzen loht“ (Gräfin) (from 1957-09-02 until 1957-09-11)
composer:
Richard Strauss
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss15:29
4▶CD: Encores
5▶CD: The Unpublished Recordings