| # | Title | Artist | Length |
|---|
| 1 | Herz und Mund und Tat und Leben, BWV 147: No 10 Chorale: »Jesus bleibet meine Freude« | Johann Sebastian Bach | 2:33 |
| 2 | Nun komm, der Heiden Heiland II, BWV 62: No. 1 Chorus: »Nun komm, der Heiden Heiland« | Johann Sebastian Bach | 4:33 |
| 3 | Schwingt freudig euch empor, BWV 36: No 1 Chorus: »Schwingt freudig euch empor« | Johann Sebastian Bach | 4:17 |
| 4 | Christmas Oratorio, BWV 248: Part I, No. 1 Chorus: »Jauchzet, frohlocket, auf, preiset die Tage«- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals:
- Olaf Bär (in 1987-01)
- choir vocals:
- The Monteverdi Choir (in 1987-01)
- tenor vocals:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 7:43 |
| 5 | Christmas Oratorio, BWV 248: Part III, No. 24 Chorus: »Herrscher des Himmels, erhöre das Lallen«- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals:
- Olaf Bär (in 1987-01)
- choir vocals:
- The Monteverdi Choir (in 1987-01)
- tenor vocals:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 1:50 |
| 6 | Christmas Oratorio, BWV 248: Part III, No. 25 Evangelist: »Und da die Engel von ihnen gen Himmel fuhren" / No. 26 Chorus: »Lasset uns nun gehen gen Bethlehem« / No. 27 Recitativo (Basso): »Er hat sein Volk getröstʼ« / No. 28 Chorale: »Dies hat er alles uns getan«- producer:
- Recording Engineer Karl-August Naegler
- instruments:
- The English Baroque Soloists
- bass vocals:
- Olaf Bär
- choir vocals:
- The Monteverdi Choir
- tenor vocals:
- Anthony Rolfe Johnson
- conductor:
- John Eliot Gardiner
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- compilation of:
- Christmas Oratorio, BWV 248: no. 25. Evangelista: "Und da die Engel von ihnen gen Himmel fuhren" by English Baroque Soloists, John Eliot Gardiner, Lasset uns nun gehen gen Bethlehem by English Baroque Soloists, John Eliot Gardiner, Christmas Oratorio, BWV 248: no. 27. Recitativo (Basso): "Er hat sein Volk getröst'" by English Baroque Soloists, John Eliot Gardiner and Christmas Oratorio, BWV 248: no. 28 Choral: "Dies hat er alles uns getan" by English Baroque Soloists, John Eliot Gardiner
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- lyricist:
- Martin Luther
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 110)
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 2:07 |
| 7 | Christmas Oratorio, BWV 248: Part V, No. 43 Chorus »Ehre sei dir, Gott, gesungen«- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals:
- Olaf Bär (in 1987-01)
- choir vocals:
- The Monteverdi Choir (in 1987-01)
- tenor vocals:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 6:02 |
| 8 | Mass in B minor, BWV 232: No. 22 Chorus: »Sanctus« | Johann Sebastian Bach | 5:27 |
| 9 | Mass in B minor, BWV 232: No. 23 Chorus I/II: »Osanna in excelsis«- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- The English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985) and Polydor International GmbH (in 1985)
- recorded at:
- All Saints Church in London, England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | 2:37 |
| 10 | »O Jesu Christ, meins Lebens Licht« BWV 118b: Motet | Johann Sebastian Bach | 9:18 |
| 11 | St. Matthew Passion, BWV 244, No. 1 Chorus: »Kommt, ihr Töchter, helft mir klagen« / Chorale »O Lamm Gottes, unschuldig« | Johann Sebastian Bach | 6:59 |
| 12 | Actus tragicus, BWV 106: No. 2a Chorus & Solos: »Gottes Zeit ist die allerbeste Zeit« / No. 2b Arioso (Tenor): »Ach, Herr, lehre uns bedenken« / No. 2c Aria (Bass): »Bestelle dein Haus« / No. 2d Chorus & Arioso (Soprano): »Es ist der alte Bund«- producer:
- Recording Engineer Karl-August Naegler
- editor:
- Karl-August Naegler and Ulrich Vette
- instruments:
- The English Baroque Soloists
- bass vocals:
- Stephen Varcoe
- choir vocals:
- The Monteverdi Choir
- soprano vocals:
- Nancy Argenta
- tenor vocals:
- Anthony Rolfe Johnson
- conductor:
- John Eliot Gardiner
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1990)
- recorded at:
- St. Johnʼs, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1989-09)
- composer:
- Johann Sebastian Bach (in 1707)
- part of:
- Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
- recording of:
- Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken"
- composer:
- Johann Sebastian Bach (in 1707)
- part of:
- Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
- recording of:
- Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus"
- composer:
- Johann Sebastian Bach (in 1707)
- part of:
- Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
- recording of:
- Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund"
- composer:
- Johann Sebastian Bach (in 1707)
- part of:
- Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
| Johann Sebastian Bach | 7:58 |
| 13 | St. John Passion, BWV 245: No. 27a (Evangelist): »Die Kriegsknechte aber, da sie Jesum gekreuziget hatten« / No 27b Chorus: »Lasset uns den nicht zerteilen« / No. 27c (Evangelist, Jesus): »Auf daß erfüllet wünde die Schrift« / No. 28 Chorale: »Er nahm alles wohl in acht«- producer:
- Recording Engineer Karl-August Naegler
- editor:
- Gernot von Schultzendorff
- instruments:
- The English Baroque Soloists
- bass vocals:
- Stephen Varcoe
- choir vocals:
- The Monteverdi Choir
- tenor vocals:
- Anthony Rolfe Johnson
- conductor:
- John Eliot Gardiner
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1986)
- recorded at:
- All Saintsʼ Church in London, England, United Kingdom (in 1986-03)
- compilation of:
- Johannes-Passion, BWV 245: Teil II. Tod Jesu: "Die Kriegsknechte aber, da sie Jesum gekreuziget hatten" (Evangelista) - Chor "Lasset uns den nicht zerteilen" - "Auf daß erfüllet würde die Schrift" (Evangelista, Jesus) by English Baroque Soloists, Sir John Eliot Gardiner and Johannes-Passion, BWV 245: Teil II. Tod Jesu: Choral "Er nahm alles wohl in acht" by English Baroque Soloists, Sir John Eliot Gardiner
- recording of:
- Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1986-03)
- composer:
- Johann Sebastian Bach
- part of:
- Johannes-Passion, BWV 245
- recording of:
- Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (in 1986-03)
- lyricist:
- Paul Stockmann
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 193)
- part of:
- Johannes-Passion, BWV 245
| Johann Sebastian Bach | 4:30 |
| 14 | St. John Passion, BWV 245: No. 39 Chorus: »Ruht wohl, ihr heiligen Gebeine« | Johann Sebastian Bach | 6:48 |
| 15 | St. John Passion, BWV 245: No. 40 Chorale: »Ach Herr, laß dein lieb Engelein« | Johann Sebastian Bach | 1:48 |
