Bach 2000: The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Annotation

Individual barcode: 639842571128

Tracklist

1▶CD: Sacred Cantatas: BWV 1-3

2▶CD: Sacred Cantatas: BWV 4-6

3▶CD: Sacred Cantatas: BWV 7-9

4▶CD: Sacred Cantatas: BWV 10-12

5▶CD: Sacred Cantatas: BWV 13, 14, 16

6▶CD: Sacred Cantatas: BWV 17-19

7▶CD: Sacred Cantatas: BWV 20-21

8▶CD: Sacred Cantatas: BWV 22-25

9▶CD: Sacred Cantatas: BWV 26-29

10▶CD: Sacred Cantatas: BWV 30-31

11▶CD: Sacred Cantatas: BWV 32-34

12▶CD: Sacred Cantatas: BWV 35-36

13▶CD: Sacred Cantatas: BWV 37-40

14▶CD: Sacred Cantatas: BWV 41-43

15▶CD: Sacred Cantatas: BWV 44-47

16▶CD: Sacred Cantatas: BWV 48-51

17▶CD: Sacred Cantatas: BWV 52, 54-56

18▶CD: Sacred Cantatas: BWV 57-60

19▶CD: Sacred Cantatas: BWV 61-63

20▶CD: Sacred Cantatas: BWV 64-66

21▶CD: Sacred Cantatas: BWV 67-69a

22▶CD: Sacred Cantatas: BWV 70-73

23▶CD: Sacred Cantatas: BWV 74-75

24▶CD: Sacred Cantatas: BWV 76-78

25▶CD: Sacred Cantatas: BWV 79-82

26▶CD: Sacred Cantatas: BWV 83-86

27▶CD: Sacred Cantats BWV 87-90

28▶CD: Sacred Cantatas BWV 91-93

29▶CD: Sacred Cantatas BWV 94-96

30▶CD: Sacred Cantatas BWV 97-99

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#	Title	Length
1	Cantata, BWV 150 "Nach dir, Herr, verlanget mich," I. Sinfonia. orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (in 1984-01) composer: Johann Sebastian Bach (from 1704 until 1707) part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	1:27
2	Cantata, BWV 150 "Nach dir, Herr, verlanget mich," II. Coro. Nach dir, Herr, verlanget mich choir vocals: Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) chorus master: Heinz Hennig (in 1984-01) and Philippe Herreweghe (in 1984-01) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (in 1984-01) composer: Johann Sebastian Bach (from 1704 until 1707) part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	3:50
3	Cantata, BWV 150 "Nach dir, Herr, verlanget mich," III. Aria (soprano). Doch bin und bleibe ich vergnügt treble vocals: Ansgar Pfeiffer (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (in 1984-01) composer: Johann Sebastian Bach (from 1704 until 1707) librettist: [anonymous] part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	1:25
4	Cantata, BWV 150 "Nach dir, Herr, verlanget mich," IV. Coro. Leite mich in deiner Wahrheit choir vocals: Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) chorus master: Heinz Hennig (in 1984-01) and Philippe Herreweghe (in 1984-01) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (in 1984-01) composer: Johann Sebastian Bach (from 1704 until 1707) part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	1:54
5	Cantata, BWV 150 "Nach dir, Herr, verlanget mich," V. Aria (Terzetto) (alto, tenor, bass). Zedern müssen von den Winden alto vocals: Paul Esswood (in 1984-01) bass vocals: Max van Egmond (in 1984-01) tenor vocals: Kurt Equiluz (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (in 1984-01) composer: Johann Sebastian Bach (from 1704 until 1707) librettist: [anonymous] part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	1:32
6	Cantata, BWV 150 "Nach dir, Herr, verlanget mich," VI. Coro. Meine Augen sehen stets zu dem Herrn choir vocals: Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) chorus master: Heinz Hennig (in 1984-01) and Philippe Herreweghe (in 1984-01) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (in 1984-01) composer: Johann Sebastian Bach (from 1704 until 1707) part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	2:18
7	Cantata, BWV 150 "Nach dir, Herr, verlanget mich," VII. Coro. Meine Tage in dem Leide choir vocals: Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) chorus master: Heinz Hennig (in 1984-01) and Philippe Herreweghe (in 1984-01) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (in 1984-01) composer: Johann Sebastian Bach (from 1704 until 1707) librettist: [anonymous] part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	3:17
8	Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," I. Aria (soprano). Süßer Trost, mein Jesus kömmt treble vocals: Sebastian Hennig (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1984-01) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	7:56
9	Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," II. Recitativo (bass). Erfreue dich, mein Herz bass vocals: Max van Egmond (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" (in 1984-01) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	1:03
10	Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," III. Aria (alto). In Jesu Demut kann ich Trost alto vocals: Paul Esswood (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" (in 1984-01) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	5:55
11	Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," IV. Recitativo (tenor). Du teurer Gottessohn tenor vocals: Kurt Equiluz (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" (in 1984-01) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	0:49
12	Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," V. Choral (coro). Heut schleußt er wieder auf die Tür choir vocals: Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01) orchestra: Leonhardt‐Consort (in 1984-01) conductor: Gustav Leonhardt (in 1984-01) chorus master: Heinz Hennig (in 1984-01) and Philippe Herreweghe (in 1984-01) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" (in 1984-01) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Nikolaus Hermann (in 1560) part of: Breitkopf 389 Choralgesänge (number: 235) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	0:46
13	Cantata, BWV 152 "Tritt auf die Glaubensbahn," I. Concerto. Tritt auf die Glaubensbahn orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	3:33
14	Cantata, BWV 152 "Tritt auf die Glaubensbahn," II. Aria (bass). Tritt auf die Glaubensbahn bass vocals: Thomas Hampson orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	3:25
15	Cantata, BWV 152 "Tritt auf die Glaubensbahn," III. Recitativo (bass). Der Heiland ist gesetzt bass vocals: Thomas Hampson orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	2:03
16	Cantata, BWV 152 "Tritt auf die Glaubensbahn," IV. Aria (soprano). Stein, der über alle Schätze treble vocals: Christoph Wegmann orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	4:14
17	Cantata, BWV 152 "Tritt auf die Glaubensbahn," V. Recitativo (bass). Es ärgre sich die kluge Welt bass vocals: Thomas Hampson orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	1:28
18	Cantata, BWV 152 "Tritt auf die Glaubensbahn," VI. Duetto (soprano, bass). Wie soll ich dich, Liebster der Seelen, umfassen? bass vocals: Thomas Hampson treble vocals: Christoph Wegmann orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	4:31
19	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," I. Choral (coro). Schau, lieber Gott, wie meine Feind choir vocals: Tölzer Knabenchor orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt chorus master: Gerhard Schmidt‐Gaden recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: David Denicke part of: Breitkopf 389 Choralgesänge (number: 5) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	1:02
20	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," II. Recitativo (alto). Mein liebster Gott alto vocals: Stefan Rampf orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	0:33
21	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," III. Aria (bass). Fürchte dich nicht, ich bin mit dir bass vocals: Thomas Hampson orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: Jesaja 41, 10 part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	1:40
22	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IV. Recitativo (tenor). Du sprichst zwar, lieber Gott tenor vocals: Kurt Equiluz orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	1:33
23	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," V. Choral (coro). Und ob gleich alle Teufel choir vocals: Tölzer Knabenchor orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt chorus master: Gerhard Schmidt‐Gaden recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: Paul Gerhardt part of: Breitkopf 389 Choralgesänge (number: 160) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	1:05
24	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VI. Aria (tenor). Stürmt nur, stürmt, ihr Trübsalswetter tenor vocals: Kurt Equiluz orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	2:56
25	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VII. Recitativo (bass). Getrost! mein Herz, erdulde deinen Schmerz bass vocals: Thomas Hampson orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	1:38
26	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VIII. Aria (alto). Soll ich meinen Lebenslauf alto vocals: Stefan Rampf orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	2:55
27	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IX. Choral (coro). Drum will ich, weil ich lebe noch choir vocals: Tölzer Knabenchor orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt chorus master: Gerhard Schmidt‐Gaden recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: Martin Moller part of: Breitkopf 389 Choralgesänge (number: 9) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	1:44

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Credits

Release

part of:

Bach 2000 (number: 1) (order: 1)
Bach 2000 (number: 2) (order: 2)
Bach 2000 (number: 3) (order: 3)
Bach 2000 (number: 4) (order: 4)
Bach 2000 (number: 5) (order: 5)
Bach 2000 (number: 6) (order: 6)
Bach 2000 (number: 7) (order: 7)
Bach 2000 (number: 8) (order: 8)
Bach 2000 (number: 9) (order: 9)
Bach 2000 (number: 10) (order: 10)
Bach 2000 (number: 11) (order: 11)
Bach 2000 (number: 12) (order: 12)

Discogs:	https://www.discogs.com/release/23209139 [info]
ASIN:	US: B00001IV8B [info]
discography entry:	http://www.bach-cantatas.com/Performers/H&L-Rec5.htm#D2 [info]

Release group

excerpts:	Bach 2000 Bach 2000: An Introduction to The Complete Bach Edition

Discogs:	https://www.discogs.com/master/2280259 [info]
other databases:	https://rateyourmusic.com/release/comp/johann_sebastian_bach/bach_2000__the_complete_bach_edition__153_cd_/ [info]

Bach 2000: The Complete Bach Edition

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Genres: baroque, classical

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Annotation

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Credits

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