Passion

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

1▶CD

2▶CD

3▼CD
#	Title	Length
1	Alceste : « Divinités du Styx » soprano vocals: Maria Callas orchestra: Orchestre national de la Radiodiffusion française conductor: Georges Prêtre	4:28
2	Carmen : « Les tringles des sistres tintaient » (Chanson bohème) producer: Michel Glotz mezzo-soprano vocals [Carmen]: Maria Callas (from 1964-07-06 until 1964-07-20) mezzo-soprano vocals [Mercédès]: Jane Berbié (from 1964-07-06 until 1964-07-20) soprano vocals [Frasquita]: Nadine Sautereau (from 1964-07-06 until 1964-07-20) orchestra: Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20) conductor: Georges Prêtre (from 1964-07-06 until 1964-07-20) balance engineer: Paul Vavasseur (from 1964-07-06 until 1964-07-20) phonographic copyright (℗) by: EMI Records Ltd. (in 1964) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20) recording of: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20) composer: Georges Bizet librettist: Ludovic Halévy and Henri Meilhac part of: Carmen : Acte II	4:23
3	Ernani: “Surta è la notte” … “Ernani! Ernani, involami” soprano vocals [Elvira]: Maria Callas orchestra: Philharmonia Orchestra conductor: Nicola Rescigno recording of: Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira) composer: Giuseppe Verdi part of: Ernani: Atto I (Il bandito) recording of: Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira) composer: Giuseppe Verdi part of: Ernani: Atto I (Il bandito)	6:15
4	Manon Lescaut: “In quelle trine morbide” soprano vocals: Maria Callas orchestra: Philharmonia Orchestra conductor: Tullio Serafin recording of: Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) composer: Giacomo Puccini librettist: Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi part of: Manon Lescaut: Atto II	2:56
5	Aida: “Ritorna vincitor!” producer: Michel Glotz soprano vocals: Maria Callas (in 1964-04) orchestra: Orchestre de la Société des Concerts du Conservatoire (in 1964-04) conductor: Nicola Rescigno (in 1964-04) balance engineer: Paul Vavasseur phonographic copyright (℗) by: EMI Records Ltd. recording of: Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1964-04) composer: Giuseppe Verdi librettist: Antonio Ghislanzoni part of: Aida: Atto I	7:09
6	Orphée et Eurydice : « J’ai perdu mon Eurydice » producer: Walter Legge editor: Jennifer Howells soprano vocals: Maria Callas (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) soprano vocals [Orphée]: Maria Callas orchestra: Orchestre national de la Radiodiffusion Française (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) conductor: Georges Prêtre (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) balance engineer: Francis Dillnutt phonographic copyright (℗) by: EMI Records Ltd. recorded at: Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) recording of: Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31) composer: Christoph Willibald Gluck additional librettist: Pierre-Louis Moline translator: Pierre-Louis Moline translated version of: Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) part of: Orphée et Eurydice, Wq. 41 : Acte III recording of: Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-04-04 until 1961-04-05) composer: Christoph Willibald Gluck additional librettist: Pierre-Louis Moline translator: Pierre-Louis Moline translated version of: Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) part of: Orphée et Eurydice, Wq. 41 : Acte III	4:28
7	Les Vêpres siciliennes: “Mercè, dilette amiche” producer: Walter Legge soprano vocals: Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) orchestra: Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) conductor: Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) balance engineer: Robert Beckett phonographic copyright (℗) by: EMI Records Ltd. (in 1955) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) recording of: I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) (from 1954-09-17 until 1954-09-18) composer: Giuseppe Verdi librettist: Charles Duveyrier and Eugène Scribe translator: Arnaldo Fusinato part of: I vespri siciliani: Atto V recording of: I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) (from 1954-09-20 until 1954-09-21) composer: Giuseppe Verdi librettist: Charles Duveyrier and Eugène Scribe translator: Arnaldo Fusinato part of: I vespri siciliani: Atto V	4:04
8	Louise : « Depuis le jour » soprano vocals: Maria Callas orchestra: Orchestre national de la Radiodiffusion française conductor: Georges Prêtre recording of: Louise: Acte III, Scène I. “Depuis le jour” (Louise) composer: Gustave Charpentier part of: Louise: Acte III, Scène I.	4:48
9	La bohème: “Donde lieta uscì” producer: Walter Legge soprano vocals: Maria Callas (from 1954-09-15 until 1954-09-21) orchestra: Philharmonia Orchestra (from 1954-09-15 until 1954-09-21) conductor: Tullio Serafin (from 1954-09-15 until 1954-09-21) balance engineer: Robert Beckett phonographic copyright (℗) by: EMI Records Ltd. (in 1954) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-21) recording of: La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (from 1954-09-15 until 1954-09-21) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)	3:24
10	Mignon : « Ah, pour ce soir » … « Je suis Titania » producer: Walter Legge soprano vocals: Maria Callas (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) orchestra: Orchestre national de la Radiodiffusion Française (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) conductor: Georges Prêtre (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) balance engineer: Francis Dillnutt recorded at: Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) recording of: Mignon : Acte II, no. 12ter. Polonaise « Oui ! Pour ce soir » ... « Je suis Titania, la blonde » (Philine) (from 1961-03-28 until 1961-03-31) composer: Ambroise Thomas part of: Mignon : Acte II. Un boudoir élégant / Un coin du parc recording of: Mignon : Acte II, no. 12ter. Polonaise « Oui ! Pour ce soir » ... « Je suis Titania, la blonde » (Philine) (from 1961-04-04 until 1961-04-05) composer: Ambroise Thomas part of: Mignon : Acte II. Un boudoir élégant / Un coin du parc	5:13
11	La traviata: “Teneste la promessa” … “Addio del passato” soprano vocals: Maria Callas orchestra: Orquestra sinfónica do Teatro Nacional de São Carlos conductor: Franco Ghione recording of: La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) composer: Giuseppe Verdi librettist: Francesco Maria Piave part of: La traviata: Atto III (La traviata: Act III)	5:20
12	Don Carlo: “O don fatale” soprano vocals: Maria Callas orchestra: Orchestre de la Société des Concerts du Conservatoire conductor: Nicola Rescigno recording of: Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) composer: Giuseppe Verdi librettist: Camille du Locle and Joseph Méry part of: Don Carlo: Atto III (IV)	4:45
13	Samson et Dalila : « Printemps qui commence » producer: Walter Legge soprano vocals: Maria Callas (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) orchestra: Orchestre national de la Radiodiffusion Française (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) conductor: Georges Prêtre (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) balance engineer: Francis Dillnutt recorded at: Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) recording of: Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-03-31) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte I recording of: Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-04-04 until 1961-04-05) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte I	5:20
14	La sonnambula: “Compagne, teneri amici” … “Come per me sereno” … “Sovra il sen” soprano vocals: Maria Callas orchestra: Orchestra del Teatro alla Scala di Milano conductor: Tullio Serafin recording of: La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) composer: Vincenzo Bellini librettist: Felice Romani part of: La sonnambula: Atto I	5:46
15	Adriana Lecouvreur: “Ecco: respiro appena” … “Io son l’umile ancella” producer: Walter Legge soprano vocals: Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) orchestra: Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) conductor: Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) balance engineer: Robert Beckett phonographic copyright (℗) by: EMI Records Ltd. (in 1955) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) recording of: Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-17 until 1954-09-18) composer: Francesco Cilea librettist: Arturo Colautti publisher: Ascherberg, Hopwood & Crew and MCPS part of: Adriana Lecouvreur: Atto I recording of: Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-20 until 1954-09-21) composer: Francesco Cilea librettist: Arturo Colautti publisher: Ascherberg, Hopwood & Crew and MCPS part of: Adriana Lecouvreur: Atto I	3:51
16	Lucia di Lammermoor: “Spargi d’amaro pianto” baritone vocals: Tito Gobbi bass vocals: Raffaele Arié soprano vocals: Maria Callas orchestra: Orchestra del Maggio Musicale Fiorentino conductor: Tullio Serafin recording of: Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) composer: Gaetano Donizetti librettist: Salvadore Cammarano part of: Lucia di Lammermoor: Atto III	3:53

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Discogs:	https://www.discogs.com/master/1425868 [info]

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