Tracklist

1CD
#TitleArtistLength
1Le nozze di Figaro: Overture
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968) and Polydor International GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1968-03)
composer:
Wolfgang Amadeus Mozart (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:20
2Le nozze di Figaro: Non più andrai (Figaro)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Figaro] and bass vocals [Figaro]:
Hermann Prey (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968) and Polydor International GmbH (in 1979)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:46
3Le nozze di Figaro: Giunse alfin il momento
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:24
4Le nozze di Figaro: Deh vieni, non tardar (Susanna)
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:40
5Così fan tutte: Un'aura amorosa (Ferrando)
assistant engineer:
Volker Martin and Gernot Westhäuser
producer:
Werner Mayer
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Peter Schreier (from 1974-07 until 1974-08)
orchestra:
Wiener Philharmoniker (from 1974-07 until 1974-08)
conductor:
Karl Böhm (from 1974-07 until 1974-08)
balance engineer:
Günter Hermanns (from 1974-07 until 1974-08)
recorded at:
Salzburg Festival 1974
recorded at:
Kleines Festspielhaus in Salzburg, Salzburg, Austria (from 1974-07 until 1974-08)
live recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1974-08)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:22
6Die Entführung aus dem Serail: Hier soll ich dich denn sehen (Belmonte)Wolfgang Amadeus Mozart2:45
7Die Entführung aus dem Serail: Durch Zärtlichkeith und Schmeicheln (Blonde)Wolfgang Amadeus Mozart3:18
8Die Entführung aus dem Serail: Wenn her Freude Tränen fließen (Belmonte)Wolfgang Amadeus Mozart5:06
9Die Entführung aus dem Serail: Ha, wie will ich Triumphieren (Osmin)Wolfgang Amadeus Mozart3:26
10La clemenza di Tito: Overture
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben
executive producer:
Werner Mayer
producer:
Reimar Bluth
basset horn:
Rolf Schindler (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
orchestra:
Staatskapelle Dresden (in 1979-01)
conductor:
Karl Böhm (in 1979-01)
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Ouverture (in 1979-01)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart4:52
11Don Giovanni: Là ci darem la mano (Don Giovanni, Zerlina)
assistant engineer:
Jobst Eberhardt and Volker Martin
producer:
Werner Mayer
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto] and soprano vocals [Zerlina]:
Edith Mathis (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08, in 1978)
conductor:
Karl Böhm (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:45
12Don Giovanni: Fin ch'han dal vino (Don Giovanni)
assistant engineer:
Jobst Eberhardt and Volker Martin
producer:
Werner Mayer
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
13Don Giovanni: Il mio tesoro intanto (Don Ottavio)Wolfgang Amadeus Mozart4:48
14Idomeneo: Fuor del mar ho un mar in seno (Idomeneo)Wolfgang Amadeus Mozart4:25
15Die Zauberflöte: Der Vogelfänger bin ich ja (Papageno)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:39
16Die Zauberflöte: Dies Bildnis ist bezaubernd schön (Tamino)
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker
balance engineer:
Günter Hermanns
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:39
17Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen (Die Königin der Nacht)
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:00
18Die Zauberflöte: In diesen heil'gen Hallen (Sarastro)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:06