A One of a Kind Love Affair: The Anthology

~ Release by The Spinners (see all versions of this release, 2 available)

Tracklist

1CD
#TitleLength
1That's What Girls Are Made For3:07
2I'll Always Love You
recording of:
I'll Always Love You (on 1965-04-28)
writer:
Ivy Jo Hunter and William Stevenson
2:44
3It's a Shame
producer:
Stevie Wonder
recording of:
It’s a Shame (on 1970-04-29)
lyricist and composer:
Lee Garrett, Syreeta and Stevie Wonder
publisher:
Black Bull Music and Jobete Music
3:12
4(Oh Lord) I Wish I Could Sleep
3:10
5How Could I Let You Get Away
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
How Could I Let You Get Away (in 1973)
lyricist and composer:
Yvette Davis
publisher:
Warner–Tamerlane Publishing Corp.
3:45
6I'll Be Around
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp.
3:10
7Could It Be I'm Falling in Love4:32
8One of a Kind (Love Affair)
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
One of a Kind (in 1973)
lyricist and composer:
Joseph Jefferson
publisher:
Warner–Tamerlane Publishing Corp.
3:31
9Don't Let the Green Grass Fool You
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Don’t Let the Green Grass Fool You (in 1973)
writer:
Jerry Akines, Johnnie Bellmon, Victor Drayton and Reginald Turner
publisher:
Warner–Tamerlane Publishing Corp.
4:00
10Ghetto Child
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Ghetto Child (in 1973)
composer:
Thom Bell and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp.
3:51
11Mighty Love
4:56
12I'm Coming Home
4:10
13He'll Never Love You Like I Do
3:55
14Love Don't Love Nobody7:11
15Then Came You3:57
16Living a Little, Laughing a Little
5:02
17Sadie
5:27
2CD

Credits

Release

ASIN:US: B000002ISF [info]