| # | Title | Artist | Length |
|---|
| 1 | Virginia Plain- engineer:
- Andy Hendriksen (in 1972-03)
- producer:
- Peter Sinfield
- bass:
- Rik Kenton (in 1972-03)
- arranger:
- Roxy Music
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (in 1999) and Virgin Records Ltd. (in 1999)
- recorded at:
- Command Studios in London, England, United Kingdom (in 1972-03)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 348)
- recording of:
- Virginia Plain (in 1972-03)
- lyricist and composer:
- Bryan Ferry
- arranger:
- Roxy Music
- publisher:
- BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd., TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
| Roxy Music | 2:58 |
| 2 | A Hard Rain’s A-Gonna Fall | Bryan Ferry | 4:16 |
| 3 | Pyjamarama | Roxy Music | 2:52 |
| 4 | Do the Strand | Roxy Music | 3:46 |
| 5 | These Foolish Things- producer:
- Bryan Ferry, John Porter and John Punter
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1973), Virgin EG Records Ltd. (in 1973) and Virgin Records Ltd. (in 1973)
- cover recording of:
- These Foolish Things (Remind Me of You)
- lyricist:
- Holt Marvell (in 1935)
- additional composer:
- Harry Link
- composer:
- Jack Strachey (in 1935)
- publisher:
- Boosey & Co., Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc., Bourne Co., Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
| Bryan Ferry | 4:49 |
| 6 | Street Life | Roxy Music | 3:28 |
| 7 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London, England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control, EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 2:59 |
| 8 | Smoke Gets in Your Eyes- assistant engineer:
- Rhett Davies, Mark Dobson, Gary Edwards and Sean Milligan
- engineer:
- John Punter
- producer:
- Bryan Ferry and John Punter
- drums (drum set):
- Paul Thompson (in 1974)
- electric bass guitar:
- John Wetton (in 1974)
- vocals:
- Bryan Ferry (in 1974)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1974), Virgin EG Records Ltd. (in 1974) and Virgin Records Ltd. (in 1974, in 1999)
- cover recording of:
- Smoke Gets in Your Eyes (in 1974)
- lyricist:
- Otto Harbach
- composer:
- Jerome Kern
- publisher:
- Chappell & Co Ltd., Chappell & Co., Chappell Music, Chappell Music Ltd., PolyGram International Publishing, Inc., PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
- part of:
- Roberta
| Bryan Ferry | 2:54 |
| 9 | Love Is the Drug- producer:
- Chris Thomas
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (in 1975, in 1999)
- recording of:
- Love Is the Drug
- lyricist:
- Bryan Ferry
- composer:
- Andy Mackay
- publisher:
- BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control, E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (in 1975)
| Roxy Music | 4:05 |
| 10 | Sign of the Times | Bryan Ferry | 2:28 |
| 11 | Dance Away- engineer:
- Phill Brown, Rhett Davies, Jimmy Douglass and Randy Mason
- producer:
- Roxy Music
- mixer:
- Bob Clearmountain
- performer:
- Paul Carrack, Bryan Ferry, Andy Mackay, Phil Manzanera, Alan Spenner, Paul Thompson and Gary Tibbs
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1979), Virgin EG Records Ltd. (in 1979) and Virgin Records Ltd. (in 1999)
- recorded at:
- Basing Street Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States
- recording of:
- Dance Away (in 1979)
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (in 1979)
| Roxy Music | 3:45 |
| 12 | Angel Eyes | Roxy Music | 2:52 |
| 13 | Oh Yeah | Roxy Music | 4:36 |
| 14 | Over You- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Roxy Music
- mixer:
- Bob Clearmountain
- bass guitar and guitar:
- Phil Manzanera
- drums (drum set):
- Allan Schwartzberg
- keyboard:
- Bryan Ferry
- saxophone:
- Andy Mackay
- vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1980) and Virgin Records Ltd. (in 1999)
- recorded at:
- Basing Street Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom and Gallery Studio in Chertsey, Surrey, England, United Kingdom
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Over You
- writer:
- Bryan Ferry and Phil Manzanera
- publisher:
- BMG Music Publishing Ltd., E.G. Music Inc. and E.G. Music Ltd.
| Roxy Music | 3:27 |
| 15 | Same Old Scene- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Roxy Music
- mixer:
- Bob Clearmountain
- bass guitar:
- Alan Spenner
- drums (drum set):
- Allan Schwartzberg
- guitar:
- Phil Manzanera
- instruments:
- Allan Schwartzberg
- keyboard:
- Bryan Ferry
- saxophone:
- Andy Mackay
- vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1980), Virgin EG Records Ltd. (in 1980) and Virgin Records Ltd. (in 1999)
- recorded at:
- Basing Street Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom and Gallery Studio in Chertsey, Surrey, England, United Kingdom
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Same Old Scene
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (in 1980)
| Roxy Music | 3:57 |
| 16 | In the Midnight Hour- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Roxy Music
- mixer:
- Bob Clearmountain
- bass guitar:
- Gary Tibbs
- drums (drum set):
- Allan Schwartzberg
- guitar:
- Neil Hubbard and Phil Manzanera
- keyboard:
- Bryan Ferry
- saxophone:
- Andy Mackay
- vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1980)
- recorded at:
- Basing Street Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom and Gallery Studio in Chertsey, Surrey, England, United Kingdom
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- cover recording of:
- In the Midnight Hour
- writer:
- Steve Cropper and Wilson Pickett
- publisher:
- Carlin Music Corporation, Cotillion Music Inc., East Publishing Inc. and Irving Music, Inc.
| Roxy Music | 3:09 |
| 17 | More Than This | Roxy Music | 4:10 |
| 18 | Avalon- producer:
- Rhett Davies and Roxy Music
- mixer:
- Bob Clearmountain
- bass guitar:
- Alan Spenner (from 1981 until 1982)
- drums (drum set):
- Andy Newmark (from 1981 until 1982)
- guitar:
- Neil Hubbard (from 1981 until 1982) and Phil Manzanera (from 1981 until 1982)
- keyboard and lead vocals:
- Bryan Ferry (from 1981 until 1982)
- percussion:
- Jimmy Maelen (from 1981 until 1982)
- saxophone:
- Andy Mackay (from 1981 until 1982)
- background vocals:
- Yannick Etienne (from 1981 until 1982) and Fonzi Thornton (from 1981 until 1982)
- performer:
- Roxy Music (from 1981 until 1982)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (from 1982 to present, in 1982), Virgin EG Records Ltd. (in 1982) and Virgin Records Ltd. (in 1982, in 1999)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1981 until 1982)
- recording of:
- Avalon (from 1981 until 1982)
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Rights Management (UK) Ltd., E.G. Music Inc., EMI Virgin Music Ltd., EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (in 1982)
| Roxy Music | 4:17 |
| 19 | Slave to Love | Bryan Ferry | 4:18 |
| 20 | Jealous Guy- producer:
- Rhett Davies, Bryan Ferry and Roxy Music
- mixer:
- Bob Clearmountain
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (in 1981, in 2000)
- cover recording of:
- Jealous Guy
- lyricist and composer:
- John Lennon
- publisher:
- BMG Music Publishing, BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing, Lenono Music, Maclen Music, Inc., Northern Songs Ltd. and Warner Bros. Music Ltd.
- sub-publisher:
- Fujipacific Music, Inc. Division 2
- revision of:
- Child of Nature
| Roxy Music | 4:54 |
