La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
#TitleArtistLength
1Il barbiere di Siviglia: Act I, Scene 2. “Finora in questa camera” (Berta, Conte)
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:31
2Il barbiere di Siviglia: Act I, Scene 2. “Ehi, di casa, buona gente” (Conte, Bartolo, Rosina, Berta, Basilio)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:30
3Il barbiere di Siviglia: Act I, Scene 2. “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Ufficiale)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:39
4Il barbiere di Siviglia: Act I, Scene 2. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:02
5Il barbiere di Siviglia: Act I, Scene 2. “Ma signor…ma un dottor” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:43
6Il barbiere di Siviglia: Act II. “Ma vedi il mio destino!” (Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:46
7Il barbiere di Siviglia: Act II. “Pace e gioia sia con voi” (Conte, Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:27
8Il barbiere di Siviglia: Act II. “Insomma, mio signore, chi è lei?” (Conte, Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:19
9Il barbiere di Siviglia: Act II. “Venite, signorina” (Bartolo, Rosina, Conte)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Venite, signorina” (Bartolo, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:43
10Il barbiere di Siviglia: Act II. “Contro un cor che accende amore” (Rosina, Conte)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:55
11Il barbiere di Siviglia: Act II. “Bella voce! Bravissima!” (Conte, Rosina, Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:35
12Il barbiere di Siviglia: Act II. “Quando, mi sei vicina” (Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:57
13Il barbiere di Siviglia: Act II. “Bravo, signor barbiere, ma bravo!” (Bartolo, Figaro, Rosina, Conte)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:42
14Il barbiere di Siviglia: Act II. “Don Basilio!…Cosa veggo!” (Rosina, Conte, Figaro, Bartolo, Basilio)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:01
15Il barbiere di Siviglia: Act II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:16
16Il barbiere di Siviglia: Act II. “Che vecchio sospettoso!” (Berta)
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:29
17Il barbiere di Siviglia: Act II. “Il vecchiotto cerca moglie” (Berta)
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:20
18Il barbiere di Siviglia: Act II. Temporale (Orchestra)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:49
19Il barbiere di Siviglia: Act II. “Alfine eccoci qua” (Figaro, Conte, Rosina)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:02
20Il barbiere di Siviglia: Act II. “Ah, qual colpo inaspettato!” (Rosina, Figaro, Conte)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:46
21Il barbiere di Siviglia: Act II. “Ah, disgraziati noi!” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:31
22Il barbiere di Siviglia: Act II. “Insomma io ho tutti i torti” (Bartolo, Figaro, Conte, Rosina, Basilio)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:44
23Il barbiere di Siviglia: Act II. “Di sì felice innesto” (Figaro, Bartolo, Basilio, Berta, Coro, Rosina, Conte)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:08
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets