Jazz After Dark

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Medium
#TitleArtistLength
1Let There Be Love
cello:
Hyman Gold (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (on 1961-12-20) and William Vandenburg (on 1961-12-20)
double bass:
Al McKibbon (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (on 1961-12-20)
drums (drum set):
Shelly Manne (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (on 1961-12-20), Joseph Livoti (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (on 1961-12-20), Mischa Russell (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1962)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. and Warner Chappell Music Publishing
Nat King Cole & George Shearing2:45
2Time After TimeMiles Davis3:35
3Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Oscar Peterson4:50
4Lady Sings the Blues
recorded in:
New York, New York, United States (on 1956-06-06)
clarinet:
Tony Scott (on 1956-06-06)
double bass:
Aaron Bell (on 1956-06-06)
drums (drum set):
Lenny McBrowne (on 1956-06-06)
guitar:
Kenny Burrell (on 1956-06-06)
piano:
Wynton Kelly (on 1956-06-06)
tenor saxophone:
Paul Quinichette (on 1956-06-06)
trumpet:
Charlie Shavers (on 1956-06-06)
vocals:
Billie Holiday (on 1954-06-06)
recorded at:
Fine Sound Studios in New York, New York, United States
recording of:
Lady Sings the Blues (on 1956-06-06)
lyricist:
Billie Holiday
composer:
Herbie Nichols
publisher:
Northern Music Company
Billie Holiday3:46
5April in Paris
producer:
Norman Granz
alto saxophone:
Bill Graham (on 1955-07-26) and Marshall Royal (on 1955-07-26)
alto saxophone, clarinet, flute and tenor saxophone:
Frank Wess (on 1955-07-26)
baritone saxophone and bass clarinet:
Charlie Fowlkes (on 1955-07-26)
clarinet and tenor saxophone:
Frank Foster (on 1955-07-26)
double bass:
Eddie Jones (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (on 1955-07-26)
trombone:
Henry Coker (on 1955-07-26), Bill Hughes (on 1955-07-26) and Benny Powell (on 1955-07-26)
trumpet:
Wendell Culley (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (on 1955-07-26) and Joe Newman (on 1955-07-26)
arranger:
Wild Bill Davis
instrumental cover recording of:
April in Paris (on 1955-07-26)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:48
6You’re a Weaver of Dream
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (on 1959-02-03)
drums (drum set):
Jimmy Cobb (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (in 1999)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
A Weaver of Dreams (on 1959-02-03)
lyricist:
John Elliot
composer:
Victor Young
John Coltrane5:32
7Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone2:53
8The Sidewinder
phonographic copyright (℗) by:
Blue Note (in 1963)
recording of:
The Sidewinder
composer:
Lee Morgan
publisher:
Windswept Pacific Music Ltd.
Lee Morgan5:10
9The Girl From Ipanema
Astrud Gilberto5:12
10Can Anyone Explain
vocals:
Ella Fitzgerald (on 1950-08-25)
cover recording of:
Can Anyone Explain? (on 1950-08-25)
lyricist and composer:
Bennie Benjamin and George David Weiss
Ella Fitzgerald & Louis Armstrong3:10
11In the Mood
instrumental recording of:
In the Mood (on 1939-08-01)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller3:37
12MistyErroll Garner2:47
13I’ve Got You Under My SkinPeggy Lee2:30
14Wade in the Water
Ramsey Lewis3:48
15Minnie the Moocher
alto saxophone:
Hilton Jefferson (on 1942-02-02)
double bass:
Milt Hinton (on 1942-02-02)
drums (drum set):
Cozy Cole (on 1942-02-02)
guitar:
Danny Barker (on 1942-02-02)
piano:
Benny Payne (on 1942-02-02)
reeds:
Jerry Blake (on 1942-02-02)
saxophone:
Andrew Brown (on 1942-02-02)
tenor saxophone:
Teddy McRae (on 1942-02-02) and Walter "Foots" Thomas (on 1942-02-02)
trombone:
Quentin Jackson (on 1942-02-02) and Keg Johnson (on 1942-02-02)
trumpet:
Shad Collins (on 1942-02-02), Jonah Jones (on 1942-02-02), Russell Smith (on 1942-02-02) and Lammar Wright (on 1942-02-02)
vocals:
Cab Calloway (on 1942-02-02)
recording of:
Minnie the Moocher
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
Cab Calloway3:15
16Goin’ Out of My Head
recording engineer:
Rudy van Gelder (on 1965-11-20)
producer:
Creed Taylor
alto saxophone and clarinet:
Jerry Dodgion (on 1965-11-20) and Phil Woods (on 1965-11-20)
bass trombone:
Tony Studd (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-11-20)
drums (drum set):
Grady Tate (on 1965-11-20)
electric guitar [guitar]:
Wes Montgomery (on 1965-11-20)
flute and piccolo:
Jerry Dodgion (on 1965-11-20)
piano:
Herbie Hancock (on 1965-11-20) and Roger Kellaway (on 1965-11-20)
trombone:
Wayne Andre (on 1965-11-20), Jimmy Cleveland (on 1965-11-20) and Quentin Jackson (on 1965-11-20)
trumpet:
Danny Moore (on 1964-11-20), Joe Newman (on 1964-11-20), Donald Byrd (on 1965-11-20) and Ernie Royal (on 1965-11-20)
woodwind:
Jerome Richardson (on 1964-11-20)
conductor:
Oliver Nelson (on 1964-11-20)
arranger:
Oliver Nelson
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-11-20)
instrumental cover recording of:
Goin’ Out of My Head (on 1964-11-20)
lyricist:
Bobby Weinstein
composer:
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music and Songs of PolyGram International, Inc. (in 1964)
Wes Montgomery2:13
17Mountain Dance
Dave Grusin6:10
18Those Who Were (feat. Lisa Nilson)
performer:
Lisa Nilsson
Niels‐Henning Ørsted Pedersen5:29
19Angela (Theme From Taxi)
recorded in:
New York, New York, United States (in 1978)
assistant engineer:
Tim Bomba, Ted Brosnan and Harold Torowsky
producer:
Bob James
alto saxophone:
Phil Bodner (in 1978) and Jerry Dodgion (in 1978)
baritone saxophone:
Howard Johnson (in 1978)
bass:
Gary King (in 1978)
cello:
Jonathan Abramowitz (in 1978), Seymour Barab (in 1978), Richard Locker (in 1978) and Charles McCracken (in 1978)
clarinet:
Harvey Estrin (in 1978)
cor anglais, flute, oboe and tenor saxophone:
George Marge (in 1978)
drums (drum set):
Idris Muhammad (in 1978)
electric piano, piano and synthesizer:
Bob James (in 1978)
percussion:
Ralph MacDonald (in 1978)
trombone:
Wayne Andre (in 1978), Dave Bargeron (in 1978) and Alan Raph (in 1978)
trumpet:
Randy Brecker (in 1978), Jon Faddis (in 1978), Mike Lawrence (in 1978) and Ron Tooley (in 1978)
viola:
Jean Dane (in 1978), Theodore Israel (in 1978), Sue Pray (in 1978) and Emanuel Vardi (in 1978)
violin:
Harry Cykman (in 1978), Lewis Eley (in 1978), Max Ellen (in 1978), Louis Gabowitz (in 1978), Diana Halprin (in 1978), Harold Kohon (in 1978), Harry Lookofsky (in 1978), John Pintavalle (in 1978), Matthew Raimondi (in 1978), Herbert Sorkin (in 1978) and Richard Sortomme (in 1978)
arranger:
Bob James
recording of:
Angela (theme from “Taxi”) (in 1978)
composer:
Bob James
Bob James5:41
20At Last
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James2:59
2Medium