Pet Sounds (2018 MQA x UHQCD)

~ Release by The Beach Boys (see all versions of this release, 55 available)

Annotation

Reissue in Hi-Res CD format (UHQCD format x MQA technology). Features the DSD master in 2010, using UK original master tapes. The DSD master is available in 352.8kHz/24bit high resolution (perfect for MQA-enabled audio players). Comes with lyrics and a description. Green color label coating. Comes in a slim case packaging. *The disc can also be played on regular CD players in UHQCD 44.1kHz/16bit resolution. However, MQA-enabled hardware/software is necessary to harness the full potential of this Hi-Res CD.

Tracklist

1▼HQCD
#TitleLength
1Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (on 1966-01-22)
background vocals:
Al Jardine (on 1966-01-22), Bruce Johnston (on 1966-01-22), Carl Wilson (on 1966-01-22) and Dennis Wilson (on 1966-01-22)
lead vocals:
Mike Love (on 1966-01-22) and Brian Wilson (on 1966-01-22)
arranger:
Brian Wilson
recorded at:
Columbia Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher, Mike Love and Brian Wilson
composer:
Brian Wilson
publisher:
Almo Music Corp., Irving Music, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:26
2You Still Believe in Me
engineer:
Chuck Britz (on 1965-10-14)
producer:
Brian Wilson
bass clarinet:
Jay Migliori (on 1965-10-14)
bicycle bell and timpani:
Julius Wechter (on 1965-10-14)
clarinet:
Bill Green (on 1965-10-14), Jim Horn (on 1965-10-14) and Plas Johnson (on 1965-10-14)
double bass:
Lyle Ritz (on 1965-10-14)
drums (drum set):
Hal Blaine (on 1965-10-14)
electric bass guitar:
Carol Kaye (on 1965-10-14)
guitar:
Glen Campbell (on 1965-10-14) and Barney Kessel (on 1965-10-14)
harpsichord:
Al De Lory (from 1965-10-14 until 1966-01-24)
piano:
Steve Douglas (from 1965-10-14 until 1966-01-24)
lead vocals:
Brian Wilson (from 1966-01 until 1966-02)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-10-14, on 1966-01-24, from 1966-01 until 1966-02)
recording of:
You Still Believe in Me (from 1965-10-14 until 1966-02)
writer:
Tony Asher and Brian Wilson
2:35
3That’s Not Me
engineer:
Chuck Britz (on 1966-02-15)
producer:
Brian Wilson
12 string guitar [12-string Electric Guitar]:
Carl Wilson
drums (drum set):
Dennis Wilson (on 1966-02-15)
electric bass guitar:
Brian Wilson
guitar:
Carl Wilson (on 1966-02-15)
organ:
Brian Wilson (on 1966-02-15)
percussion:
Hal Blaine
lead vocals:
Mike Love (from 1966-02 until 1966-03) and Brian Wilson (from 1966-02 until 1966-03)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-15, from 1966-02 until 1966-03)
recording of:
That’s Not Me (from 1966-02-15 until 1966-03)
lyricist:
Tony Asher
composer:
Brian Wilson
2:30
4Don’t Talk (Put Your Head on My Shoulder)
engineer:
Chuck Britz (on 1966-02-11) and H. Bowen David (on 1966-04-03)
producer:
Brian Wilson
cello:
Joseph Saxon (on 1966-04-03)
double bass:
Lyle Ritz (on 1966-02-11)
drums (drum set):
Hal Blaine (on 1966-02-11)
electric bass guitar:
Carol Kaye (on 1966-02-11)
guitar:
Glen Campbell (on 1966-02-11) and Billy Strange (on 1966-02-11)
organ:
Al De Lory (on 1966-02-11)
piano:
Steve Douglas (on 1966-02-11)
timpani and vibraphone:
Frank Capp (on 1966-02-11)
viola:
Norman Botnick (on 1966-04-03)
violin:
Arnold Belnick (on 1966-04-03), Ralph Schaeffer (on 1966-04-03), Sid Sharp (on 1966-04-03) and Tibor Zelig (on 1966-04-03)
lead vocals:
Brian Wilson (on 1966-02-11)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-11, on 1966-04-03)
recording of:
Don’t Talk (Put Your Head on My Shoulder) (from 1966-02-11 until 1966-04-03)
lyricist:
Tony Asher
composer:
Brian Wilson
2:54
5I’m Waiting for the Day
engineer:
Ralph Valentin (in 1966-03) and H. Bowen David (on 1966-03-06)
producer:
Brian Wilson
bongos and timpani:
Gary Coleman (on 1966-03-06)
cello:
Justin Ditullio (on 1966-03-06)
cor anglais [english horn]:
Leonard Hartman (on 1966-03-06)
double bass:
Lyle Ritz (on 1966-03-06)
drums (drum set):
Jim Gordon (on 1966-03-06)
electric bass guitar:
Ray Pohlman (on 1966-03-06)
flute:
Bill Green (on 1966-03-06), Jim Horn (on 1966-03-06) and Jay Migliori (on 1966-03-06)
guitar:
Carol Kaye (on 1966-03-06)
organ:
Larry Knechtel (on 1966-03-06)
tack piano:
Al De Lory (on 1966-03-06)
viola:
Harry Hyams (on 1966-03-06)
violin:
William Kurasch (on 1966-03-06), Leonard Malarsky (on 1966-03-06), Ralph Schaeffer (on 1966-03-06) and Sid Sharp (on 1966-03-06)
lead vocals:
Brian Wilson (in 1966-03)
arranger:
Brian Wilson
recorded at:
Columbia Studios in Hollywood, Los Angeles, California, United States (in 1966-03) and Western Recorders in Los Angeles, California, United States (on 1966-03-06)
recording of:
I’m Waiting for the Day (in 1966-03)
lyricist:
Mike Love
composer:
Brian Wilson
3:07
6Let’s Go Away for Awhile
engineer:
Chuck Britz (on 1966-01-18)
producer:
Brian Wilson
alto saxophone:
Jim Horn (on 1966-01-18)
baritone saxophone:
Jay Migliori (on 1966-01-18)
cello:
Justin Ditullio (on 1966-01-19) and Joseph Saxon (on 1966-01-19)
double bass:
Lyle Ritz (on 1966-01-18)
drums (drum set):
Hal Blaine (on 1966-01-18)
electric bass guitar:
Carol Kaye (on 1966-01-18)
flute:
Steve Douglas (on 1966-01-19) and Jules Jacob (on 1966-01-19)
guitar:
Al Casey (on 1966-01-18) and Barney Kessel (on 1966-01-18)
piano:
Al De Lory (on 1966-01-18)
tenor saxophone:
Steve Douglas (on 1966-01-18) and Plas Johnson (on 1966-01-18)
timpani and vibraphone:
Julius Wechter (on 1966-01-18)
trumpet:
Roy Caton (on 1966-01-18)
viola:
Joseph DiFiore (on 1966-01-19) and Harry Hyams (on 1966-01-19)
violin:
Arnold Belnick (on 1966-01-19), James Getzoff (on 1966-01-19), William Kurasch (on 1966-01-19), Leonard Malarsky (on 1966-01-19), Jerome Reisler (on 1966-01-19), Ralph Schaeffer (on 1966-01-19), Sid Sharp (on 1966-01-19) and Tibor Zelig (on 1966-01-19)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-01-18, on 1966-01-19)
recording of:
Let’s Go Away for Awhile (from 1966-01-18 until 1966-01-19)
composer:
Brian Wilson
publisher:
Sea of Tunes Publishing Co.
2:21
7Sloop John B
engineer:
Chuck Britz (on 1965-07-12)
producer:
Brian Wilson
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (on 1965-07-12)
lead vocals:
Mike Love (from 1965-12-22 until 1965-12-29) and Brian Wilson (from 1965-12-22 until 1965-12-29)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-07-12, on 1965-12-22, on 1965-12-29)
recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson
publisher:
EMI Music Publishing, EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
3:00
8God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (on 1966-03-10) and Jim Horn (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (from 1966-03 until 1966-04) and Brian Wilson (from 1966-03 until 1966-04)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (number: 17), Rolling Stone: 500 Greatest Songs of All Time (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 130)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music, Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co., Universal Music Publishing Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:53
9I Know There’s an Answer
engineer:
Chuck Britz (on 1966-02-09)
producer:
Brian Wilson
banjo:
Glen Campbell (on 1966-02-09)
bass clarinet:
Jay Migliori (on 1966-02-09)
bass harmonica:
Tommy Morgan (on 1966-02-09)
clarinet:
Steve Douglas (on 1966-02-09) and Bobby Klein (on 1966-02-09)
double bass:
Lyle Ritz (on 1966-02-09)
electric bass guitar:
Ray Pohlman (on 1966-02-09)
flute:
Jim Horn (on 1966-02-09) and Paul Horn (on 1966-02-09)
guitar:
Glen Campbell (on 1966-02-09) and Barney Kessel (on 1966-02-09)
organ:
Larry Knechtel (on 1966-02-09)
tack piano:
Al De Lory (on 1966-02-09)
tambourine:
Julius Wechter (on 1966-02-09)
timpani:
Hal Blaine (on 1966-02-09)
lead vocals:
Al Jardine (from 1966-02 until 1966-04) and Mike Love (from 1966-02 until 1966-04)
vocals:
Brian Wilson (from 1966-02 until 1966-04)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-09, from 1966-02 until 1966-04)
recording of:
I Know There’s an Answer (from 1966-02 until 1966-04)
lyricist:
Mike Love and Terry Sachen
composer:
Brian Wilson
publisher:
Irving Music and Rondor Music (London) Ltd.
version of:
Hang On to Your Ego
3:12
10Here Today
engineer:
Ralph Valentin (in 1966-03) and Bruce Botnick (on 1966-03-11)
producer:
Brian Wilson
baritone saxophone:
Jay Migliori (on 1966-03-11) and Jack Nimitz (on 1966-03-11)
bass trombone:
Gail Martin (on 1966-03-11) and Ernie Tack (on 1966-03-11)
double bass:
Lyle Ritz (on 1966-03-11)
drums (drum set):
Nick Martinis (on 1966-03-11)
electric bass guitar:
Ray Pohlman (on 1966-03-11)
guitar:
Al Casey (on 1966-03-11) and Mike Deasy (on 1966-03-11)
organ:
Larry Knechtel (on 1966-03-11)
tack piano:
Don Randi (on 1966-03-11)
tambourine:
Frank Capp (on 1966-03-11)
lead vocals:
Mike Love (in 1966-03)
arranger:
Brian Wilson
recorded at:
Columbia Studios in Hollywood, Los Angeles, California, United States (in 1966-03) and Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-03-11)
recording of:
Here Today (in 1966-03)
lyricist:
Tony Asher
composer:
Brian Wilson
2:55
11I Just Wasn’t Made for These Times
engineer:
Larry Levine (on 1966-02-14) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson
bass clarinet:
Jay Migliori (on 1966-02-14)
bass harmonica:
Tommy Morgan (on 1966-02-14)
clarinet:
Steve Douglas (on 1966-02-14) and Bobby Klein (on 1966-02-14)
double bass:
Chuck Berghofer (on 1966-02-14)
drums (drum set) and timpani:
Hal Blaine (on 1966-02-14)
electric bass guitar:
Ray Pohlman (on 1966-02-14)
guitar:
Glen Campbell (on 1966-02-14) and Barney Kessel (on 1966-02-14)
harpsichord:
Mike Melvoin (on 1966-02-14)
percussion [cups] and temple blocks:
Frank Capp (on 1966-02-14)
piccolo:
Plas Johnson (on 1966-02-14)
tack piano:
Don Randi (on 1966-02-14)
theremin [electro-theremin]:
Paul Tanner (on 1966-02-14)
lead vocals:
Brian Wilson (from 1966-03 until 1966-04)
arranger:
Brian Wilson
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-02-14) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
recording of:
I Just Wasn’t Made for These Times (from 1966-02-14 until 1966-04)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music
3:16
12Pet Sounds
engineer:
Chuck Britz (on 1965-11-17)
producer:
Brian Wilson
acoustic guitar:
Tommy Tedesco (on 1965-11-17)
alto saxophone:
Bill Green (on 1965-11-17)
baritone saxophone:
Jay Migliori (on 1965-11-17)
double bass:
Lyle Ritz (on 1965-11-17)
electric bass guitar:
Carol Kaye (on 1965-11-17)
electric guitar:
Jerry Cole (on 1965-11-17) and Billy Strange (on 1965-11-17)
percussion:
Bill Green (on 1965-11-17), Plas Johnson (on 1965-11-17) and Ritchie Frost (on 1965-11-17)
piano:
Brian Wilson (on 1965-11-17)
tenor saxophone:
Plas Johnson (on 1965-11-17)
trumpet:
Roy Caton (on 1965-11-17)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-11-17)
recording of:
Pet Sounds (on 1965-11-17)
composer:
Brian Wilson
2:24
13Caroline, No
engineer:
Chuck Britz (on 1966-01-31)
producer:
Brian Wilson
alto saxophone and tambourine:
Steve Douglas (on 1966-01-31)
double bass:
Lyle Ritz (on 1966-01-31)
drums (drum set) and percussion:
Hal Blaine (on 1966-01-31)
electric bass guitar [Dano bass]:
Carol Kaye (on 1966-01-31)
flute:
Bill Green (on 1966-01-31), Jim Horn (on 1966-01-31), Plas Johnson (on 1966-01-31) and Jay Migliori (on 1966-01-31)
guitar:
Glen Campbell (on 1966-01-31), Carol Kaye (on 1966-01-31) and Barney Kessel (on 1966-01-31)
harpsichord:
Al De Lory (on 1966-01-31)
vibraphone:
Frank Capp (on 1966-01-31)
lead vocals:
Brian Wilson (on 1966-01-31)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-01-31)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 211)
recording of:
Caroline, No (on 1966-01-31)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co.
2:53

Credits