Louis Prima (FR budget compilation)

~ Release by Louis Prima (see all versions of this release, 1 available)

Annotation

There are multiple inaccuracies in this disc's liner notes, but most importantly, t04 is incorrectly listed as Banana Split For My Baby throughout.

The compilation includes 9 out of 10 tracks from The Wildest!, omitting only Jump, Jive an’ Wail.

Tracklist

1▼CD
#TitleLength
1Just a Gigolo
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd., Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
4:41
2Night Train
solo tenor saxophone:
Sam Butera (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1956-04-19)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
2:45
3You Rascal You (I’ll Be Glad When You’re Dead)
lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1956-04-19)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd.
3:11
4(Nothing’s Too Good) For My Baby
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (in 1956-04)
recording of:
(Nothing’s Too Good) For My Baby (on 1956-04-19)
composer:
Ted Eddy, Mack Kay and Frederick Patrick
2:36
5The Lip
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
The Lip (on 1956-04-19)
writer:
Ted Klages and Vic Knight
2:15
6Buona Sera
producer:
Voyle Gilmore
double bass:
Amato Rodrigues (on 1956-04-19)
guitar:
Jack Marshall (on 1956-04-19)
piano:
Willie McCumber (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
James Blount, Jr. (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1956)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Buona sera (on 1956-04-19)
lyricist:
Carl Sigman
composer:
Peter de Rose
publisher:
Music Sales Corporation
translated version of:
Buona sera signorina (italian version for Fred Buscaglione)
2:57
7Body and Soul
solo trombone:
James Blount (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Body and Soul (on 1956-04-19)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:21
8Medley: Basin Street Blues / When It’s Sleepy Time Down South
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
medley including a recording of:
Basin Street Blues (on 1956-04-19)
lyricist and composer:
Spencer Williams
publisher:
EMI Music Publishing Ltd.
medley including a recording of:
When It’s Sleepy Time Down South (on 1956-04-19)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
4:10
9That Old Black Magic
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25) and Keely Smith (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
That Old Black Magic (on 1958-08-25)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:56
10It’s Magic
recorded in:
Chicago, Illinois, United States (on 1958-12-03)
producer:
Voyle Gilmore
vocals:
Keely Smith (on 1958-12-03)
orchestra:
Nelson Riddle and His Orchestra (on 1958-12-03)
conductor:
Nelson Riddle (on 1958-12-03)
arranger:
Nelson Riddle
cover recording of:
It’s Magic (on 1958-12-03)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd.
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
3:45
11I’m in the Mood for Love
edit of:
Don’t Worry ’bout Me / I’m in the Mood for Love by Louis Prima & Keely Smith with Sam Butera & the Witnesses
live cover recording of:
I’m in the Mood for Love (on 1957-07-26)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (in 1935, in 1963) and EMI Music Publishing Ltd. (in 2016)
2:39
12I’ve Got You Under My Skin
producer:
Voyle Gilmore (on 1959-01-02)
tenor saxophone:
Sam Butera (on 1959-01-02)
trumpet:
Louis Prima (on 1959-01-02)
vocals:
Louis Prima (on 1959-01-02) and Keely Smith (on 1959-01-02)
orchestra:
The Witnesses (on 1959-01-02)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (on 1959-01-02)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
2:37
13I Wish You Love
producer:
Voyle Gilmore
bass:
Ed Gilbert (on 1957-11-14)
cello:
Edgar Lustgarten (on 1957-11-14) and Eleanor Slatkin (on 1957-11-14)
drums (drum set):
Bill Richmond (on 1957-11-14)
flute:
Lee Elliott (on 1957-11-14), Alex Gershonoff (on 1957-11-14) and Harry Klee (on 1957-11-14)
guitar:
Bob Bain (on 1957-11-14)
harp:
Kathryn Julye (on 1957-11-14)
piano:
Jimmy Rowles (on 1957-11-14)
trombone:
Milt Bernhart (on 1957-11-14), Dick Noel (on 1957-11-14), Jimmy Priddy (on 1957-11-14), George Roberts (on 1957-11-14) and Juan Tizol (on 1957-11-14)
viola:
Alvin Dinkin (on 1957-11-14) and Dave Sterkin (on 1957-11-14)
violin:
Paul Shure (from 1957-11-14 to present), Victor Arno (on 1957-11-14), Victor Bay (on 1957-11-14), Alex Beller (on 1957-11-14), Ben Gill (on 1957-11-14), Paul Nero (on 1957-11-14), Felix Slatkin (on 1957-11-14) and Marshall Sosson (on 1957-11-14)
vocals:
Keely Smith (on 1957-11-14)
orchestra:
Nelson Riddle and His Orchestra (on 1957-11-14)
conductor:
Nelson Riddle (on 1957-11-14)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-11-14)
cover recording of:
I Wish You Love (on 1957-11-14)
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd., EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing, On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部
translated version of:
Que reste-t-il de nos amours ?
3:47
14Oh! Marie
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Oh Marie (on 1956-04-19)
lyricist and composer:
Eduardo Di Capua
arranger:
Louis Prima
2:26
15Medley: Embraceable You / I Got It Bad and That Ain’t Good
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-02-11)
drums (drum set):
Harvey Lang (on 1958-02-11)
guitar:
Bobby Roberts (on 1958-02-11)
piano:
Willie McCumber Jr. (on 1958-02-11)
tenor saxophone:
Sam Butera (on 1958-02-11)
trombone:
Lou Sino (on 1958-02-11)
trumpet:
Louis Prima (on 1958-02-11)
vocals:
Louis Prima (on 1958-02-11) and Keely Smith (on 1958-02-11)
orchestra:
The Witnesses (on 1958-02-11)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-02-11)
live medley including a cover recording of:
Embraceable You (on 1958-02-11)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
live medley including a cover recording of:
I Got It Bad (and That Ain’t Good) (on 1958-02-11)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:58