Rise of the Masters: 100 Supreme Classical Masterpieces

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistLength
1Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
orchestra:
Bach Collegium Japan (from 2000-05-28 until 2000-06-02)
conductor:
Masaaki Suzuki (from 2000-05-28 until 2000-06-02)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2000-05-28 until 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 2000-05-28 until 2000-06-02)
composer:
Johann Sebastian Bach
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach?:??
2Orchestral Suite no. 3 in D major, BWV 1068: Air
instruments:
London Baroque
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach?:??
3The Well-Tempered Clavier, Book 1: Prelude and Fugue no. 1 in C major, BWV 846: I. PreludeJohann Sebastian Bach?:??
4Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
orchestra:
Drottningholms Barockensemble
conductor:
Penelope Evison
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach?:??
5Toccata and Fugue in D minor for Organ, BWV 565Johann Sebastian Bach?:??
6Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: X. Chorale: "Jesu bleibet meine Freude" (Jesu, Joy of Man's Desiring)
sound engineer:
Dirk Lüdemann (in 1999-06)
producer:
Jens Braun
editor:
Dirk Lüdemann
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1999-06)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (in 1665)
composer:
Johann Sebastian Bach (in 1723)
part of:
Classic 100: Piano (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach?:??
7Suite no. 1 in G major for Solo Cello, BWV 1007: I. Prelude
producer and balance engineer:
Hans Kipfer
editor:
Rita Hermeyer and Martin Nagorni
cello:
Torleif Thedéen (in 1996-05)
recorded at:
Länna Kyrka in Norrtälje municipality, Stockholms län, Sweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1996-05)
composer:
Johann Sebastian Bach
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach?:??
8Double Concerto in D minor for Two Violins and Strings, BWV 1043: I. VivaceJohann Sebastian Bach?:??
9Aria and 30 Variations, BWV 988, "Goldberg Variations": I. Aria
harpsichord:
Christiane Jaccottet (in 1990)
phonographic copyright (℗) by:
Mediaphon (from 1995 to present)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (in 1990)
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach?:??
10Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 1 in E major, RV 269, "La primavera" (Spring): I. Allegro
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan in Danderyd municipality, Stockholms län, Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi?:??
11Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 2 in G minor, RV 315, "L'estate" (Summer): III. Presto: Tempo impetuoso d'Estate
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan in Danderyd municipality, Stockholms län, Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi?:??
12Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 3 in F major, RV 293, "L'autunno" (Autumn): I. Ballo e canto de villanelli: Allegro
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan in Danderyd municipality, Stockholms län, Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi?:??
13Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 4 in F minor, RV 297, "L'inverno" (Winter): II. Largo
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan in Danderyd municipality, Stockholms län, Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi?:??
14Concerto in C major for Flautino and Strings, RV 443: II. LargoAntonio Vivaldi?:??
15Concerto in D major for Lute, Two Violins and B.C, RV 93: II. Largo
sound engineer, producer and editor:
Robert von Bahr
bassoon:
Michael McCraw (from 1984 until 1985)
cello:
Kari Ottesen (from 1984-12 until 1985-01)
lute:
Jakob Lindberg (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
organ:
Maria Wieslander (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
violin:
Tullo Galli (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17) and Nils‐Erik Sparf (from 1984-12 until 1985-01)
violoncello piccolo:
Kari Ottesen (from 1984-12-06 until 1985-01-17)
violone:
Alf Petersén (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
orchestra:
Drottningholm Baroque Ensemble (from 1984 until 1985)
recorded at:
Petruskyrkan in Danderyd municipality, Stockholms län, Sweden (from 1984-12 until 1985-01)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (from 1984-12 until 1985-01)
composer:
Antonio Vivaldi
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi?:??
16Stabat Mater, RV 621: I. Stabat mater dolorosa
sound engineer:
Marian Czarnecki
producer:
Jakub Burzyński
editor:
Michał Muzyka
cello:
Tomasz Frycz (from 2004-01-11 until 2004-01-14)
chamber organ:
Barbara Świderska (from 2004-01-11 until 2004-01-14)
double bass:
Grzegorz Zimak (from 2004-01-11 until 2004-01-14)
harpsichord:
Piotr Wilczyński (from 2004-01-11 until 2004-01-14)
percussion:
Robert Siwak (from 2004-01-11 until 2004-01-14)
theorbo:
Anton Birula (from 2004-01-11 until 2004-01-14)
viola:
Michał Druś (from 2004-01-11 until 2004-01-14)
violin:
Grzegorz Lalek (from 2004-01-11 until 2004-01-14) and Maria Papuzinska-Uss (from 2004-01-11 until 2004-01-14)
alto vocals:
Jakub Burzyński (from 2004-01-11 until 2004-01-14)
orchestra:
La Tempesta (from 2004-01-11 until 2004-01-14)
conductor:
Jakub Burzyński (from 2004-01-11 until 2004-01-14)
recorded at:
Evangelical-Reformed Church in Warsaw, Mazowieckie, Poland (from 2004-01-11 until 2004-01-14)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (from 2004-01-11 until 2004-01-14)
composer:
Antonio Vivaldi
part of:
Stabat Mater, RV 621
Antonio Vivaldi?:??
17Concerto in G minor for Recorder and Strings, RV 439, "La notte": VI. AllegroAntonio Vivaldi?:??
18Solomon, HWV 67: The Arrival of the Queen of ShebaGeorge Frideric Handel?:??
19The Messiah, HWV 56 - Part 2, "The Passion": Chorus: "Hallelujah!"George Frideric Handel?:??
20Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga"George Frideric Handel?:??
21Concerto grosso no. 12 in B minor, HWV 330: I. LargoGeorge Frideric Handel?:??
22Water Music Suite no. 2 in D major, HWV 349: II. Alla HornpipeGeorge Frideric Handel?:??
23Xerxes, HWV 40, Act 1: "Ombra mai fu": Largo
countertenor vocals:
米良美一
orchestra:
Japan Philharmonic Orchestra
conductor:
Shigeo Genda
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous]
part of:
Serse, HWV 40: Atto I
George Frideric Handel?:??
24Concerto no. 1 in G minor for Organ and Orchestra, HWV 289, op. 4: III. AdagioGeorge Frideric Handel?:??
25Music for the Royal Fireworks, HWV 351: III. La réjouissanceGeorge Frideric Handel?:??
26Serenade no. 13 in G major, K. 525, "Eine kleine Nachtmusik": I. AllegroWolfgang Amadeus Mozart?:??
27Concerto in A major for Clarinet and Orchestra, K. 622: II. Adagio
producer:
Ingo Petry
basset clarinet:
Martin Fröst (in 2002-04)
clarinet:
Martin Fröst
orchestra:
Amsterdam Sinfonietta (in 2002-04)
conductor:
Peter Oundjian (in 2002-04)
balance engineer:
Thore Brinkmann (in 2002-04)
recorded at:
Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 2002-04)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 2002-04)
composer:
Wolfgang Amadeus Mozart (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart?:??
28Symphony no. 40 in G minor, K. 550: Allegro moltoWolfgang Amadeus Mozart?:??
29Serenade no. 13 in G major, K. 525, "Eine kleine Nachtmusik": II. Romance: AndanteWolfgang Amadeus Mozart?:??
30Die Zauberflöte (The Magic Flute), K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night's Aria)Wolfgang Amadeus Mozart?:??
31Concerto no. 21 in C major for Piano and Orchestra, K. 467: AndanteWolfgang Amadeus Mozart?:??
32Sonata no. 11 in A major for Piano, K. 331, "Turkish March": III. Rondo alla Turca: AllegrettoWolfgang Amadeus Mozart?:??
33Requiem Mass in D minor, K. 626: VI Lacrimosa dies illa
choir vocals:
London Philharmonic Choir
orchestra:
London Philharmonic Orchestra
conductor:
David Parry
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart?:??
34Concerto in C major for Flute, Harp and Orchestra, K. 299: II. AndantinoWolfgang Amadeus Mozart?:??
35Egmont, op. 84: Overture in F minor
orchestra:
London Philharmonic Orchestra
conductor:
David Parry
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien, Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven?:??
36Sonata no. 8 in C minor for Fortepiano, op. 13, "Pathètique": II. Adagio cantabileLudwig van Beethoven?:??
37Symphony no. 5 in C minor, op. 67, "Fate": Allegro con brioLudwig van Beethoven?:??
38Bagatelle in A minor, WoO 59, "Für Elise"
piano:
Roland Pöntinen
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (from 1808 until 1810)
part of:
Classic 100: Piano (number: 15), Classic 100: Piano (number: 17) and Kinsky catalogue (number: WoO 59)
Ludwig van Beethoven?:??
39Symphony no. 7 in A major, op. 92: II. AllegrettoLudwig van Beethoven?:??
40Concerto in D major for Violin and Orchestra, op. 61: II. LarghettoLudwig van Beethoven?:??
41Sonata no. 14 in C-sharp minor for Piano, op. 27:2, "Moonlight": I. Adagio sostenutoLudwig van Beethoven?:??
42Symphony no. 9 in D minor, op. 125, "Choral": An die FreudeLudwig van Beethoven?:??
43Piano Quintet in A major, D. 667, "The Trout": IV. Thema con variazioni: Andantino - Allegretto (Die Forelle)Franz Schubert?:??
44String Quartet no. 13 in A minor, D. 804, "Rosamunde": II. AndanteFranz Schubert?:??
45Impromptus, D. 899, op. 90: No. 3 in G-flat major: AndanteFranz Schubert?:??
46Symphony no. 8 in B minor, D. 759, "The Unfinished": I. Allegro moderatoFranz Schubert?:??
47Trio no. 2 in E-flat major for Violin, Cello and Piano, D. 929: II. Andante con motoFranz Schubert?:??
48Ellen's Chants, D. 839, op. 56: III. Ave Maria
orchestra:
Musica Antiqua New York
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert?:??
49String Quartet no. 14 in D minor, D. 810, "Death and the Maiden": I. AllegroFranz Schubert?:??
50Symphony no. 9 in C major, D. 944, "The Great.": IV. Finale: Allegro vivaceFranz Schubert?:??
51Nocturnes, op. 9: No. 2 in E-flat major
piano:
Finghin Collins
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (from 1830 until 1832)
part of:
Classic 100: Piano (number: 3) and Classic 100: Piano (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin?:??
52Fantaisie Impromptu in C-sharp major, op. 66: Allegro agitatoFrédéric Chopin?:??
53Mazurkas, op. 17: No. 4 in A minorFrédéric Chopin?:??
54Concerto no. 1 in E minor for Piano and Orchestra, op. 11: II. Romance: LarghettoFrédéric Chopin?:??
55Waltzes, op. 64: No. 1 in D-flat major, "Minute Waltz"
Frédéric Chopin?:??
56Sonata no. 2 in B-flat minor for Piano, op. 35: III. Marche Funébre (Funeral March): LentoFrédéric Chopin?:??
57Préludes, op. 28: No. 15 in D-flat major, "Raindrops"Frédéric Chopin?:??
58Polonaise in A-flat major, op. 53, "Heroic": MaestosoFrédéric Chopin?:??
59Manfred, op. 115: Overture in E-flat minorRobert Schumann?:??
60Kinderszenen (Childhood Scenes), op. 15: VII. Träumerei (Dreaming)
piano:
Roland Pöntinen
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (in 1838)
part of:
Classic 100: Piano (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann?:??
61Concerto in A minor for Cello and Orchestra, op. 129: I. Nicht zu schnell (attacca)
cello:
Torleif Thedéen
orchestra:
Malmö Symphony Orchestra
conductor:
Lev Markiz
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (Concerto for Cello and Orchestra in A minor, Op. 129: I. Nicht zu schnell)
composer:
Robert Schumann (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann?:??
62Kreisleriana, op. 16: VII. Sehr RaschRobert Schumann?:??
63Symphony no. 4 in D minor, op. 120: II. Romance: Andante
recording engineer:
Arne Akselberg (from 1987-09-04 until 1988-01-30)
producer:
Robert von Bahr
orchestra:
Bergen Philharmonic Orchestra (from 1987-09-04 until 1988-01-30)
conductor:
Aldo Ceccato (from 1987-09-04 until 1988-01-30)
recorded at:
Grieghallen in Bergen, Hordaland, Norway (from 1987-09-04 until 1988-01-30)
partial recording of:
Symphony no. 4 in D minor, op. 120 (arr. Mahler) (from 1987-09-04 until 1988-01-30)
composer:
Robert Schumann
arranger:
Gustav Mahler
publisher:
Universal Edition
arrangement of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision)
composer:
Robert Schumann (in 1841)
revised by:
Robert Schumann (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann?:??
64Concerto in A minor for Piano and Orchestra, op. 54: I. Allegro affetuosoRobert Schumann?:??
65Carnaval, op. 9, "Scènes mignonnes sur quartre notes": Chopin
piano:
Freddy Kempf
recording of:
Carnaval, op. 9: XII. Chopin
composer:
Robert Schumann (from 1834 until 1835)
part of:
Carnaval, op. 9 (for piano)
Robert Schumann?:??
66Symphony no. 3 in E-flat major, op. 97, "The Rhine": V. Lebhaft
recording engineer:
Arne Akselberg (from 1987-09-04 until 1988-01-30)
producer:
Robert von Bahr
orchestra:
Bergen Philharmonic Orchestra (from 1987-09-04 until 1988-01-30)
conductor:
Aldo Ceccato (from 1987-09-04 until 1988-01-30)
recorded at:
Grieghallen in Bergen, Hordaland, Norway (from 1987-09-04 until 1988-01-30)
partial recording of:
Symphony no. 3 in E-flat major, op. 97 “Rhenish” (arr. Mahler) (from 1987-09-04 until 1988-01-30)
composer:
Robert Schumann
arranger:
Gustav Mahler
publisher:
Universal Edition
arrangement of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft
composer:
Robert Schumann (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann?:??
67Swan Lake Suite, op. 20: Scène (Lake in the Moonlight)Pyotr Ilyich Tchaikovsky?:??
68Concerto no. 1 in B-flat minor for Piano and Orchestra, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spiritoPyotr Ilyich Tchaikovsky?:??
69The Nutcracker, op. 71a: III. March
orchestra:
Klassische Philharmonie Bonn
conductor:
Heribert Beissel
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
composer:
Пётр Ильич Чайковский
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Pyotr Ilyich Tchaikovsky?:??
70The Nutcracker, op. 71a: XIV. Waltz of the Flowers
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown]
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
composer:
Пётр Ильич Чайковский
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky?:??
71Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco
orchestra:
Göteborgs Symfoniker (in 2003-05)
conductor:
Neeme Järvi (in 2003-05)
recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco (in 2003-05)
composer:
Pyotr Ilyich Tchaikovsky (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky?:??
72Romeo and Juliet: Fantasy OverturePyotr Ilyich Tchaikovsky?:??
73Eugen Onegin, op. 24: PolonaisePyotr Ilyich Tchaikovsky?:??
74Symphony no. 6 in B minor, op. 74, "Pathétique": I. Adagio - Allegro non troppo
orchestra:
Göteborgs Symfoniker (from 2004-01-23 until 2004-01-24)
conductor:
Neeme Järvi (from 2004-01-23 until 2004-01-24)
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (from 2004-01-23 until 2004-01-24)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo) (from 2004-01-23 until 2004-01-24)
composer:
Пётр Ильич Чайковский (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky?:??
75Festival Overture in E-flat major, "The Year 1812", op. 49: Ouverture solennelle
orchestra:
Bamberger Symphoniker (in 2000-02)
conductor:
José Serebrier (in 2000-02)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 2000-02)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Ilyich Tchaikovsky?:??
76Piano Trio no. 1 in B major, op. 8: I. Allegro con brioJohannes Brahms?:??
77Hungarian Dance no. 5 in G minor
orchestra:
London Philharmonic Orchestra
conductor:
David Parry
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms?:??
78Symphony no. 3 in F major, op. 90: III. Poco allegretto
orchestra:
Berliner Symphoniker
conductor:
Eduardo Marturet
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
composer:
Johannes Brahms (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms?:??
79Sonata no. 1 in E minor for Cello and Piano, op. 38: I. Allegro non troppoJohannes Brahms?:??
80Concerto in D major for Violin and Orchestra, op. 77: II. Adagio
violin:
Borika van den Booren
orchestra:
Berliner Symphoniker and Konzerthausorchester Berlin
conductor:
Eduardo Marturet
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio)
composer:
Johannes Brahms (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms?:??
81Piano Quintet in F minor, op. 34: I. Allegro non troppoJohannes Brahms?:??
82Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Piu allegro
orchestra:
Berliner Symphoniker
conductor:
Eduardo Marturet
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato
composer:
Johannes Brahms (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms?:??
83Lullaby (Guten Abend, gute Nacht), op. 49
orchestra:
Slovak Chamber Orchestra
conductor:
Bohdan Warchal
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms?:??
84Peer Gynt Suite no. 1, op. 46: Morning Mood
orchestra:
London Philharmonic Orchestra
conductor:
David Parry
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (in 1875)
revised by:
Edvard Grieg (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg?:??
85Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King
orchestra:
London Philharmonic Orchestra
conductor:
David Parry
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
composer:
Edvard Grieg (in 1875)
revised by:
Edvard Grieg (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg?:??
86Two Elegiac Melodies, op. 34:2: Last Spring
orchestra:
Royal Stockholm Philharmonic Orchestra
conductor:
Magnus Ericsson
recording of:
To elegiske melodier, op. 34: No. 2. Våren (Two Elegiac Melodies, op. 34: No. 2. The Last Spring, for strings)
orchestrator and composer:
Edvard Grieg
orchestration of:
To elegiske melodier, op. 34: No. 2. Våren (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg?:??
87Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderatoEdvard Grieg?:??
88Lyric Suite, op. 54: IV. Troldtog (March of the Trolls): Allegretto moderato
orchestra:
Bergen Philharmonic Orchestra (in 2003-02)
conductor:
Ole Kristian Ruud (in 2003-02)
recording of:
Lyric Suite, op. 54: IV. March of the Dwarfs. Allegro marcato (orch. Seidl, revised Grieg) (in 2003-02)
orchestrator:
Anton Seidl
composer:
Edvard Grieg
revised by:
Edvard Grieg (in 1905)
orchestration of:
Lyriske stykker, hefte V, op. 54: No. 3: Troldtog (Lyric Pieces, Book V, op. 54 no. 3: March of the Dwarfs)
part of:
Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)
Edvard Grieg?:??
89Lyric Pieces Book 8, op. 65: VI. Bryllupsdag på Troldhaugen (Wedding Day at Troldhaugen)
piano:
Eva Knardahl
recording of:
Lyriske stykker, hefte VIII, op. 65: No. 6: Bryllupsdag på Troldhaugen (Lyric Pieces, Book 8, op. 65: No. 6. Wedding Day at Troldhaugen, for piano)
composer:
Edvard Grieg
part of:
Classic 100: Piano (number: 19)
part of:
Lyriske stykker, hefte VIII, op. 65 (Lyric pieces, book VIII, op. 65)
Edvard Grieg?:??
90Holberg Suite in G major, op. 40: I. Prelude
orchestra:
Norwegian Chamber Orchestra
conductor:
Terje Tønnesen
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg?:??
91Peer Gynt, op. 23: Solveig's Song
sound engineer:
Thore Brinkmann (in 2003-06)
producer:
Jens Braun
editor:
Thore Brinkmann
soprano vocals [Solveig]:
Marita Kvarving Sølberg (in 2003-06)
orchestra:
Bergen Philharmonic Orchestra (in 2003-06)
conductor:
Ole Kristian Ruud (in 2003-06)
recorded at:
Grieghallen in Bergen, Hordaland, Norway (in 2003-06)
recording of:
Six Orchestral Songs, EG 177 no. 1: Solveigs sang (Solveig’s Song) (in 2003-06)
composer:
Edvard Grieg
is based on:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Seks sanger med orkester (EG 177)
Edvard Grieg?:??
92Prélude à l'après-midi d'un faune (Prelude to A Faun's Afternoon), L 86
orchestra:
London Festival Orchestra, Orchestre philharmonique de l’ORTF and Philharmonia Slavonica
conductor:
Loic Bertrand and Alfred Scholz
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur
premiered at:
[concert]
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 87)
Claude Debussy?:??
93Suite bergamasque, L 75: Clair de lune
piano:
Finghin Collins
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Classic 100: Piano (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy?:??
94String Quartet in G minor, op. 10, L 85: I. Animé et trè décidé
string quartet:
Trávníček Quartet
recording of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 : I. Animé et très décidé (String Quartet No. 1 in G minor, Op. 10: I. Animé et très décidé)
composer:
Claude Debussy (from 1892 until 1893)
part of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 (String Quartet in G minor, Op. 10, L. 85, CD 91)
Claude Debussy?:??
95Préludes for Piano, L 117: VIII. La fille aux cheveux de lin (The Girl with the Flaxen Hair): Très calme et doucement expressifClaude Debussy?:??
96Dances for Harp and Strings, L 103: II. Danse profane: ModereClaude Debussy?:??
97Deux arabesques (Two Arabesques), L 66: No. 1
piano:
Peter Schmalfuss
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano)
composer:
Claude Debussy (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy?:??
98Syrinx for Solo Flute, L 129
flute:
Jadwiga Kotnowska
recording of:
Syrinx, L. 129, CD 137 (for solo flute)
composer:
Claude Debussy (in 1913)
dedicated to:
Louis Fleury
premiered at:
[concert]
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 137)
Claude Debussy?:??
99Préludes for Piano, L 117: X. La Cathédrale engloutie (The Sunken Cathedral): Profondément calmeClaude Debussy?:??
100La Mer - Trois Esquisses Symphoniques (The Sea - Three Symphonic Sketches), L 109: I. De l'aube à midi sur la mer (From Dawn to Noon on the Sea): Très lent
sound engineer:
Thore Brinkmann (in 2004-08)
executive producer:
Robert Suff
producer:
Robert Suff (in 2004-08)
editor:
Nora Brandenburg and Elisabeth Kemper
orchestra:
Singapore Symphony Orchestra (in 2004-08)
conductor:
Lan Shui (in 2004-08)
phonographic copyright (℗) by:
BIS Records AB (in 2007)
recorded at:
Esplanade – Theatres on the Bay: Concert Hall in Central Singapore, Singapore (in 2004-08)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 2004-08)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy?:??

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ASIN:US: B005VZRBR4 [info]