| # | Title | Length |
|---|
| 1 | Future Times / Rejoice- assistant recording engineer:
- Pete Schwier and Peter Woolliscroft
- recording engineer:
- Nigel Luby and Geoff Young
- producer:
- Yes
- bass and bass pedals:
- Chris Squire
- crotales, drums (drum set), glockenspiel and snare drum:
- Alan White
- guitar:
- Jon Anderson and Steve Howe
- Hammond organ and Moog [Polymoog]:
- Rick Wakeman
- vocals:
- Jon Anderson, Steve Howe and Chris Squire
- arranger:
- Yes
- recorded at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
- mixed at:
- RAK Studios in London, England, United Kingdom
- recording of:
- Future Times
- writer:
- Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman and Alan White
- publisher:
- Topographic Music, Ltd.
- recording of:
- Rejoice
- writer:
- Jon Anderson
- publisher:
- Topographic Music, Ltd.
| 6:47 |
| 2 | Don’t Kill the Whale- assistant recording engineer:
- Pete Schwier and Peter Woolliscroft
- recording engineer:
- Nigel Luby and Geoff Young
- producer:
- Yes
- bass and piano:
- Chris Squire
- drums (drum set):
- Alan White
- guitar:
- Steve Howe
- Moog [Polymoog]:
- Rick Wakeman
- vocals:
- Jon Anderson and Chris Squire
- arranger:
- Yes
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1978)
- recorded at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
- mixed at:
- RAK Studios in London, England, United Kingdom
- recording of:
- Don’t Kill the Whale (in 1978)
- writer:
- Jon Anderson and Chris Squire
- publisher:
- Rondor Music (London) Ltd., Topographic Music, Warner Bros. Music and Topographic Music, Ltd. (in 1978)
| 3:58 |
| 3 | Madrigal | 2:27 |
| 4 | Release, Release- assistant recording engineer:
- Pete Schwier and Peter Woolliscroft
- recording engineer:
- Nigel Luby and Geoff Young
- producer:
- Yes
- bass:
- Chris Squire
- drums (drum set) and percussion:
- Alan White
- guitar:
- Steve Howe
- Hammond organ and Moog [Polymoog]:
- Rick Wakeman
- vocals:
- Jon Anderson, Steve Howe, Chris Squire and Alan White
- arranger:
- Yes
- recorded at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
- mixed at:
- RAK Studios in London, England, United Kingdom
- recording of:
- Release, Release
- writer:
- Jon Anderson, Chris Squire and Alan White
- publisher:
- Topographic Music, Ltd.
| 5:49 |
| 5 | Arriving UFO- assistant recording engineer:
- Pete Schwier and Peter Woolliscroft
- recording engineer:
- Nigel Luby and Geoff Young
- producer:
- Yes
- bass and bass pedals:
- Chris Squire
- drums (drum set) and gong:
- Alan White
- guitar:
- Jon Anderson and Steve Howe
- Moog [Polymoog] and piano:
- Rick Wakeman
- vocals:
- Jon Anderson, Steve Howe and Chris Squire
- arranger:
- Yes
- recorded at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
- mixed at:
- RAK Studios in London, England, United Kingdom
- recording of:
- Arriving UFO
- writer:
- Jon Anderson, Steve Howe and Rick Wakeman
- publisher:
- Topographic Music, Ltd.
| 6:09 |
| 6 | Circus of Heaven- assistant recording engineer:
- Pete Schwier and Peter Woolliscroft
- recording engineer:
- Nigel Luby and Geoff Young
- producer:
- Yes
- acoustic guitar, electric guitar and mandolin:
- Steve Howe
- bass:
- Chris Squire
- drums (drum set):
- Alan White
- Moog [Polymoog]:
- Rick Wakeman
- vocals:
- Damion Anderson, Jon Anderson, Steve Howe and Chris Squire
- arranger:
- Yes
- recorded at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
- mixed at:
- RAK Studios in London, England, United Kingdom
- recording of:
- Circus of Heaven
- writer:
- Jon Anderson
- publisher:
- Topographic Music, Ltd.
| 4:32 |
| 7 | Onward | 4:05 |
| 8 | On the Silent Wings of Freedom | 7:52 |
| 9 | Abilene | 4:03 |
| 10 | Money | 3:15 |
| 11 | Picasso | 2:12 |
| 12 | Some Are Born | 5:43 |
| 13 | You Can Be Saved | 4:20 |
| 14 | High | 4:30 |
| 15 | Days | 1:00 |
| 16 | Countryside | 3:12 |
| 17 | Everybody’s Song | 6:48 |
| 18 | Onward (orchestral version) | 3:06 |