Eight Classic Albums

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

1▼CD
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1-1You're The Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (in 1934)
part of:
Anything Goes
2:23
1-2Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:12
1-3A Nightingale Sang In Berkeley Square
recording of:
A Nightingale Sang in Berkeley Square
lyricist:
Eric Maschwitz
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
3:59
1-4Who Cares?
recording of:
Who Cares? (Of Thee I Sing)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (in 1931)
publisher:
New World Music and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
3:12
1-5I Can't Get Started
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell’s • Sydney, Music Sales Corporation and Universal Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:52
1-6Fine And Dandy
recording of:
Fine and Dandy
lyricist:
Paul James
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:23
1-7As Long As I Live
recording of:
As Long as I Live
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
3:37
1-8No Moon At All
recording of:
No Moon at All
lyricist:
Redd Evans
composer:
David Mann
publisher:
Mann David Music Company, Music Sales Corporation and Rytvoc, Inc.
2:26
1-9Time After Time
cover recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
4:05
1-10I'll See You In My Dreams
recording of:
I’ll See You in My Dreams
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company and Leo Feist, Inc. (on 1924-12-19)
2:48
1-11I Fall In Love Too Easily
recording of:
I Fall in Love Too Easily
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:52
1-12Beautiful Love
recording of:
Beautiful Love (Jazz Standard)
lyricist:
Haven Gillespie
composer:
Egbert Van Alstyne, Wayne King and Victor Young
publisher:
Movie Tone Music and Sam Fox Publishing Co. (London) Ltd.
2:36
1-13Don't Be That Way
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman and Edgar Sampson
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:30
1-14Let's Face The Music And Dance
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3:14
1-15I Never Had A Chance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Never Had a Chance
lyricist and composer:
Irving Berlin
4:21
1-16Stompin' At The Savoy
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Stompin’ at the Savoy (on 1956-12-20)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
3:16
1-17Pick Yourself Up
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields
composer:
Jerome Kern
part of:
Swing Time (film)
3:04
1-18Stars Fell On Alabama
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (on 1956-12-19)
tenor saxophone:
Bob Cooper (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. and Mills Music
2:50
1-19Sweet Georgia Brown
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Sweet Georgia Brown (on 1956-12-20)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music
4:12
1-20I Won't Dance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-12-20)
lyricist:
Jimmy McHugh and Dorothy Fields (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd., Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd.
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:24
1-21Man With A Horn
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (on 1956-12-19)
tenor saxophone:
Bob Cooper (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Man With a Horn (on 1956-12-19)
lyricist:
Eddie DeLange
composer:
Jack Jenney and Bonnie Lake
3:55
1-22I Used To Be Color Blind
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
3:07
1-23There's A Lull In My Life
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (on 1956-12-19)
tenor saxophone:
Bob Cooper (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
There’s a Lull in My Life (on 1956-12-19)
lyricist:
Mack Gordon
composer:
Harry Revel
publisher:
Robbins Music Corp.
3:16
1-24Let's Begin
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Let’s Begin (from "Roberta")
lyricist:
Dorothy Fields and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
2:19
2-1'S Wonderful / They Can't Take That Away From Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
medley including a recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
medley including a recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:55
2-2Tenderly
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Tenderly
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:19
2-3Old Devil Moon
recorded in:
Los Angeles, California, United States (on 1960-08-03)
producer:
Norman Granz
alto saxophone:
Joe Maini (on 1960-08-03)
double bass:
Joe Mondragon (on 1960-08-03)
drums (drum set):
Mel Lewis (on 1960-08-03)
piano:
Lou Levy (on 1960-08-03)
tenor saxophone:
Bill Perkins (on 1960-08-03)
trombone:
Frank Rosolino (on 1960-08-03)
trumpet:
Lee Katzman (on 1960-08-03) and Al Porcino (on 1960-08-03)
vocals:
Anita O’Day (on 1960-08-03)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1960-08-03)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc., Chappell Music and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
2:50
2-4Love Me Or Leave Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music, EMI Music Publishing Ltd., Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp., Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:32
2-5We'll Be Together Again
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation, Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック and ミュージック・セールス
3:36
2-6Stella By Starlight
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young
composer:
Victor Young (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
2:03
2-7Taking A Chance On Love
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
2:20
2-8Them There Eyes
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
2:35
2-9I've Got The World On A String
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc., MCA Music Publishing, Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
3:57
2-10You Turned The Tables On Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
You Turned the Tables on Me
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (in 1936)
3:39
2-11Bewitched, Bothered And Bewildered
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc., Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited and Williamson Music Company
part of:
Pal Joey
3:53
2-12Take The A Train
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
cover recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1958-04-03)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
2:48
2-13Tenderly
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recording of:
Tenderly (on 1958-04-03)
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
2:37
2-14A Night In Tunisia
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
2:33
2-15Four
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
2:47
2-16Early Autumn
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recording of:
Early Autumn (on 1958-04-03)
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
3:08
2-17Four Brothers
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
2:22
2-18Sing, Sing, Sing (With A Swing)
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
3:29
2-19My Funny Valentine
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1958-04-02)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:34
2-20Frenesi
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
3:01
2-21Body And Soul
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recording of:
Body and Soul (on 1958-04-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:20
2-22What's Your Story Morning Glory
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
3:47
2-23Peanut Vendor
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
2:38
3-1Just One Of Those Things
2:37
3-2Love For Sale
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Love for Sale (on 1959-04-02)
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
2:41
3-3You'd Be So Nice To Come Home
1:48
3-4Easy To Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Easy to Love (on 1959-04-02)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell, Chappell & Co., Inc., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
Anything Goes
part of:
Born to Dance
2:01
3-5I Get A Kick Out Of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Get a Kick Out of You (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
2:21
3-6All Of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
All of You (Silk Stockings musical) (on 1959-04-02)
lyricist and composer:
Cole Porter (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. and Chappell Music
part of:
Silk Stockings (1957 musical film)
1:40
3-7Get Out Of Town
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
Get Out of Town (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1938)
part of:
Leave It to Me!
2:30
3-8I've Got You Under My Skin
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I’ve Got You Under My Skin (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
1:44
3-9Night And Day
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
1:59
3-10It's De-lovely
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
It’s De‐Lovely (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:03
3-11I Love You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
1:56
3-12What Is This Thing Called Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:29
3-13You're The Top
2:24
3-14My Heart Belongs To Daddy
2:51
3-15Why Shouldn't I
3:05
3-16From This Moment On
3:10
3-17Love For Sale
3:34
3-18Just One Of Those Things
2:37
3-19Johnny One Note
1:50
3-20Little Girl Blue
2:58
3-21Falling In Love With Love
1:24
3-22Bewitched, Bothered And Bewildered
4:17
3-23I Could Write A Book
2:05
3-24Have You Met Miss Jones
1:50
3-25Lover
1:58
3-26It Never Entered My Mind
2:21
3-27Ten Cents A Dance
2:13
3-28I've Got Five Dollars
1:43
3-29To Keep My Love Alive
3:09
3-30Spring Is Here
vocals:
Anita O’Day (on 1960-06-07)
orchestra:
Billy May & His Orchestra (on 1960-06-07)
conductor:
Billy May (on 1960-06-07)
arranger:
Billy May
cover recording of:
Spring Is Here (on 1960-06-07)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. and United Partnership Ltd.
2:42
4-1That Old Feeling
2:26
4-2Angel Eyes
3:37
4-3The Thrill Is Gone
2:12
4-4Detour Ahead
4:22
4-5Yesterdays
5:09
4-6Waiter, Make Mine Blues
3:19
4-7Whatever Happened To You
4:39
4-8When Sunny Gets Blue
3:02
4-9Stella By Starlight
2:47
4-10Mad About The Boy
3:25
4-11A Blues Serenade
2:53
4-12Goodbye
3:35
4-13Trav'lin Light
recording of:
Trav’lin’ Light
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation, Rytvoc, Inc. and WB Music Corp.
3:32
4-14The Moon Looks Down And Laughs
3:55
4-15Don't Explain
recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation and Universal Music Publishing
3:08
4-16Remember
recording of:
Remember
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
2:35
4-17Some Other Spring
2:24
4-18What A Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods
publisher:
Connelly Basart, Warner Bros. Music and Warner Brothers Music Inc.
2:26
4-19Miss Brown To You
4:00
4-20God Bless The Child
cover recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co.
2:06
4-21If The Moon Turns Green
baritone saxophone:
Chuck Gentry (on 1961-01-18)
double bass:
Buddy Clark (on 1961-01-18)
drums (drum set):
Mel Lewis (on 1961-01-18)
guitar:
Al Viola (on 1961-01-18)
piano:
Russ Freeman (on 1961-01-18)
saxophone:
Joe Maini (on 1961-01-18)
trombone:
Lew McCreary (on 1961-01-18), Dick Nash (on 1961-01-18) and Frank Rosolino (on 1961-01-18)
trumpet:
Al Porcino (on 1961-01-18), Jack Sheldon (on 1961-01-18), Ray Triscari (on 1961-01-18) and Stu Williamson (on 1961-01-18)
vibraphone:
Larry Bunker (on 1961-01-18)
vocals:
Anita O’Day (on 1961-01-18)
conductor:
Johnny Mandel (on 1961-01-18)
recording of:
If the Moon Turns Green (on 1961-01-18)
lyricist:
Paul Coates (on 1934-11-27)
composer:
Bernie Hanighen (on 1934-11-27)
publisher:
Bourne Co. (on 1934-11-27)
2:52
4-22I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
2:12
4-23Lover, Come Back To Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:48
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