| # | Title | Length |
|---|
| 1 | I've Got You Under My Skin- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
- baritone saxophone:
- Morton Friedman (on 1956-01-12)
- bass:
- Joe Comfort (on 1956-01-12)
- bass trombone:
- George Roberts (on 1956-01-12)
- cello:
- Ennio Bolognini (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (on 1956-01-12)
- drums (drum set):
- Irving Cottler (on 1956-01-12)
- guitar:
- George van Eps (on 1956-01-12)
- harp:
- Kathryn Julye (on 1956-01-12)
- piano:
- Bill Miller (on 1956-01-12)
- tenor saxophone:
- Justin Gordon (on 1956-01-12) and James Williamson (on 1956-01-12)
- trombone:
- Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
- trumpet:
- Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
- viola:
- Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (on 1956-01-12)
- violin:
- Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (on 1956-01-12), Alex Murray (on 1956-01-12), Paul Nero (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
- vocals:
- Frank Sinatra (on 1956-01-12)
- orchestra:
- The Nelson Riddle Orchestra (on 1956-01-12)
- conductor:
- Nelson Riddle (on 1956-01-12)
- arranger:
- Nelson Riddle
- recorded at:
- KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
- cover recording of:
- I’ve Got You Under My Skin (on 1956-01-12)
- lyricist and composer:
- Cole Porter (in 1936)
- publisher:
- Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
- part of:
- The 9th Academy Award for Best Original Song (number: 2)
- part of:
- Born to Dance
| 3:43 |
| 2 | I Concentrate on You- producer:
- Dave Cavanaugh
- cello:
- Ossip Giskin, Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Red Mitchell
- drums (drum set):
- Alvin Stoller
- guitar:
- Al Viola
- harp:
- Kathryn Julye
- percussion:
- Frank Flynn
- piano:
- Bill Miller
- saxophone and woodwind:
- Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
- trombone:
- Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard
- trumpet:
- Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
- viola:
- Paul Robyn and Barbara Simons
- violin:
- Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci
- vocals:
- Frank Sinatra (on 1960-08-22)
- orchestra:
- The Nelson Riddle Orchestra (on 1960-08-22)
- conductor:
- Nelson Riddle (on 1960-08-22)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
- recording of:
- I Concentrate on You (on 1960-08-22)
- lyricist and composer:
- Cole Porter (in 1939)
- publisher:
- Chappell & Co., Inc.
| 2:24 |
| 3 | What Is This Thing Called Love? | 2:34 |
| 4 | You Do Something to Me- producer:
- Dave Cavanaugh
- cello:
- Ossip Giskin, Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Red Mitchell
- drums (drum set):
- Alvin Stoller
- guitar:
- Al Viola
- harp:
- Kathryn Julye
- percussion:
- Frank Flynn
- piano:
- Bill Miller
- saxophone and woodwind:
- Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
- trombone:
- Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard
- trumpet:
- Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
- viola:
- Paul Robyn and Barbara Simons
- violin:
- Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci
- vocals:
- Frank Sinatra (on 1960-08-22)
- orchestra:
- The Nelson Riddle Orchestra (on 1960-08-22)
- conductor:
- Nelson Riddle (on 1960-08-22)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
- recording of:
- You Do Something to Me (on 1960-08-22)
- lyricist and composer:
- Cole Porter (in 1929)
- publisher:
- Warner/Chappell and Warner Bros., Inc. (in 1929)
- part of:
- Can‐Can
- part of:
- Fifty Million Frenchmen
| 1:35 |
| 5 | At Long Last Love- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee and Wilbur Schwartz
- baritone saxophone:
- Joe Koch
- cello:
- Cy Bernard, Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash
- trombone:
- George Arus, Ed Kusby and Dick Noel
- trumpet:
- Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell, Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
- cover recording of:
- At Long Last Love (on 1956-11-20)
- lyricist and composer:
- Cole Porter (in 1938)
- publisher:
- Chappell & Co., Inc.
- part of:
- You Never Know
- recording of:
- At Long Last Love
- lyricist and composer:
- Cole Porter (in 1938)
- publisher:
- Chappell & Co., Inc.
- part of:
- You Never Know
| 2:25 |
| 6 | Anything Goes- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
- baritone saxophone:
- Morton Friedman (on 1956-01-16)
- bass:
- Joe Comfort (on 1956-01-16)
- bass trombone:
- George Roberts (on 1956-01-16)
- cello:
- Cy Bernard (on 1956-01-16), Ennio Bolognini (on 1956-01-16) and Eleanor Slatkin (on 1956-01-16)
- drums (drum set):
- Irv Cottler (on 1956-01-16)
- guitar:
- George van Eps (on 1956-01-16)
- harp:
- Kathryn Julye (on 1956-01-16)
- percussion:
- Frank Flynn (on 1956-01-16)
- piano:
- William (Bill) Miller (on 1956-01-16)
- tenor saxophone:
- Justin Gordon (on 1956-01-16) and James Williamson (on 1956-01-16)
- trombone:
- Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
- trumpet:
- Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
- viola:
- Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (on 1956-01-16)
- violin:
- Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (on 1956-01-16), Paul Nero (on 1956-01-16), Mischa Russell (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
- vocals:
- Frank Sinatra (on 1956-01-16)
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle (on 1956-01-16)
- arranger:
- Nelson Riddle
- recorded at:
- KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
- cover recording of:
- Anything Goes (on 1956-01-16)
- lyricist and composer:
- Cole Porter (in 1934)
- publisher:
- Chappell Music, Chappell Music Ltd. and Warner Bros., Inc.
- part of:
- Anything Goes
| 2:42 |
| 7 | Night and Day- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee and Willie Schwartz
- baritone saxophone:
- Joe Koch
- bass trombone:
- George Roberts
- cello:
- Ennio Bolognini, Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Irv Cottler
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Jules Kinsler and James Williamson
- trombone:
- Murray McEachern, Dick Noel and Juan Tizol
- trumpet:
- Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
- viola:
- Alvin Dinkin, Stanley Harris and Maxine Johnson
- violin:
- Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray, Erno Neufeld, Lou Raderman, Eudice Shapiro and Joseph Stepansky
- vocals:
- Frank Sinatra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
- recording of:
- Night and Day (on 1956-11-26)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| 4:00 |
| 8 | Just One of Those Things | 3:14 |
| 9 | I Get a Kick Out of You | 2:53 |
| 10 | You'd Be So Nice to Come Home To- producer:
- Voyle Gilmore
- alto saxophone:
- Skeets Herfurt and Harry Klee
- baritone saxophone:
- Joe Koch
- bass trombone:
- George Roberts
- cello:
- Cy Bernard, Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash and James Williamson
- trombone:
- Dick Nash and Pullman “Tommy” Pederson
- trumpet:
- Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
- valve trombone:
- Juan Tizol
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro, Paul Shure, Felix Slatkin and Marshall Sosson
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
- cover recording of:
- You’d Be So Nice to Come Home To (on 1956-11-28)
- lyricist and composer:
- Cole Porter (in 1943)
- publisher:
- Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
- part of:
- The 16th Academy Award for Best Original Song (number: 2)
| 2:05 |
| 11 | I Love Paris | 1:51 |
| 12 | From This Moment On- producer:
- Voyle Gilmore
- alto saxophone:
- Skeets Herfurt and Harry Klee
- baritone saxophone:
- Joe Koch
- bass trombone:
- George Roberts
- cello:
- Cy Bernard, Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash and James Williamson
- trombone:
- Dick Nash and Pullman “Tommy” Pederson
- trumpet:
- Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
- valve trombone:
- Juan Tizol
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro, Paul Shure, Felix Slatkin and Marshall Sosson
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
- cover recording of:
- From This Moment On (on 1956-11-28)
- lyricist and composer:
- Cole Porter (in 1950)
- part of:
- Kiss Me, Kate
| 3:52 |
| 13 | C'est Magnifique | 2:02 |
| 14 | It's All Right With Me | 4:14 |
| 15 | Mind If I Make Love to You | 2:24 |
| 16 | You're Sensational | 2:16 |
