Film Four Essential Soundtracks

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Double CD, clear box, hinge on right.
Eight page booklet, single fold out sheet.

Distributed in the UK by Warner Music UK Ltd
Distributed in Eire by Sony Music Ltd

Matrix (CD1): CD SYSTEMS ■ TTVCD3038/A ■ 9033128
Mastering SID (CD1): IFPI L055
Mould SID (CD1): Missing
DiscID (CD2): Yp4aYMBHUJVG9FCn7x9KPkr2Ha4-
Matrix (CD2): TTVCD3038/TWO ■ CD Systems ■ UK 22441#
Mastering SID (CD2): IFPI LD11
Mould SID (CD2): IFPI 5007
DiscID (CD2): 0wn4MbFXdnwzJxzr.l3Ufi3nTqA-

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Born Slippy
producer and mixer:
Underworld
phonographic copyright (℗) by:
Junior Boy’s Own (in 1996) and Junior Recordings (in 1996)
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
lyricist:
Karl Hyde
writer:
Darren Emerson, Karl Hyde and Rick Smith
publisher:
Mute Song, Sherlock Holmes Music Ltd. and Underworld
Underworld4:18
2Little Green Bag
producer:
George Baker
phonographic copyright (℗) by:
EMI Records Holland Ltd. (in 1962)
recording of:
Little Green Bag
writer:
Hans Bouwens and Jan Visser
publisher:
EMI Music Publishing Ltd.
George Baker Selection3:16
3Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Sony/ATV Songs LLC
Dusty Springfield2:26
4Didn’t I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
orchestra:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, United States (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
writer:
Thom Bell (in 1969) and William Hart (in 1969)
publisher:
Warner–Tamerlane Publishing Corp.
The Delfonics3:21
5Trouble Man
producer:
Marvin Gaye
lead vocals:
Marvin Gaye
arranger:
Dale Oehler (in 1972)
recording of:
Trouble Man
lyricist:
Marvin Gaye
composer:
Marvin Gaye (in 1972)
publisher:
Jobette Music Co. and WB Music Corp.
Marvin Gaye3:50
6Bullitt (main title)
producer:
Jimmy Hilliard and Jimmy Hilliard
conductor:
Lalo Schifrin
recording of:
Bullitt
composer:
Lalo Schifrin
Lalo Schifrin2:07
7Blue Velvet
producer:
Bob Morgan
cover recording of:
Blue Velvet
writer:
Lee Morris and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bobby Vinton2:49
8Ac‐cent‐tchu‐ate the Positive
recording of:
Ac‐cent‐tchu‐ate the Positive
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 18th Academy Award for Best Original Song (number: 2)
Johnny Mercer1:55
9King of the Road
recorded in:
Tennessee, United States (on 1964-11-03)
producer:
Jerry Kennedy
vocals:
Roger Miller (on 1964-11-03)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller
composer:
Roger Miller (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller2:29
10Soul on Fire
recorded in:
New York, New York, United States (on 1953-06-19)
producer:
Ahmet Ertegun and Jerry Wexler
baritone saxophone:
Pinky Williams (on 1953-06-19)
double bass [bass]:
Lloyd Trotman (on 1953-06-19)
drums (drum set):
Sylvester "Vess" Payne (on 1953-06-19)
guitar:
Jimmy Lewis (on 1953-06-19)
piano:
Hank Jones (on 1953-06-19)
tenor saxophone:
Freddie Mitchell (on 1953-06-19)
vocals:
LaVern Baker (on 1953-06-19)
conductor:
Gene Redd (on 1953-06-19)
arranger:
Gene Redd
recording of:
Soul on Fire (on 1953-06-19)
writer:
LaVern Baker, Ahmet Ertegun and Jerry Wexler
publisher:
Unichappell Music, Inc.
LaVern Baker3:03
11You’re the First, the Last, My Everything
engineer:
Frank Kejmar
producer:
Barry White
arranger:
Gene Page and Barry White
phonographic copyright (℗) by:
PolyGram Records, Inc. (in 1974)
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc., January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
Barry White3:24
12Hot Stuff
producer:
Pete Bellotte and Giorgio Moroder
phonographic copyright (℗) by:
The Island Def Jam Music Group (in 1979)
recording of:
Hot Stuff
writer:
Pete Bellotte, Harold Faltermeyer and Keith Forsey
publisher:
Warner Chappell, WB Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Donna Summer3:50
13Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
part of:
Billboard: The 500 Best Pop Songs (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White
publisher:
EMI Songs Ltd.
The Emotions3:40
14Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1978)
edit of:
Got to Be Real by Cheryl Lynn
recording of:
Got to Be Real
writer:
Cheryl Lynn, David Foster and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music
Cheryl Lynn3:45
15I’ll Take You There
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa
The Staple Singers4:17
16Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons
phonographic copyright (℗) by:
EMI Records Ltd. (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing, Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4:00
17Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation, Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Steppenwolf3:28
18Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr., Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music
Booker T. & the MG’s2:53
19Laura Palmer’s Theme (instrumental)
recording engineer and mixer:
Art Polhemus
co-producer:
Angelo Badalamenti and David Lynch
producer:
Angelo Badalamenti and David Lynch
clarinet and flute:
Eddie Daniels and Al Regni
drums (drum set):
Grady Tate
electric guitar:
Vinnie Bell and Eddie Dixon
piano:
Angelo Badalamenti
synthesizer:
Angelo Badalamenti and Kinny Landrum
tenor saxophone:
Al Regni
arranger and orchestrator:
Angelo Badalamenti
recorded at and mixed at:
Excalibur Sound Productions in New York, New York, United States
recording of:
Laura Palmer’s Theme (Twin Peaks)
orchestrator and composer:
Angelo Badalamenti
publisher:
Anlon Music Co. and Bobkind Music Inc.
part of:
Twin Peaks (original soundtrack of the TV series)
Angelo Badalamenti4:42
20Perfect Day
producer:
David Bowie and Mick Ronson
lead vocals:
Lou Reed (in 1972-08)
arranger:
David Bowie, Lou Reed and Mick Ronson
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (in 1972)
mixed at:
Trident Studios in Soho, Westminster, London, England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 334)
recording of:
Perfect Day (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
Lou Reed3:44

Credits

Release

manufactured in:England, United Kingdom
rights society:MCPS
manufactured by:CD Systems
distributed by:Sony Music Ltd.
Warner Music UK Ltd.
copyrighted (©) by:Channel Four Television Corporation (in 1999)
phonographic copyright (℗) by:Telstar Records Ltd. (in 1999)
Discogs:https://www.discogs.com/release/2394029 [info]
ASIN:UK: B00000IR2W [info]