| # | Title | Artist | Length |
|---|
| 1 | James Bond Theme | Lannie Flowers | 2:01 |
| 2 | From Russia With Love | The Stereo Twins | 3:08 |
| 3 | Goldfinger | Jason Berk | 3:12 |
| 4 | Thunderball | Jaret Reddick | 1:41 |
| 5 | The Look of Love | Wyatt Funderburk | 2:23 |
| 6 | You Only Live Twice | Jeff Litman & Andi Rae Healy | 4:09 |
| 7 | We Have All the Time in the World | Ryan Hamilton | 3:01 |
| 8 | Diamonds Are Forever | The Corner Laughers | 3:10 |
| 9 | Live and Let Die | Popdudes | 3:08 |
| 10 | The Man With the Golden Gun | Lisa Mychols | 2:41 |
| 11 | Nobody Does It Better | Mike Viola feat. Red Bank Catholic | 4:20 |
| 12 | Moonraker | Gary Frenay | 4:23 |
| 13 | For Your Eyes Only | Freedy Johnston | 3:19 |
| 14 | All Time High | Zach Jones | 3:11 |
| 15 | Never Say Never Again | Minky Starshine | 3:07 |
| 16 | A View to a Kill | Jay Gonzalez | 3:33 |
| 17 | The Living Daylights | Cirrone | 3:23 |
| 18 | License to Kill | Durga McBroom & Fernando Perdomo | 5:21 |
| 19 | Goldeneye | Identical Suns | 3:42 |
| 20 | Tomorrow Never Dies- recording engineer, producer and mixer:
- Jake Gideon and Brandon Schott
- baritone guitar, bass guitar, drums (drum set) and electric guitar:
- Jake Gideon
- bell, celesta, chamberlin, harmonium, keyboard and Wurlitzer electric piano:
- Brandon Schott
- percussion:
- Jake Gideon and Brandon Schott
- tabla:
- Steven Wilson
- vocals:
- Brandon Schott
- recorded at:
- Awesome Possum in Pasadena, California, United States and Cellar Sounds in Glendale, California, United States
- cover recording of:
- Tomorrow Never Dies
- writer:
- Sheryl Crow and Mitchell Froom
- publisher:
- BMG Music and Warner Chappell Ltd.
- part of:
- James Bond themes
| Brandon Schott w/ Jake Gideon (of the breakups) | 4:46 |
| 21 | The World Is Not Enough | Look Park | 3:57 |
| 22 | Die Another Day | Big-Box Store | 3:29 |
| 23 | You Know My Name | Phil Ajjarapu | 3:04 |
| 24 | Another Way to Die | Ballzy Tomorrow | 3:23 |
| 25 | Skyfall | Gretchen’s Wheel | 4:44 |
| 26 | Writing’s on the Wall | Cliff Hillis | 4:16 |