Classics 100 (Limited Collectors Edition Great Britain version)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#	Title	Artist	Length
A1	March of the Toreadors from “Carmen” editor: Don Reedman orchestra: Philadelphia Orchestra conductor: Eugene Ormandy recording of: Carmen Suite no. 2: IV. Chanson du toréador composer: Georges Bizet is based on: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) part of: Carmen Suite no. 2	Georges Bizet	?:??
A2	Symphony no. 40: First Movement (abridged) editor: Don Reedman orchestra: Columbia Symphony Orchestra conductor: Bruno Walter partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart	?:??
A3	Tales From the Vienna Woods editor: Don Reedman orchestra: Hallé Orchestra conductor: Sir John Barbirolli recording of: Geschichten aus dem Wienerwald, op. 325 (Tales From the Vienna Woods) composer: Johann Strauss (in 1868) part of: Works of Johann Strauss Jr. by opus number (number: op. 325)	Johann Strauss	?:??
A4	A Mighty Fortress Is Our God editor: Don Reedman orchestra: Philadelphia Orchestra conductor: Eugene Ormandy recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (catch-all for arrangements) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn"	Johann Sebastian Bach	?:??
A5	Nocturne in E flat major op. 9 no. 2 editor: Don Reedman orchestra: Philadelphia Orchestra conductor: Eugene Ormandy arranger: Arthur Harris recording of: Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante composer: Fryderyk Chopin (from 1830 until 1832) part of: Classic 100: Piano (number: 3) and Classic 100: Piano (number: 18) part of: Nocturnes, op. 9 (original for piano)	Fryderyk Chopin	?:??
A6	Military Polonaise editor: Don Reedman orchestra: Philadelphia Orchestra conductor: Eugene Ormandy recording of: Polonaise in A major, op. 40 no. 1 “Military” composer: Fryderyk Chopin (in 1838) part of: List of numbered polonaises by Fryderyk Chopin (number: 3) part of: Polonaises, op. 40	Fryderyk Chopin	?:??
A7	Barcarolle from “The Tales of Hoffman” editor: Don Reedman orchestra: Philadelphia Orchestra conductor: Eugene Ormandy recording of: Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) composer: Jacques Offenbach librettist: Jules Barbier part of: Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)	Jacques Offenbach	?:??
A8	Flight of the Bumblebee editor: Don Reedman orchestra: Philadelphia Orchestra conductor: Eugene Ormandy recording of: Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) composer: Николай Андреевич Римский‐Корсаков (from 1899 until 1900) part of: The Tale of Tsar Saltan: Act III	Nikolai Rimsky-Korkokov	?:??
A9	Jesu, Joy of Man’s Desiring editor: Don Reedman choir vocals: Mormon Tabernacle Choir orchestra: Philadelphia Orchestra conductor: Eugene Ormandy recording of: Jesu, Joy of Man’s Desiring (orch. Stokowski) orchestrator: Leopold Stokowski lyricist: Robert Bridges composer: Johann Sebastian Bach translated version of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach	?:??
B1	Piano Concerto no. 1 (opening) editor: Don Reedman piano: Philippe Entremont orchestra: New York Philharmonic Orchestra conductor: Leonard Bernstein partial recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) composer: Пётр Ильич Чайковский (from 1874-11 until 1875-02) part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed) revision of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed) revision of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)	Pyotr Ilyich Tchaikovsky	?:??
B2	Morning from “Peer Gynt Suite” editor: Don Reedman orchestra: Hallé Orchestra conductor: Sir John Barbirolli recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg	?:??
B3	Hallelujah Chorus from “Messiah” editor: Don Reedman choir vocals: Mormon Tabernacle Choir orchestra: Philadelphia Orchestra conductor: Eugene Ormandy recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel	?:??
B4	Blue Danube Waltz editor: Don Reedman orchestra: Hallé Orchestra conductor: Sir John Barbirolli recording of: An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) premiered in: Wien, Austria (on 1867-02-15) composer: Johann Strauss (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 314)	Johann Strauss	?:??
B5	Marche Militaire editor: Don Reedman orchestra: Philadelphia Orchestra conductor: Eugene Ormandy recording of: Marche militaire, op. 51, D. 733 no. 1 in D major composer: Franz Schubert part of: 3 Marches militaires, op. 51, D. 733	Franz Schubert	?:??
B6	Opening Act Two “Dance of the Swans” from Swan Lake editor: Don Reedman orchestra: New York Philharmonic Orchestra conductor: Leonard Bernstein recording of: Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse) composer: Пётр Ильич Чайковский part of: Swan Lake, op. 20: Act II (ed. Drigo) part of: Swan Lake, op. 20: Act II, no. 13: Danses des cygnes	Pyotr Ilyich Tchaikovsky	?:??
B7	Galop from “William Tell Overture” editor: Don Reedman orchestra: New York Philharmonic Orchestra conductor: Leonard Bernstein partial recording of: William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme) composer: Gioachino Rossini part of: Guillaume Tell : Ouverture (William Tell: Overture)	Gioachino Rossini	?:??

2▶12" Vinyl

Credits

Release

manufactured in:	Great Britain
printed in:	Great Britain

compiler:	Don Reedman

distributed by:	K-Tel International (IRL) Ltd. K-Tel International (UK) Ltd.
copyrighted (©) by and phonographic copyright (℗) by:	K-Tel International (in 1973)

Discogs:	https://www.discogs.com/release/8636967 [info]
ASIN:	UK: B017HLEN8E [info]

Release group

Discogs:	https://www.discogs.com/master/994492 [info]

Discogs