| # | Title | Artist | Length |
|---|
| 1 | Blurred Lines (no rap version) | Robin Thicke feat. Pharrell | 3:51 |
| 2 | Rosana | Wax | 3:54 |
| 3 | Das geht ab (Wir feiern die ganze Nacht) (Atzen Musik mix) | Frauenarzt | 3:30 |
| 4 | Augenbling | Seeed | 3:23 |
| 5 | Liebe ist meine Rebellion (radio version) | Frida Gold | 3:33 |
| 6 | Whistle | Flo Rida | 3:45 |
| 7 | I Could Be the One (Nicktim) | Avicii vs. Nicky Romero | 3:28 |
| 8 | Ti sento (radio edit) | Scooter | 3:56 |
| 9 | Sonne | Heino | 4:06 |
| 10 | Teenage Dirtbag | Wheatus | 4:02 |
| 11 | Miststück 2012 | Eisbrecher | 3:24 |
| 12 | Risin’ High (Def Core Grand mix/video cut) | H-Blockx | 3:57 |
| 13 | Where Do We Go | 1Oaks | 3:36 |
| 14 | Feel Much Better | Epik feat. Camille Jones | 3:24 |
| 15 | Mittendrin | Paul Etterlin | 3:29 |
| 16 | Endlich Wochenende (original) | DJ Reckless | 3:11 |
| 17 | Dance! (2013 radio mix) | Lumidee | 3:11 |
| 18 | Move in the Right Direction | Gossip | 3:32 |
| 19 | Drive By | Train | 3:17 |
| 20 | Anyplace, Anywhere, Anytime (new version)- recording engineer:
- Patrick Babak, Ahmed Chouraqui, Janzoulou, Jeo and Gena Wernic
- sound engineer and mixer:
- Jeo
- co-producer:
- Gena Wernic
- producer:
- Jörn‐Uwe Fahrenkrog‐Petersen and Jeo
- bass guitar:
- Paul Di Leo
- drums (drum set):
- Marco Minnemann
- guitar:
- PC and Jörg Sander
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen
- background vocals:
- Nena and Kim Wilde
- guest lead vocals:
- Kim Wilde
- lead vocals:
- Nena
- arranger:
- Jörn‐Uwe Fahrenkrog‐Petersen and Gena Wernic
- phonographic copyright (℗) by:
- Warner Strategic Marketing
- recorded at:
- Barbak Studio in Oberkirch, Luzern, Switzerland, Gantec Studio in Berlin, Germany, Jeopark in Buchholz, Niedersachsen, Germany and On Air Studio in Berlin, Germany
- mixed at:
- Jeopark in Buchholz, Niedersachsen, Germany
- recording of:
- Anyplace, Anywhere, Anytime (in 2002)
- lyricist:
- Carlo Karges
- composer:
- Jörn‐Uwe Fahrenkrog‐Petersen
- translator:
- Lisa Dal Bello
- is based on:
- Anyplace, Anywhere, Anytime
- is based on:
- Irgendwie, irgendwo, irgendwann
| Nena | 4:03 |
| 21 | Don’t Gimme That (single version) | The BossHoss | 3:29 |
| 22 | Peter Gunn | Art of Noise feat. Duane Eddy | 3:48 |
| 23 | Real Wild Child (Wild One)- drum machine [Linn drum] programming:
- David Richards (from 1986-04 until 1986-05)
- engineer:
- David Richards
- producer and mixer:
- David Bowie and David Richards
- bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
- Erdal Kızılçay (from 1986-04 until 1986-05)
- guitar:
- Kevin Armstrong (from 1986-04 until 1986-05) and Steve Jones (from 1986-04 until 1986-05)
- background vocals:
- Kevin Armstrong (from 1986-04 until 1986-05), David Bowie (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
- lead vocals:
- Iggy Pop (from 1986-04 until 1986-05)
- phonographic copyright (℗) by:
- A&M Records (in 1986)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud, Switzerland (from 1986-04 until 1986-05)
- cover recording of:
- Wild One (from 1986-04 until 1986-05)
- writer:
- Johnny Greenan, Johnny O’Keefe and Dave Owens
- publisher:
- Melodie der Welt, MPL Communications Inc., Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music
| Iggy Pop | 3:40 |
| 24 | Driver’s Seat | Sniff ’n’ the Tears | 4:01 |
| 25 | La Grange (2005 remastered version)- engineer:
- Robin Gibb, Terry Manning and Robin Brian
- producer:
- Bill Ham
- mixer and editor:
- Terry Manning
- bass guitar:
- Dusty Hill
- drums (drum set):
- Rube Beard
- electric guitar, guitar and lead vocals:
- Billy Gibbons
- recorded at:
- Ardent Studios in Memphis, Tennessee, United States, Brian studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
- recording of:
- La Grange
- writer:
- Frank Beard, Billy Gibbons and Dusty Hill
- publisher:
- Hamstein Music Company, Music of Stage Three, Songs of Mosaic and Stage Three Songs
- is based on:
- Boogie Chillen’
| ZZ Top | 3:50 |
| 26 | All Right Now | Free | 3:48 |
| 27 | Black Betty | Ram Jam | 3:57 |
| 28 | Walk on the Wild Side- producer:
- David Bowie, Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie, Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4:13 |
| 29 | Sex & Drugs & Rock & Roll | Ian Dury & the Blockheads | 3:07 |
| 30 | On the Road Again- recording of:
- On the Road Again
- lyricist and composer:
- Floyd Jones and Alan Wilson
- publisher:
- Embassy Music Corporation, EMI Catalogue Partnership, EMI Music, EMI Music Publishing, EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co, SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer and United Partnership Ltd.
| Canned Heat | 3:20 |
| 31 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974) and Universal Music (in 1974)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King, Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd., Universal/MCA Music Ltd., Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4:39 |
| 32 | Some Kind of Wonderful | Grand Funk Railroad | 3:22 |
| 33 | Nutbush City Limits (1991 remastered version)- producer:
- Ike Turner
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973) and EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control, EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing, EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike and Tina Turner | 2:57 |
| 34 | Hold the Line- engineer and mixer:
- Tom Knox
- producer:
- Toto
- bass guitar:
- David Hungate (in 1978-08)
- drums (drum set):
- Jeffrey Porcaro (in 1978-08)
- electric guitar:
- Steve Lukather (in 1978-08)
- keyboard:
- David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
- percussion:
- Lenny Castro (in 1978-08)
- piano:
- David Paich (in 1978-08)
- background vocals:
- Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
- lead vocals:
- Bobby Kimball (in 1978-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
- recorded at:
- Studio 55 in Los Angeles, California, United States (in 1978-08)
- part of:
- BILLIONS CLUB
- recording of:
- Hold the Line (in 1978-08)
- lyricist and composer:
- David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd., Sony/ATV Music Publishing Ltd. and Spirit Two Music
- sub-publisher:
- Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
| Toto | 3:57 |
| 35 | Get It On- engineer:
- Roy Thomas Baker, Malcolm Cecil, Rik Pekkonen and Martin Rushent
- producer:
- Tony Visconti
- drums (drum set):
- Bill Legend (from 1971-03 until 1971-06)
- electric bass guitar:
- Steve Currie (from 1971-03 until 1971-06)
- electric guitar and lead vocals:
- Marc Bolan (from 1971-03 until 1971-06)
- keyboard:
- Rick Wakeman (from 1971-03 until 1971-06)
- percussion:
- Mickey Finn (from 1971-03 until 1971-06)
- background vocals:
- Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
- phonographic copyright (℗) by:
- Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (number: 41)
- recording of:
- Get It On (from 1971-03 until 1971-06)
- lyricist and composer:
- Marc Bolan
- publisher:
- Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
| T. Rex | 4:18 |
| 36 | Heat of the Moment- engineer and producer:
- Mike Stone
- drums (drum set) and percussion:
- Carl Palmer
- electric bass guitar:
- John Wetton
- guitar:
- Steve Howe
- keyboard:
- Geoff Downes
- vocals:
- Geoff Downes, Steve Howe and John Wetton
- phonographic copyright (℗) by:
- Geffen Records (in 1982), The David Geffen Company (in 1982) and UMG Recordings, Inc. (in 1982)
- recorded at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London, England, United Kingdom
- music videos:
- Heat of the Moment by Asia
- recording of:
- Heat of the Moment
- writer:
- Geoff Downes and John Wetton
- publisher:
- Almond Legg Music Corp. (, from 1982 to present), BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd., Neue Welt Musikverlag GmbH & Co. KG, Palan Music Publishing Ltd., Warner Bros., Warner Bros. Music Co., Ltd., Warner Bros., Inc., Warner Chappell Music, Inc., Ackee Music Inc. (from 1982 to present), WB Music Corp. (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Asia | 3:52 |
| 37 | Owner of a Lonely Heart (Remastered version)- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson, Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music, BMG Chrysalis Scandinavia AB, BMG Rights Management (UK) Ltd., Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC, Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc., Tremander Songs, Unforgettable Songs, Unforgettable Songs Ltd., Warner Bros. Music, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp., Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 4:27 |
| 38 | Baby Love | Mother’s Finest | 4:23 |
| 39 | Bat Out of Hell | Meat Loaf | 4:46 |
| 40 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:54 |
| 41 | Crockett’s Theme (Miami Vice Soundtrack version) | Jan Hammer | 3:33 |
