| # | Title | Length |
|---|
| 1 | Estimated Prophet- engineer:
- Dave DeVore and Keith Olsen
- producer:
- Keith Olsen
- Lyricon and saxophone:
- Tom Scott
- strings:
- The Martyn Ford Orchestra
- vocals:
- The English Choral
- conductor:
- Martyn Ford and Robert Howes
- orchestrator:
- Paul Buckmaster
- additionally recorded at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom, Automated Sound Studios in New York, New York, United States, Trident Studios in Soho, Westminster, London, England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1977-05)
- recorded at:
- Sound City Studios in Van Nuys, California, United States (from 1977-02 until 1977-06)
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- recording of:
- Estimated Prophet (from 1977-02 until 1977-06)
- lyricist:
- John Perry Barlow
- composer:
- Bob Weir
- publisher:
- Ice Nine Publishing Company, Inc.
| 5:38 |
| 2 | Passenger- engineer:
- Dave DeVore and Keith Olsen
- producer:
- Keith Olsen
- additionally recorded at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom, Automated Sound Studios in New York, New York, United States, Trident Studios in Soho, Westminster, London, England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1977-05)
- recorded at:
- Sound City Studios in Van Nuys, California, United States (from 1977-02 until 1977-06)
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- recording of:
- Passenger (from 1977-02 until 1977-06)
- lyricist:
- Peter Monk
- composer:
- Phil Lesh
- publisher:
- Ice Nine Publishing Company, Inc.
| 2:49 |
| 3 | Samson & Deliliah- engineer:
- Dave DeVore and Keith Olsen
- producer:
- Keith Olsen
- additionally recorded at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom, Automated Sound Studios in New York, New York, United States, Trident Studios in Soho, Westminster, London, England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1977-05)
- recorded at:
- Sound City Studios in Van Nuys, California, United States (from 1977-02 until 1977-06)
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- cover recording of:
- Samson and Delilah (from 1977-02 until 1977-06)
- lyricist:
- [traditional]
- composer:
- [traditional] and Reverend Gary Davis
- version of:
- If I Had My Way I’d Tear the Building Down
| 3:29 |
| 4 | Terrapin Station/Lady With a Fan/Terrapin Station/Terrapin/Terrapin Transit/At a Siding/Terrapin Flyer/Refrain- engineer:
- Dave DeVore and Keith Olsen
- producer:
- Keith Olsen
- strings:
- The Martyn Ford Orchestra
- vocals:
- The English Choral
- conductor:
- Martyn Ford and Robert Howes
- orchestrator:
- Paul Buckmaster
- additionally recorded at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom, Automated Sound Studios in New York, New York, United States, Trident Studios in Soho, Westminster, London, England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1977-05)
- recorded at:
- Sound City Studios in Van Nuys, California, United States (from 1977-02 until 1977-06)
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- recording of:
- Terrapin Station, Part 1 (from 1977-02 until 1977-06)
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia, Mickey Hart and Bill Kreutzmann
- publisher:
- Ice Nine Publishing Company, Inc.
| 16:22 |
| 5 | Good Lovin’- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- co-producer:
- Dan Healy
- executive producer:
- John Kahn
- producer:
- Lowell George
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- cover recording of:
- Good Lovin’ (from 1978-07-31 until 1978-08-18)
- writer:
- Rudy Clark and Arthur Resnick
- publisher:
- Alley Music Corp., Carlin Music Corporation, Hudson Bay Music and Trio Music Company
| 4:51 |
| 6 | Shakedown Street- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- harp:
- Matt Kelly
- percussion:
- Jordan Amarantha
- phonographic copyright (℗) by:
- Grateful Dead Productions (in 1978)
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Shakedown Street (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia
- publisher:
- Ice Nine Publishing Company, Inc.
| 5:00 |
| 7 | Fire on the Mountain- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- guest harp:
- Matthew Kelly
- guest percussion and percussion:
- Jordan Amarantha
- harp:
- Matt Kelly
- horn arranger:
- John Kahn
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Fire on the Mountain (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Mickey Hart
- publisher:
- Ice Nine Publishing Company, Inc.
- written at:
- Mickey Hart’s Ranch in Novato, California, United States
| 3:48 |
| 8 | I Need a Miracle- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- harp:
- Matt Kelly
- percussion:
- Jordan Amarantha
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- I Need a Miracle (from 1978-07-31 until 1978-08-18)
- lyricist:
- John Perry Barlow
- composer:
- Bob Weir
- publisher:
- Ice Nine Publishing Company, Inc.
| 3:34 |
| 9 | Alabama Getaway | 3:36 |
| 10 | Far From Me | 3:41 |
| 11 | Saint of Circumstance | 5:44 |
| 12 | Dire Wolf | 3:21 |
| 13 | Cassidy- recording engineer:
- Betty Cantor‐Jackson (on 1970-10-14) and Betty Cantor-Jackson (on 1980-10-14)
- assistant engineer:
- Gregg Mann, Michael Peri and Billy Rothschild
- engineer:
- John Cutler, Dennis Leonard and Don Pearson
- producer:
- Betty Cantor-Jackson, Jerry Garcia and Dan Healy
- mixer:
- Dan Healy
- recorded at:
- Warfield Theatre in San Francisco, California, United States (on 1970-10-14) and Warfield Theatre in San Francisco, California, United States (on 1980-10-14)
- mixed at:
- Club Front in San Rafael, California, United States
- live recording of:
- Cassidy (on 1980-10-14)
- lyricist:
- John Perry Barlow
- composer:
- Bob Weir
- publisher:
- Ice Nine Publishing Company, Inc.
| 4:33 |
| 14 | Feel Like a Stranger | 5:47 |
| 15 | Franklin’s Tower | 5:38 |
