| # | Title | Length |
|---|
| 1 | Let the Mystery Be | 2:51 |
| 2 | Jolene | 2:49 |
| 3 | Because the Night | 3:32 |
| 4 | Dallas | 3:48 |
| 5 | I Beg Your Pardon (Rosegarden) | 2:03 |
| 6 | These Are the Days- recording engineer and mixer:
- Ed Thacker
- additional engineer:
- Michael Reiter and Scott Blockland
- producer:
- Paul Fox
- accordion, Hammond organ and keyboard:
- Dennis Drew
- acoustic guitar, banjo, electric guitar, electric sitar, lap steel guitar, mandocello and pedal steel guitar:
- Robert Buck
- bass guitar:
- Steven Gustafson
- drums (drum set):
- Jerome Augustyniak
- percussion:
- Jerome Augustyniak and Paulinho Da Costa
- piano:
- Dennis Drew and Natalie Merchant
- vocals:
- Natalie Merchant
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States
- mixed at:
- Summa Studios in Los Angeles, California, United States
- music videos:
- These Are Days by 10,000 Maniacs
- recording of:
- These Are Days
- lyricist:
- Natalie Merchant
- composer:
- Robert Buck and Natalie Merchant
- publisher:
- Christian Burial Music (in 1992)
| 3:47 |
| 7 | Every Day Is Like Sunday | 3:24 |
| 8 | Candy Everybody Wants- recording engineer and mixer:
- Ed Thacker
- additional engineer:
- Michael Reiter and Scott Blockland
- producer:
- Paul Fox
- accordion, Hammond organ and keyboard:
- Dennis Drew
- acoustic guitar, banjo, electric guitar, electric sitar, lap steel guitar, mandocello and pedal steel guitar:
- Robert Buck
- alto saxophone:
- Maceo Parker
- bass guitar:
- Steven Gustafson
- drums (drum set):
- Jerome Augustyniak
- percussion:
- Jerome Augustyniak and Paulinho Da Costa
- piano:
- Dennis Drew and Natalie Merchant
- tenor saxophone:
- Alfred “Pee Wee” Ellis
- trombone:
- Fred Wesley
- vocals:
- Natalie Merchant
- performer:
- The JB Horns
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States
- mixed at:
- Summa Studios in Los Angeles, California, United States
- music videos:
- Candy Everybody Wants by 10,000 Maniacs
- recording of:
- Candy Everybody Wants
- writer:
- Dennis Drew and Natalie Merchant
- publisher:
- Hipgnosis Worldwide and Christian Burial Music (in 1992)
| 3:08 |
| 9 | How You've Grown (unplugged) | 4:06 |
| 10 | What's the Matter Here | 4:59 |
| 11 | Hey Jack Kerouac | 4:31 |
| 12 | Don't Talk | 5:07 |
| 13 | My Sister Rose | 3:15 |
| 14 | Blind Faith | 5:15 |
| 15 | Jezebel- recording engineer and mixer:
- Ed Thacker
- additional engineer:
- Michael Reiter and Scott Blockland
- producer:
- Paul Fox
- accordion, Hammond organ and keyboard:
- Dennis Drew
- acoustic guitar, banjo, electric guitar, electric sitar, lap steel guitar, mandocello and pedal steel guitar:
- Robert Buck
- bass guitar:
- Steven Gustafson
- cello:
- Larry Corbett
- drums (drum set) and percussion:
- Jerome Augustyniak
- piano:
- Dennis Drew and Natalie Merchant
- viola:
- Pamela Goldsmith
- violin:
- Bruce Dukov and Ralph Morrison
- vocals:
- Natalie Merchant
- conductor:
- Paul Buckmaster
- strings arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States
- mixed at:
- Summa Studios in Los Angeles, California, United States
- recording of:
- Jezebel
- lyricist and composer:
- Natalie Merchant
- publisher:
- Indian Love Bride Music and Christian Burial Music (in 1992)
| 4:05 |
| 16 | Few and Far Between | 3:40 |
| 17 | City of Angels | 4:31 |
| 18 | Like the Weather | 3:56 |
