Art Farmer Vol.2 Seven Classic Albums

~ Release by Art Farmer (see all versions of this release, 1 available)

Annotation

Compilation of 7 previously released albums across four CDs

Tracklist

1▶CD: Portrait of Art Farmer / Art
2▼CD: Art (cont.) / Meet the Jazztet / Big City Sounds
#TitleLength
1I'm a Fool to Want You
double bass:
Tommy Williams (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
instrumental recording of:
I’m a Fool to Want You (in 1960-09)
writer:
Joel Herron (in 1951), Frank Sinatra (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd.
5:29
2That Ole Devil Called Love
double bass:
Tommy Williams (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
instrumental recording of:
That Ole Devil Called Love (in 1960-09)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (in 1944)
publisher:
MCA Records Ltd., Universal Music Ltd. and Universal/MCA Music Ltd.
4:16
3Serenata
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
instrumental recording of:
Serenata (english vocals) (in 1960-02)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (original instrumental)
3:31
4It Ain't Necessarily So
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios in New York, New York, United States (from 1960-02-06 until 1960-02-10)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1960-02-06 until 1960-02-10)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
4:28
5Avalon
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
instrumental recording of:
Avalon (in 1960-02)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
3:30
6I Remember Clifford
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
I Remember Clifford (in 1960-02)
lyricist:
Jon Hendricks
composer:
Benny Golson
version of:
I Remember Clifford (instrumental original)
3:11
7Blues March
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
Blues March (in 1960-02)
composer:
Benny Golson
5:17
8It's All Right With Me
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (in 1960-02)
lyricist and composer:
Cole Porter (in 1953)
publisher:
Chappell & Co., Inc.
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:55
9Park Avenue Petite
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
Park Avenue Petite (in 1960-02)
composer:
Benny Golson
3:43
10Mox Nix
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
Mox Nix (in 1960-02)
writer:
Art Farmer
4:03
11Easy Living
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
instrumental recording of:
Easy Living (in 1960-02)
lyricist:
Leo Robin
writer:
Ralph Rainger (in 1937) and Leo Robin (in 1937)
composer:
Ralph Rainger and Leo Robin
publisher:
Famous Music Corporation (in 1937, in 1964)
3:35
12Killer Joe
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (in 1960-02)
tenor saxophone:
Benny Golson (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
Killer Joe (in 1960-02)
composer:
Benny Golson
publisher:
Atlantic Music
4:56
13The Cool One
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
The Cool One
composer:
Benny Golson
3:02
14Blues on Down
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Blues On Down (in 1960-09)
composer:
Benny Golson
6:04
15Hi-Fly
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Hi Fly (from 1960-09-16 until 1960-09-20)
composer:
Randy Weston
5:51
16My Funny Valentine
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios in New York, New York, United States (from 1960-09-16 until 1960-09-20)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (from 1960-09-16 until 1960-09-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
4:34
17Wonder Why
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios in New York, New York, United States (from 1960-09-16 until 1960-09-20)
instrumental recording of:
Wonder Why (Rich, Young and Pretty) (from 1960-09-16 until 1960-09-20)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
5:53
3▶CD: Big City Sounds (cont.) / Jazztet at Birdhouse
4▶CD: Here and Now / Another Git Together