Dido and Aeneas and Music for Plays & Masques

~ Release by Purcell; Nancy Maultsby, Susannah Waters, Russell Braun, Laura Tucker, Richard Clement, Sharon Baker, Boston Baroque, Martin Pearlman (see all versions of this release, 1 available)

Annotation

Jewel case and large booklet in a cardboard sleeve

Tracklist

1▼CD
#TitleArtistLength
1Dido and Aeneas: Overture
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Overture (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626
Henry Purcell1:50
2Dido and Aeneas: Act I. The Palace: “Shake the cloud from off your brow” / “Banish sorrow”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:05
3Dido and Aeneas: Act I. The Palace: “Ah! Belinda, I am prest with torment”
mezzo-soprano vocals [Dido, Queen of Carthage]:
Nancy Maultsby (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:35
4Dido and Aeneas: Act I. The Palace: “Grief increases by concealing” / “When monarchs unite”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Nancy Maultsby (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:47
5Dido and Aeneas: Act I. The Palace: “Whence could so much virtue spring”
mezzo-soprano vocals [Dido, Queen of Carthage]:
Nancy Maultsby (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:46
6Dido and Aeneas: Act I. The Palace: “Fear no danger to ensue”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
soprano vocals [Second Woman]:
Sharon Baker (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:31
7Dido and Aeneas: Act I. The Palace: “See your royal guest appears” / “Cupid only throws the dart”
baritone vocals [Aeneas]:
Russell Braun (from 1996-01-03 until 1996-01-05)
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Nancy Maultsby (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:26
8Dido and Aeneas: Act I. The Palace: “If not for mine, for empire’s sake”
baritone vocals [Aeneas]:
Russell Braun (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:12
9Dido and Aeneas: Act I. The Palace: “To the hills and the vales” / The Triumphing Dance
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:08
10Dido and Aeneas: Act II. Scene I. The Cave: Prelude for the Witches / “Wayward sisters”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Sorceress]:
Laura Tucker (from 1996-01-03 until 1996-01-05)
soprano vocals [First Witch]:
Margaret O’Keefe (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:37
11Dido and Aeneas: Act II. Scene I. The Cave: “Ruin’d ere the set of sun?”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Second Witch]:
Donna Ames (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Sorceress]:
Laura Tucker (from 1996-01-03 until 1996-01-05)
soprano vocals [First Witch]:
Margaret O’Keefe (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:11
12Dido and Aeneas: Act II. Scene I. The Cave: “But ere we this perform”
mezzo-soprano vocals [Second Witch]:
Donna Ames (from 1996-01-03 until 1996-01-05)
soprano vocals [First Witch]:
Margaret O’Keefe (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:13
13Dido and Aeneas: Act II. Scene I. The Cave: “In our deep vaulted cell” / Echo Dance of the Furies
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:21
14Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle / “Thanks to these lonesome vales”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:01
15Dido and Aeneas: Act II. Scene II. The Grove: “Oft she visits this lone mountain”
soprano vocals [Second Woman]:
Sharon Baker (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:34
16Dido and Aeneas: Act II. Scene II. The Grove: “Behold upon my bending spear” / “Haste, haste to town”
baritone vocals [Aeneas]:
Russell Braun (from 1996-01-03 until 1996-01-05)
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Nancy Maultsby (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:20
17Dido and Aeneas: Act II. Scene II. The Grove: “Stay, Prince, and hear”
baritone vocals [Aeneas]:
Russell Braun (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Spirit]:
Donna Ames (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:24
18Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:39
19Dido and Aeneas: Act III. Scene I. The Ships: Prelude / “Come away fellow sailors” / The Sailors’ Dance
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
tenor vocals [Sailor]:
Richard Clement (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:17
20Dido and Aeneas: Act III. Scene I. The Ships: “See the flags and streamers curling”
mezzo-soprano vocals [Second Witch]:
Donna Ames (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Sorceress]:
Laura Tucker (from 1996-01-03 until 1996-01-05)
soprano vocals [First Witch]:
Margaret O’Keefe (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:56
21Dido and Aeneas: Act III. Scene I. The Ships: “Our next motion” / “Destruction’s our delight”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Sorceress]:
Laura Tucker (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:10
22Dido and Aeneas: Act III. Scene I. The Ships: The Witches’ Dance
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:09
23Dido and Aeneas: Act III. Scene II. The Palace: “Your counsel all is urged in vain”
baritone vocals [Aeneas]:
Russell Braun (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Nancy Maultsby (from 1996-01-03 until 1996-01-05)
soprano vocals [Belinda]:
Susannah Waters (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:20
24Dido and Aeneas: Act III. Scene II. The Palace: “But death, alas, I cannot shun” / “Great minds against themselves conspire”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Nancy Maultsby (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:18
25Dido and Aeneas: Act III. Scene II. The Palace: “Thy hand Belinda” / “When I am laid in earth”
mezzo-soprano vocals [Dido, Queen of Carthage]:
Nancy Maultsby (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:09
26Dido and Aeneas: Act III. Scene II. The Palace: “With drooping wings ye Cupids come”
choir vocals:
Boston Baroque (from 1996-01-03 until 1996-01-05)
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:28
27Abdelazer: Overture
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: I. Overture (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell3:01
28Abdelazer: Roundeau
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:22
29Abdelazer: Air
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: Air (catch-all for unknown 'Air' movement (there are 4)) (from 1996-01-03 until 1996-01-05)
composer:
Henry Purcell (in 1695)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:20
30The Gordian Knot Unty’d: Minuet
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell1:33
31The Gordian Knot Unty’d: Air
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell1:13
32Timon of Athens: Curtain Tune on a Ground
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell1:59
33The Fairy Queen: Rondeau
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell1:28
34The Fairy Queen: Hornpipe
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell0:58
35The Fairy Queen: Overture
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell1:27
36The Fairy Queen: Dance for the Fairies
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell1:05
37The Fairy Queen: Chaconne
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell2:38
38The Married Beau: Hornpipe on a Ground
orchestra:
Boston Baroque (from 1996-01-03 until 1996-01-05)
conductor:
Martin Pearlman (from 1996-01-03 until 1996-01-05)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1996-01-03 until 1996-01-05)
Henry Purcell1:29