Jascha Heifetz 10 CDs

~ Release by Jascha Heifetz (see all versions of this release, 1 available)

Tracklist

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1Summertime
recorded in:
New York, New York, United States (on 1945-11-28)
piano:
Emmanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
arranger:
Jascha Heifetz
phonographic copyright (℗) by:
HNH International Ltd. (in 2003)
recording of:
Porgy and Bess: Summertime (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
1:44
2A Woman Is A Sometime Thing
recorded in:
New York, New York, United States (on 1945-11-28)
piano:
Emmanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
arranger:
Jascha Heifetz
phonographic copyright (℗) by:
HNH International Ltd. (in 2003)
recording of:
Porgy and Bess: A Woman Is a Sometime Thing (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing”
1:50
3My Man's Gone Now
recorded in:
New York, New York, United States (on 1945-11-28)
piano:
Emmanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
arranger:
Jascha Heifetz
phonographic copyright (℗) by:
HNH International Ltd. (in 2003)
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
3:54
4It's Ain't Necessarily So
recorded in:
New York, New York, United States (on 1945-11-28)
piano:
Emmanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
arranger:
Jascha Heifetz
phonographic copyright (℗) by:
HNH International Ltd. (in 2003)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
2:32
5Tempo Di Blues (There's A Boat That's Leavi' Soon For New York)
recorded in:
New York, New York, United States (on 1945-11-28)
piano:
Emmanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
arranger:
Jascha Heifetz
phonographic copyright (℗) by:
HNH International Ltd. (in 2003)
recording of:
Porgy and Bess: Tempo di Blues (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
2:55
6Bess, You Is My Woman Now
recorded in:
New York, New York, United States (on 1945-11-28)
piano:
Emmanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
arranger:
Jascha Heifetz
phonographic copyright (℗) by:
HNH International Ltd. (in 2003)
recording of:
Porgy and Bess: Bess, You Is My Woman Now (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
3:08
7I. Allegro Ben Ritmato E Deciso
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
1:33
8II. Andante Con Moto E Poco Rubato
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
2:53
9III. Allegro Ben Rimato E Deciso
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
1:28
10Florida Night Song (An Outlandish Suite No.2)
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
An Outlandish Suite: No. 2. Florida Night Song (on 1945-11-28)
composer:
Susan H. Dyer
3:01
11Ao Pé Da Fogueira (Preludio XV)
piano:
Emanuel Bay
violin:
Jascha Heifetz
recording of:
Ao pé da fogueira (for violin and piano, arr. Heifetz)
composer:
Flausino Vale
piano and violin arranger:
Jascha Heifetz
arrangement of:
Ao pé da fogueira
1:16
12Huella, Op. 49
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Huella, op. 49 (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Julián Aguirre
piano and violin arranger:
Jascha Heifetz
arrangement of:
Huella, op. 49 (for piano)
2:32
13Twenty-Four Preludes, Op.34 - No. 10 In C Sharp Minor
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
24 Preludes, op. 34, no. 10: Moderato non troppo in C-sharp minor (in 1945-11)
composer:
Дмитрий Дмитриевич Шостакович (from 1932-12-30 until 1933-03-02)
part of:
24 Preludes, op. 34
2:02
14Twenty-Four Preludes, Op.34 - No. 15 In D Flat Major
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
24 Preludes, op. 34, no. 15: Allegretto in D-flat major (in 1945-11)
composer:
Дмитрий Дмитриевич Шостакович (from 1932-12-30 until 1933-03-02)
part of:
24 Preludes, op. 34
1:01
15Waves At Play (Wellenspiel)
piano:
Emanuel Bay
violin:
Jascha Heifetz
recorded at:
World Broadcasting System Studios in New York, New York, United States
recording of:
Waves at Play
composer:
Edwin Grasse (in 1914)
1:43
16March (From "The Love For Three Oranges")
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
March from The Love for Three Oranges (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Сергей Сергеевич Прокофьев
piano and violin arranger:
Jascha Heifetz
arrangement of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra)
1:30
17Masks (From "Romeo and Juliet")
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Masks from Romeo and Juliet (for violin and piano, Heifetz) (in 1945-11)
composer:
Сергей Сергеевич Прокофьев
arranger:
Jascha Heifetz
arrangement of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 12. Masks
2:06
18Gut Bucket Gus
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: I. Gut-Bucket Gus (on 1945-11-29)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
2:01
19Jane Shakes Her Hair
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: II. Jane Shakes Her Hair (on 1945-11-29)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
1:06
20Betty And Harold Close Their Eyes
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: III. Betty and Harold Close Their Eyes (on 1945-11-29)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
1:43
21Jim Jives
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Hexapoda: IV. Jim Jives (in 1945-11)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
1:00
22Till Dawn Sunday
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Hexapoda: V. Til Dawn Sunday (in 1945-11)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
1:52
23Mack The Knife (Die Dreigroschenoper - Moderato Assai)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Seven Pieces from "The Threepenny Opera": No. 1. Song of Human Insufficiency / Mack the Knife (for violin and piano, arr. Frenkel) (on 1945-11-30)
composer:
Kurt Weill
piano and violin arranger:
Stefan Frenkel
part of:
Seven Pieces from "The Threepenny Opera" (for violin and piano, arr. Frenkel)
2:24
24Mélodie In E Flat Major (Souvenir D'Un Lieu Cher, Op. 42 - 3)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: III. Mélodie (on 1945-11-30)
composer:
Пётр Ильич Чайковский (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
3:50
25Nocturne In E Flat Major, Op. 55 No. 2
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Nocturne in E‐flat, op. 55 no. 2 (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Fryderyk Chopin (in 1843)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Nocturne no. 16 in E‐flat major, op. 55 no. 2: Lento
3:58
26Mélodie (From "Orphée Et Euridice")
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (in 1945-11)
composer:
Christoph Willibald Gluck (in 1774)
piano and violin arranger:
Fritz Kreisler (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
2:56
27Waldszenen, Op. 82 - 7. Vogel Als Prophet
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Vogel als Prophet (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Robert Schumann (from 1848 until 1849)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart
2:35
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