I Had to Do It

~ Release by Benny Goodman and His Orchestra (see all versions of this release, 1 available)

Tracklist

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1Minnie the Moocher’s Wedding Day
recording of:
Minnie The Moocher's Wedding Day
lyricist:
Ted Koehler
composer:
Harold Arlen
2:59
2Let That Be a Lesson to You
alto saxophone:
George Koenig (on 1937-10-22) and Hymie Shertzer (on 1937-10-22)
double bass:
Harry Goodman (on 1937-10-22)
drums (drum set):
Gene Krupa (on 1937-10-22)
guitar:
Allan Reuss (on 1937-10-22)
piano:
Jess Stacy (on 1937-10-22)
tenor saxophone:
Vido Musso (on 1937-10-22) and Art Rollini (on 1937-10-22)
trombone:
Red Ballard (on 1937-10-22) and Murray McEachern (on 1937-10-22)
trumpet:
Ziggy Elman (on 1937-10-22), Gordon Griffin (on 1937-10-22) and Harry James (on 1937-10-22)
vocals:
Martha Tilton (on 1937-10-22)
recording of:
Let That Be a Lesson to You (on 1937-10-22)
lyricist:
Johnny Mercer
composer:
Richard A. Whiting
2:42
3Can’t Teach My Old Heart New Tricks
alto saxophone:
George Koenig (on 1937-10-22) and Hymie Shertzer (on 1937-10-22)
double bass:
Harry Goodman (on 1937-10-22)
drums (drum set):
Gene Krupa (on 1937-10-22)
guitar:
Allan Reuss (on 1937-10-22)
piano:
Jess Stacy (on 1937-10-22)
tenor saxophone:
Vido Musso (on 1937-10-22) and Art Rollini (on 1937-10-22)
trombone:
Red Ballard (on 1937-10-22) and Murray McEachern (on 1937-10-22)
trumpet:
Ziggy Elman (on 1937-10-22), Gordon Griffin (on 1937-10-22) and Harry James (on 1937-10-22)
vocals:
Martha Tilton (on 1937-10-22)
recording of:
Can’t Teach My Old Heart New Tricks (music by Richard A. Whiting; first performed by Benny Goodman and His Orchestra) (on 1937-10-22)
lyricist:
Johnny Mercer
composer:
Richard A. Whiting
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
3:03
4I’ve Hitched My Wagon to a Star
alto saxophone:
George Koenig (on 1937-10-22) and Hymie Shertzer (on 1937-10-22)
double bass:
Harry Goodman (on 1937-10-22)
drums (drum set):
Gene Krupa (on 1937-10-22)
guitar:
Allan Reuss (on 1937-10-22)
piano:
Jess Stacy (on 1937-10-22)
tenor saxophone:
Vido Musso (on 1937-10-22) and Art Rollini (on 1937-10-22)
trombone:
Red Ballard (on 1937-10-22) and Murray McEachern (on 1937-10-22)
trumpet:
Ziggy Elman (on 1937-10-22), Gordon Griffin (on 1937-10-22) and Harry James (on 1937-10-22)
vocals:
Martha Tilton (on 1937-10-22)
2:55
5Pop‐Corn Man
alto saxophone:
George Koenig (on 1937-10-22) and Hymie Shertzer (on 1937-10-22)
double bass:
Harry Goodman (on 1937-10-22)
drums (drum set):
Gene Krupa (on 1937-10-22)
guitar:
Allan Reuss (on 1937-10-22)
piano:
Jess Stacy (on 1937-10-22)
tenor saxophone:
Vido Musso (on 1937-10-22) and Art Rollini (on 1937-10-22)
trombone:
Red Ballard (on 1937-10-22) and Murray McEachern (on 1937-10-22)
trumpet:
Ziggy Elman (on 1937-10-22), Gordon Griffin (on 1937-10-22) and Harry James (on 1937-10-22)
vocals:
Martha Tilton (on 1937-10-22)
3:09
6You Took the Words Right Out of My Heart
alto saxophone:
George Koenig (on 1937-11-12) and Hymie Shertzer (on 1937-11-12)
clarinet:
Benny Goodman (on 1937-11-12)
double bass:
Harry Goodman (on 1937-11-12)
drums (drum set):
Gene Krupa (on 1937-11-12)
guitar:
Allan Reuss (on 1937-11-12)
piano:
Jess Stacy (on 1937-11-12)
tenor saxophone:
Vido Musso (on 1937-11-12) and Art Rollini (on 1937-11-12)
trombone:
Red Ballard (on 1937-11-12) and Murray McEachern (on 1937-11-12)
trumpet:
Ziggy Elman (on 1937-11-12), Gordon Griffin (on 1937-11-12) and Harry James (on 1937-11-12)
vocals:
Martha Tilton (on 1937-11-12)
recording of:
You Took the Words Right Out of My Heart (on 1937-11-12)
writer:
Ralph Rainger and Leo Robin
3:15
7Mama, That Moon Is Here Again
alto saxophone:
George Koenig (on 1937-11-12) and Hymie Shertzer (on 1937-11-12)
clarinet:
Benny Goodman (on 1937-11-12)
double bass:
Harry Goodman (on 1937-11-12)
drums (drum set):
Gene Krupa (on 1937-11-12)
guitar:
Allan Reuss (on 1937-11-12)
piano:
Jess Stacy (on 1937-11-12)
tenor saxophone:
Vido Musso (on 1937-11-12) and Art Rollini (on 1937-11-12)
trombone:
Red Ballard (on 1937-11-12) and Murray McEachern (on 1937-11-12)
trumpet:
Ziggy Elman (on 1937-11-12), Gordon Griffin (on 1937-11-12) and Harry James (on 1937-11-12)
vocals:
Martha Tilton (on 1937-11-12)
2:38
8Loch Lomond
recorded in:
New York, New York, United States (on 1937-11-12)
alto saxophone:
George Koenig (on 1937-11-12) and Hymie Shertzer (on 1937-11-12)
clarinet:
Benny Goodman (on 1937-11-12)
double bass:
Harry Goodman (on 1937-11-12)
drums (drum set):
Gene Krupa (on 1937-11-12)
guitar:
Allan Reuss (on 1937-11-12)
piano:
Jess Stacy (on 1937-11-12)
tenor saxophone:
Vido Musso (on 1937-11-12) and Art Rollini (on 1937-11-12)
trombone:
Red Ballard (on 1937-11-12) and Murray McEachern (on 1937-11-12)
trumpet:
Ziggy Elman (on 1937-11-12), Gordon Griffin (on 1937-11-12) and Harry James (on 1937-11-12)
vocals:
Benny Goodman (on 1937-11-12) and Martha Tilton (on 1937-11-12)
arranger:
Claude Thornhill (on 1937-11-12)
recording of:
Loch Lomond (Scottish folk song) (on 1937-11-12)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 9598)
2:33
9Camel Hop
alto saxophone:
George Koenig (on 1937-11-12) and Hymie Shertzer (on 1937-11-12)
clarinet:
Benny Goodman (on 1937-11-12)
double bass:
Harry Goodman (on 1937-11-12)
drums (drum set):
Gene Krupa (on 1937-11-12)
guitar:
Allan Reuss (on 1937-11-12)
piano:
Jess Stacy (on 1937-11-12)
tenor saxophone:
Vido Musso (on 1937-11-12) and Art Rollini (on 1937-11-12)
trombone:
Red Ballard (on 1937-11-12) and Murray McEachern (on 1937-11-12)
trumpet:
Ziggy Elman (on 1937-11-12), Gordon Griffin (on 1937-11-12) and Harry James (on 1937-11-12)
2:47
10True Confession
alto saxophone:
George Koenig (on 1937-11-12) and Hymie Shertzer (on 1937-11-12)
clarinet:
Benny Goodman (on 1937-11-12)
double bass:
Harry Goodman (on 1937-11-12)
drums (drum set):
Gene Krupa (on 1937-11-12)
guitar:
Allan Reuss (on 1937-11-12)
piano:
Jess Stacy (on 1937-11-12)
tenor saxophone:
Vido Musso (on 1937-11-12) and Art Rollini (on 1937-11-12)
trombone:
Red Ballard (on 1937-11-12) and Murray McEachern (on 1937-11-12)
trumpet:
Ziggy Elman (on 1937-11-12), Gordon Griffin (on 1937-11-12) and Harry James (on 1937-11-12)
vocals:
Martha Tilton (on 1937-11-12)
recording of:
True Confession (on 1937-11-12)
composer:
Sam Coslow and Friedrich Hollaender
3:27
11Life Goes to a Party
alto saxophone:
George Koenig (on 1937-11-12) and Hymie Shertzer (on 1937-11-12)
clarinet:
Benny Goodman (on 1937-11-12)
double bass:
Harry Goodman (on 1937-11-12)
drums (drum set):
Gene Krupa (on 1937-11-12)
guitar:
Allan Reuss (on 1937-11-12)
piano:
Jess Stacy (on 1937-11-12)
tenor saxophone:
Vido Musso (on 1937-11-12) and Art Rollini (on 1937-11-12)
trombone:
Red Ballard (on 1937-11-12) and Murray McEachern (on 1937-11-12)
trumpet:
Ziggy Elman (on 1937-11-12), Gordon Griffin (on 1937-11-12) and Harry James (on 1937-11-12)
recording of:
Life Goes to a Party (on 1937-11-12)
writer:
Benny Goodman and Harry James
3:05
12It’s Wonderful
alto saxophone:
George Koenig (on 1937-12-02) and Hymie Shertzer (on 1937-12-02)
clarinet:
Benny Goodman (on 1937-12-02)
double bass:
Harry Goodman (on 1937-12-02)
drums (drum set):
Gene Krupa (on 1937-12-02)
guitar:
Allan Reuss (on 1937-12-02)
piano:
Jess Stacy (on 1937-12-02)
tenor saxophone:
Vido Musso (on 1937-12-02) and Art Rollini (on 1937-12-02)
trombone:
Red Ballard (on 1937-12-02) and Vernon Brown (on 1937-12-02)
trumpet:
Ziggy Elman (on 1937-12-02), Gordon Griffin (on 1937-12-02) and Harry James (on 1937-12-02)
vocals:
Martha Tilton (on 1937-12-02)
recording of:
It’s Wonderful (on 1937-12-02)
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (in 1937)
3:11
13Thanks for the Memory
alto saxophone:
George Koenig (on 1937-12-02) and Hymie Shertzer (on 1937-12-02)
clarinet:
Benny Goodman (on 1937-12-02)
double bass:
Harry Goodman (on 1937-12-02)
drums (drum set):
Gene Krupa (on 1937-12-02)
guitar:
Allan Reuss (on 1937-12-02)
piano:
Jess Stacy (on 1937-12-02)
tenor saxophone:
Vido Musso (on 1937-12-02) and Art Rollini (on 1937-12-02)
trombone:
Red Ballard (on 1937-12-02) and Vernon Brown (on 1937-12-02)
trumpet:
Ziggy Elman (on 1937-12-02), Gordon Griffin (on 1937-12-02) and Harry James (on 1937-12-02)
vocals:
Martha Tilton (on 1937-12-02)
recording of:
Thanks for the Memory (on 1937-12-02)
lyricist:
Leo Robin
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation and Paramount Music Corporation
part of:
The 11th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1938 winner)
3:11
14Life Goes to a Party
recording of:
Life Goes to a Party
writer:
Benny Goodman and Harry James
3:07
15If Dreams Come True
alto saxophone:
George Koenig (on 1937-12-03) and Hymie Shertzer (on 1937-12-03)
clarinet:
Benny Goodman (on 1937-12-03)
double bass:
Harry Goodman (on 1937-12-03)
drums (drum set):
Gene Krupa (on 1937-12-03)
guitar:
Allan Reuss (on 1937-12-03)
piano:
Jess Stacy (on 1937-12-03)
tenor saxophone:
Vido Musso (on 1937-12-03) and Art Rollini (on 1937-12-03)
trombone:
Red Ballard (on 1937-12-03) and Vernon Brown (on 1937-12-03)
trumpet:
Ziggy Elman (on 1937-12-03), Gordon Griffin (on 1937-12-03) and Harry James (on 1937-12-03)
recording of:
If Dreams Come True (on 1937-12-03)
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman
3:10
16I’m Like a Fish Out of Water
alto saxophone:
George Koenig (on 1937-12-03) and Hymie Shertzer (on 1937-12-03)
clarinet:
Benny Goodman (on 1937-12-03)
double bass:
Harry Goodman (on 1937-12-03)
drums (drum set):
Gene Krupa (on 1937-12-03)
guitar:
Allan Reuss (on 1937-12-03)
piano:
Jess Stacy (on 1937-12-03)
tenor saxophone:
Vido Musso (on 1937-12-03) and Art Rollini (on 1937-12-03)
trombone:
Red Ballard (on 1937-12-03) and Vernon Brown (on 1937-12-03)
trumpet:
Ziggy Elman (on 1937-12-03), Gordon Griffin (on 1937-12-03) and Harry James (on 1937-12-03)
vocals:
Martha Tilton (on 1937-12-03)
3:30
17Sweet Stranger
alto saxophone:
George Koenig (on 1937-12-03) and Hymie Shertzer (on 1937-12-03)
clarinet:
Benny Goodman (on 1937-12-03)
double bass:
Harry Goodman (on 1937-12-03)
drums (drum set):
Gene Krupa (on 1937-12-03)
guitar:
Allan Reuss (on 1937-12-03)
piano:
Jess Stacy (on 1937-12-03)
tenor saxophone:
Vido Musso (on 1937-12-03) and Art Rollini (on 1937-12-03)
trombone:
Red Ballard (on 1937-12-03) and Vernon Brown (on 1937-12-03)
trumpet:
Ziggy Elman (on 1937-12-03), Gordon Griffin (on 1937-12-03) and Harry James (on 1937-12-03)
vocals:
Martha Tilton (on 1937-12-03)
2:54
18Don’t Be That Way
alto saxophone:
George Koenig (on 1938-02-16) and Hymie Shertzer (on 1938-02-16)
double bass:
Harry Goodman (on 1938-02-16)
drums (drum set):
Gene Krupa (on 1938-02-16)
guitar:
Allan Reuss (on 1938-02-16)
piano:
Jess Stacy (on 1938-02-16)
tenor saxophone:
Art Rollini (on 1938-02-16) and Irving “Babe” Russin (on 1938-02-16)
trombone:
Red Ballard (on 1938-02-16) and Vernon Brown (on 1938-02-16)
trumpet:
Ziggy Elman (on 1938-02-16), Gordon Griffin (on 1938-02-16) and Harry James (on 1938-02-16)
arranger:
Edgar Sampson (on 1938-02-16)
recording of:
Don’t Be That Way (on 1938-02-16)
lyricist:
Mitchell Parish
composer:
Benny Goodman and Edgar Sampson
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
3:20
19Please Be Kind
alto saxophone:
Dave Matthews (on 1938-03-09) and Hymie Shertzer (on 1938-03-09)
double bass:
Walter Page (on 1938-03-09)
drums (drum set):
Lionel Hampton (on 1938-03-09)
guitar:
Freddie Green (on 1938-03-09)
piano:
Jess Stacy (on 1938-03-09)
tenor saxophone:
Irving “Babe” Russin (on 1938-03-09) and Lester Young (on 1938-03-09)
trombone:
Red Ballard (on 1938-03-09) and Vernon Brown (on 1938-03-09)
trumpet:
Ziggy Elman (on 1938-03-09), Gordon Griffin (on 1938-03-09) and Harry James (on 1938-03-09)
vocals:
Martha Tilton (on 1938-03-09)
recording of:
Please Be Kind (on 1938-03-09)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
3:19
20One O’Clock Jump
recorded in:
New York, New York, United States (on 1938-02-16)
alto saxophone:
George Koenig (on 1938-02-16) and Hymie Shertzer (on 1938-02-16)
clarinet:
Benny Goodman (on 1938-02-16)
double bass:
Harry Goodman (on 1938-02-16)
drums (drum set):
Gene Krupa (on 1938-02-16)
guitar:
Allan Reuss (on 1938-02-16)
piano:
Jess Stacy (on 1938-02-16)
tenor saxophone:
Art Rollini (on 1938-02-16) and Irving “Babe” Russin (on 1938-02-16)
trombone:
Red Ballard (on 1938-02-16) and Vernon Brown (on 1938-02-16)
trumpet:
Ziggy Elman (on 1938-02-16), Gordon Griffin (on 1938-02-16) and Harry James (on 1938-02-16)
arranger:
Count Basie (on 1938-02-16)
recording of:
One O’Clock Jump (on 1938-02-16)
composer:
Count Basie (in 1937)
publisher:
EMI Feist Catalog Inc.
3:12
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