Annotation

This release is from the "4 Great Operas on Deutsche Grammophon & Decca" 9 hybrid SACD Box-set (ESSG/D-90089-97)

Tracklist

1Hybrid SACD
2Hybrid SACD
#TitleArtistLength
1Le Nozze di Figaro: Act II. Quante buffonerie!
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie” (Il Conte, La Contessa, Cherubino, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:15
2Le Nozze di Figaro: Act II. Che novità! non fu mai vostra usanza
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:17
3Le Nozze di Figaro: Act II. Susanna, or via, sortite
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:15
4Le Nozze di Figaro: Act II. Dunque, voi non aprite?
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:53
5Le Nozze di Figaro: Act II. Aprite, presto, aprite
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:00
6Le Nozze di Figaro: Act II. O guarda il demonietto!
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. Recitativo “Oh guarda il demonietto!” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:20
7Le Nozze di Figaro: Act II. Tutto è come il lasciai
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:11
8Le Nozze di Figaro: Act II. Esci, omai, garzon malnato
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:44
9Le Nozze di Figaro: Act II. Signore! Cos'è quel stupore?
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:29
10Le Nozze di Figaro: Act II. Susanna, son morta
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Susanna! … Signore!” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:42
11Le Nozze di Figaro: Act II. Signori, di fuori son già i suonatori
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Signore, di fuori” (Figaro, Il Conte, Susanna, La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:01
12Le Nozze di Figaro: Act II. Conoscete, signor Figaro
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:24
13Le Nozze di Figaro: Act II. Ah! signore... signor! - Cosa è stato?
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Antonio]:
Klaus Hirte (in 1968-03)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena X. (no. 16) Finale “Ah signor… signor” (Antonio, Il Conte, La Contessa, Susanna, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:43
14Le Nozze di Figaro: Act II. Vostre dunque saran queste carte
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le vozze di Figaro, K. 492: Atto II. (no. 16) Finale “Vostre dunque saran queste carte” (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:04
15Le Nozze di Figaro: Act II. Voi signor, che giusto siete
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Bartolo]:
Peter Lagger (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
tenor vocals [Basilio]:
Erwin Wohlfahrt (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:00
16Le Nozze di Figaro: Act III. Che imbarazzo è mai questo!
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals and baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:27
17Le Nozze di Figaro: Act III. Crudel! perché finora farmi languir così
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:49
18Le Nozze di Figaro: Act III. E perché fosti meco stamattina sì austera?
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:41
19Le Nozze di Figaro: Act III. Hai già vinta la causa!
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:27
20Le Nozze di Figaro: Act III. Vedrò mentr'io sospiro
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva] and bass vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:33
21Le Nozze di Figaro: Act III. È decisa la lite
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Bartolo]:
Peter Lagger (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (in 1968-03)
tenor vocals [Don Curzio]:
Martin Vantin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:47
22Le Nozze di Figaro: Act III. Riconosci in questo amplesso
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Bartolo]:
Peter Lagger (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
tenor vocals [Don Curzio]:
Martin Vantin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:49
23Le Nozze di Figaro: Act III. Eccovi, o caro amico
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
bass vocals [Bartolo]:
Peter Lagger (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:01
24Le Nozze di Figaro: Act III. Andiamo, andiam, bel paggio
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (in 1968-03)
soprano vocals [Barbarina]:
Barbara Vogel (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. Recitativo “Andiam, andiam, bel paggio” (Barbarina, Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:35
25Le Nozze di Figaro: Act III. E Susanna non vien!
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:45
26Le Nozze di Figaro: Act III. Dove sono i bei momenti
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:59
27Le Nozze di Figaro: Act III. Io vi dico, signor
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Antonio]:
Klaus Hirte (in 1968-03)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IX: Recitativo "Io vi dico, signor" (Antonio / Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:54
28Le Nozze di Figaro: Act III. Sull'aria... - Che soave zeffiretto
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch
producer:
Carter Burwell and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
orchestrator:
Carter Burwell
balance engineer:
Günter Hermanns (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group and Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:31
29Le Nozze di Figaro: Act III. Piegato è il foglio
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:22
30Le Nozze di Figaro: Act III. Ricevete, o padroncina
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
other vocals [Due ragazze]:
Christa Doll (in 1968-03) and Margarethe Giehse (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
chorus master:
Walter Hagen-Groll (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:17
31Le Nozze di Figaro: Act III. Queste sono, Madama, le ragazze del loco
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Antonio]:
Klaus Hirte (in 1968-03)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (in 1968-03)
soprano vocals [Barbarina]:
Barbara Vogel (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XII-XIII. Recitativo “Questo sono, Madama” (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:18
32Le Nozze di Figaro: Act III. Ecco la marcia... andiamo
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:54
33Le Nozze di Figaro: Act III. Allegretto - Amanti costanti
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
chorus master:
Walter Hagen-Groll (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:16
34Le Nozze di Figaro: Act III. Andante - Eh già, solita usanza
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
partial recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:31
35Le Nozze di Figaro: Act III. Andate, amici
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (in 1968-03)
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
chorus master:
Walter Hagen-Groll (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
partial recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:29
3Hybrid SACD
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8Hybrid SACD
9Hybrid SACD