Das Kantatenwerk/Sacred Cantatas, Volume 5: BWV 79-99

~ Release by Johann Sebastian Bach; Harnoncourt, Leonhardt (see all versions of this release, 5 available)

Annotation

Individual barcode: 0745099175924

Tracklist

1▼CD
#TitleArtistLength
1Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 [Coro.] Gott, der Herr, ist Sonn und Schild
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach5:02
2Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Aria. Gott ist unsre Sonn und Schild
alto vocals:
Paul Esswood (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:41
3Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Choral. Nun danket alle Gott
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Rinckart (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:13
4Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Recitativo. Gottlob, wir wissen den rechten Weg
bass vocals:
Max van Egmond (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:52
5Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Aria. Gott, ach Gott, verlaß die Deinen nimmermehr
bass vocals:
Max van Egmond (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:12
6Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Choral. Erhalt uns in der Wahrheit
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:45
7Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 [Coro.] Ein feste Burg ist unser Gott
choir vocals:
Tölzer Knabenchor (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:10
8Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Aria. Mit unser Macht
treble vocals:
Wilhelm Wiedl (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
9Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Recitativo. Erwäge doch, Kind Gottes
bass vocals:
Ruud van der Meer (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:41
10Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Aria. Komm in mein Herzenshaus
treble vocals:
Wilhelm Wiedl (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:08
11Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Choral. Und wenn die Welt voll Teufel wär
choir vocals:
Tölzer Knabenchor (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:18
12Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Recitativo. So stehe denn bei Christi blutgefärbten Fahne
tenor vocals:
Kurt Equiluz (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:13
13Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Duetto. Wie selig sind doch die
alto vocals:
Paul Esswood (from 1977-03 until 1977-05)
tenor vocals:
Kurt Equiluz (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
14Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Choral. Das Wort sie sollen lassen stahn
treble vocals:
Wilhelm Wiedl (from 1977-03 until 1977-05)
vocals:
Tölzer Knabenchor (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (from 1977-03 until 1977-05)
lyricist:
Martin Luther
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:12
15Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. Jesus schläft, was soll ich hoffen?
alto vocals:
Paul Esswood (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach4:10
16Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Recitativo. Herr! warum trittest du so ferne?
tenor vocals:
Kurt Equiluz (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:57
17Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. Die schäumenden Wellen von Belials Bächen
tenor vocals:
Kurt Equiluz (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach3:01
18Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Arioso. Ihr Kleingläubigen, warum seid ihr so furchtsam?
bass vocals:
Ruud van der Meer (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:03
19Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. Schweig, aufgetürmtes Meer!
bass vocals:
Philippe Huttenlocher (in 1977-03) and Ruud van der Meer (in 1977-03)
orchestra:
Concentus Musicus Wien (in 1977-03)
conductor:
Nikolaus Harnoncourt (in 1977-03)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1977-03, from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (in 1977-03)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach5:17
20Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Recitativo. Wohl mir, mein Jesus spricht ein Wort
alto vocals:
Paul Esswood (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:18
21Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Choral. Unter deinen Schirmen
choir vocals:
Tölzer Knabenchor (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1977-03 until 1977-05)
lyricist:
Johann Franck
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:15
22Cantata No. 82, "Ich habe genug," BWV 82 Aria. Ich habe genung
bass vocals:
Philippe Huttenlocher (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:46
23Cantata No. 82, "Ich habe genug," BWV 82 Recitativo. Ich habe genung! Mein Trost ist nur allein
bass vocals:
Philippe Huttenlocher (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:56
24Cantata No. 82, "Ich habe genug," BWV 82 Aria. Schlummert ein, ihr matten Augen
bass vocals:
Philippe Huttenlocher (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach8:46
25Cantata No. 82, "Ich habe genug," BWV 82 Recitativo. Mein Gott! wann kommt das schöne: Nun!
bass vocals:
Philippe Huttenlocher (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:42
26Cantata No. 82, "Ich habe genug," BWV 82 Aria. Ich freue mich auf meinen Tod
bass vocals:
Philippe Huttenlocher (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:25
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