| # | Title | Artist | Length |
|---|
| 1 | The Lady Is a Tramp | Tony Bennett & Lady Gaga | 3:18 |
| 2 | One for My Baby (And One More for the Road) | Tony Bennett & John Mayer | 2:58 |
| 3 | Body and Soul- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- executive producer:
- Danny Bennett
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, Dave Eggar, Jeanne LeBlanc, Richard Locker and Ellen Westermann
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherin Fink and Pamela Sklar
- French horn:
- Bob Carlisle, Barbara Jöstlein, Thomas Jöstlein, Philip Myers, Ann Scherer and Currie Scherer
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Yoon Kwon, Ann Leathers, Matthew Lehmann, Katherine Livolsi, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Amy Winehouse
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 2011) and Island Records (in 2015)
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- part of:
- Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012 winner)
- cover recording of:
- Body and Soul
- lyricist:
- Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
- composer:
- Edward Heyman, Robert Sour and John Green (in 1930)
- publisher:
- Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Tony Bennett & Amy Winehouse | 3:23 |
| 4 | Don’t Get Around Much Anymore | Tony Bennett & Michael Bublé | 2:42 |
| 5 | Blue Velvet- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Jeanne LeBlanc, Richard Locker and Ellen Westermann
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers, Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and k.d. lang
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- Blue Velvet
- writer:
- Lee Morris and Bernie Wayne
- publisher:
- Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Tony Bennett & k.d. lang | 4:35 |
| 6 | How Do You Keep the Music Playing- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- David Finck and Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Ann Scherer, Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Cornelius Duffalo, Jonathan Dinklage, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Yoon Kwon, Ann Leathers, Matthew Lehmann, Katherine Livolsi, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Aretha Franklin
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- How Do You Keep the Music Playing?
- lyricist:
- Alan Bergman and Marilyn Bergman
- composer:
- Michel Legrand
- publisher:
- Warner Olive Music LLC and WB Music Corp. (in 1982)
- part of:
- The 55th Academy Award for Best Original Song (number: 2)
| Tony Bennett & Aretha Franklin | 5:29 |
| 7 | The Girl I Love- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Tim Cobb and Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Jeanne LeBlanc, Richard Locker and Ellen Westermann
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers, Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Sheryl Crow
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- The Man I Love
- lyricist:
- Ira Gershwin (in 1924)
- composer:
- George Gershwin (in 1924)
- publisher:
- New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- part of:
- An American in Paris
- part of:
- Lady, Be Good
- part of:
- New York, New York
| Tony Bennett & Sheryl Crow | 3:53 |
| 8 | On the Sunny Side of the Street- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- alto saxophone:
- Lawrence Feldman and Lou Marini
- baritone saxophone:
- Roger Rosenberg
- bass:
- Marshall Wood
- bass trombone:
- George Flynn
- drums (drum set):
- Harold Jones
- guitar:
- Gray Sargent
- piano:
- Lee Musiker
- solo guitar:
- Willie Nelson
- tenor saxophone:
- Charlie Pillow and Dave Mann
- tenor trombone:
- Larry Farrell, Mike Davis and Keith O’Quinn
- trumpet:
- Bud Burridge, John Owens, Tony Kadleck and Bob Millikan
- lead vocals:
- Tony Bennett and Willie Nelson
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- On the Sunny Side of the Street
- lyricist:
- Dorothy Fields
- composer:
- Jimmy McHugh
- publisher:
- Cotton Club Publishing, EMI Music Publishing Ltd., Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント A事業部
- part of:
- American Splendor
| Tony Bennett & Willie Nelson | 2:57 |
| 9 | Who Can I Turn To (When Nobody Needs Me)- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Tim Cobb and Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers, Matthew Lehmann, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Queen Latifah
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- Who Can I Turn To (When Nobody Needs Me)
- writer:
- Leslie Bricusse and Anthony Newley
- publisher:
- Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
- part of:
- The Roar of the Greasepaint – The Smell of the Crowd
| Tony Bennett & Queen Latifah | 3:53 |
| 10 | Speak Low- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- David Finck and Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Jeanne LeBlanc, Richard Locker and Ellen Westermann
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers, Matthew Lehmann, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Norah Jones
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- Speak Low
- lyricist:
- Ogden Nash
- composer:
- Kurt Weill
- publisher:
- Chappell & Co.
- part of:
- One Touch of Venus
| Tony Bennett & Norah Jones | 3:56 |
| 11 | This Is All I Ask- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Jeanne LeBlanc, Richard Locker and Ellen Westermann
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers, Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Josh Groban
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- This Is All I Ask
- lyricist and composer:
- Gordon Jenkins
- publisher:
- Anne-Rachel Music Corp., EMI Robbins Catalog Inc., Intersong Music and Robbins Music Corp.
| Tony Bennett & Josh Groban | 4:36 |
| 12 | Watch What Happens | Tony Bennett & Natalie Cole | 2:10 |
| 13 | Stranger in Paradise- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers, Matthew Lehmann, Liz Lim Dutton, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Andrea Bocelli
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at:
- Andrea Bocelli’s Home Studio in Italy and Bennett Studios in Englewood, New Jersey, United States
- mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- Stranger in Paradise
- lyricist:
- George Forrest and Robert Wright
- composer:
- Alexander Borodin, George Forrest and Robert Wright
- publisher:
- Scheffel Music Corp, Warner Chappell Music Ltd., Warner/Chappell and Frank Music Co. Ltd. (from 1953 to present)
- is based on:
- Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
- part of:
- Kismet
| Tony Bennett & Andrea Bocelli | 5:03 |
| 14 | The Way You Look Tonight- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- David Finck and Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers, Matthew Lehmann, Liz Lim Dutton, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Faith Hill
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- The Way You Look Tonight
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc., Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
- part of:
- Swing Time
| Tony Bennett & Faith Hill | 3:55 |
| 15 | Yesterday I Heard the Rain- recording engineer and mixer:
- Dae Bennett
- additional engineer:
- Dustin Higgins (trumpet)
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Jeanne LeBlanc, Richard Locker and Ellen Westermann
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- keytar and solo trumpet:
- Arturo Sandoval
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers, Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Alejandro Sanz
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- Yesterday I Heard the Rain
- lyricist:
- Gene Lees
- writer:
- Armando Manzanero
- publisher:
- Dunbar Music
| Tony Bennett & Alejandro Sanz | 3:44 |
| 16 | It Had to Be You- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Cornelius Duffalo, Jonathan Dinklage, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers, Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Carrie Underwood
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at and mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- It Had to Be You
- lyricist:
- Gus Kahn (in 1924)
- composer:
- Isham Jones (in 1924)
- publisher:
- Bantam Music Publishing Co., EMI Music Publishing Ltd., Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. and Jerome H. Remick & Co. (on 1924-05-09)
| Tony Bennett & Carrie Underwood | 3:51 |
| 17 | When Do the Bells Ring for Me- recording engineer and mixer:
- Dae Bennett
- assistant engineer:
- Alessandro Perrotta, Adam Bancroft and Brian Chirlo
- producer:
- Dae Bennett and Phil Ramone
- bass:
- Tim Cobb and Marshall Wood
- bass clarinet and clarinet:
- Charles Pillow
- bass trombone:
- George Flynn
- bassoon:
- Marc Goldberg
- cello:
- Diane Barere, Stephanie Cummins, David Eggar, Jeanne LeBlanc, Richard Locker and Ellen Westermann
- cor anglais [English horn] and oboe:
- Diane Lesser
- double bass:
- Tim Cobb and David Finck
- drums (drum set):
- Harold Jones
- flute and piccolo:
- Katherine Fink and Pamela Sklar
- French horn:
- Barbara Jostlein Currie, Bob Carlisle, Philip Myers, Ann Scherer and Thomas Jostlein
- guitar:
- Gray Sargent
- harp:
- Grace Paradise
- percussion:
- Ben Herman, Erik Charlston and Gordon Gottlieb
- piano:
- Lee Musiker
- tenor trombone:
- Mike Davis
- trumpet:
- Tony Kadleck
- viola:
- Adria Benjamin, Karen Dreyfus, Desiree Elsevier, Monica Gerard, David Gold, Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
- violin:
- Elena Barere, Avril Brown, Sean Carney, Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers, Matthew Lehmann, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool, Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang and Nancy Wu
- lead vocals:
- Tony Bennett and Mariah Carey
- conductor:
- Jorge Calandrelli
- arranger:
- Jorge Calandrelli
- concertmaster:
- Elena Barere
- recorded at:
- Bennett Studios in Englewood, New Jersey, United States and Mariah Carey’s Home Studio
- mixed at:
- Bennett Studios in Englewood, New Jersey, United States
- cover recording of:
- When Do the Bells Ring for Me
- lyricist and composer:
- Charles DeForest
- publisher:
- Benedetto Music
| Tony Bennett & Mariah Carey | 2:53 |
