| # | Title | Artist | Length |
|---|
| 1 | Water Music, Suite no. 1 in F major, HWV 348: I. Overture | George Frideric Handel | 3:32 |
| 2 | Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato | George Frideric Handel | 2:21 |
| 3 | Water Music, Suite no. 1 in F major, HWV 348: III. Allegro | George Frideric Handel | 2:33 |
| 4 | Water Music, Suite no. 1 in F major, HWV 348: IV. Andante | George Frideric Handel | 2:28 |
| 5 | Water Music, Suite no. 1 in F major, HWV 348: V. Allegro da capo | George Frideric Handel | 2:30 |
| 6 | Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet | George Frideric Handel | 3:56 |
| 7 | Water Music, Suite no. 1 in F major, HWV 348: VII. Air | George Frideric Handel | 7:12 |
| 8 | Water Music, Suite no. 1 in F major, HWV 348: VIII. Minuet | George Frideric Handel | 4:00 |
| 9 | Water Music, Suite no. 1 in F major, HWV 348: IX. Bourrée | George Frideric Handel | 1:04 |
| 10 | Water Music, Suite no. 1 in F major, HWV 348: X. Hornpipe | George Frideric Handel | 1:21 |
| 11 | Recorder Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro (arr. Hogwood after organ concerto) | George Frideric Handel | 5:19 |
| 12 | Recorder Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto (arr. Hogwood after organ concerto) | George Frideric Handel | 3:42 |
| 13 | Recorder Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (arr. Hogwood after organ concerto) | George Frideric Handel | 2:12 |
| 14 | Alcina, HWV 34: Act 1: Aria. "Tornami a vagheggiar" (Morgana)- producer:
- John Fraser
- soprano vocals:
- Kathleen Battle (in 1987-09, from 1988-06 until 1988-07)
- orchestra:
- Academy of St Martin in the Fields (in 1987-09, from 1988-06 until 1988-07)
- conductor:
- Sir Neville Marriner (in 1987-09, from 1988-06 until 1988-07)
- balance engineer:
- Mark Vigars
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1987-09, from 1988-06 until 1988-07)
- recording of:
- Alcina, HWV 34: Atto I. "Tornami a vagheggiar" (Morgana) (in 1987-09)
- composer:
- George Frideric Handel
- part of:
- Alcina, HWV 34: Atto I
- recording of:
- Alcina, HWV 34: Atto I. "Tornami a vagheggiar" (Morgana) (from 1988-06 until 1988-07)
- composer:
- George Frideric Handel
- part of:
- Alcina, HWV 34: Atto I
| George Frideric Handel | 4:34 |
| 15 | Solomon, HWV 67: Act 3: Air. "Ev'ry Sight These Eyes Behold" (Queen of Sheba)- producer:
- John Fraser
- soprano vocals:
- Kathleen Battle (in 1987-09, from 1988-06 until 1988-07)
- orchestra:
- Academy of St Martin in the Fields (in 1987-09, from 1988-06 until 1988-07)
- conductor:
- Sir Neville Marriner (in 1987-09, from 1988-06 until 1988-07)
- balance engineer:
- Mark Vigars
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1987-09, from 1988-06 until 1988-07)
- recording of:
- Solomon, HWV 67: Act III. Air "Ev'ry sight these eyes behold (Queen of Sheba) (in 1987-09)
- composer:
- George Frideric Handel (in 1748)
- part of:
- Solomon, HWV 67: Act III
- recording of:
- Solomon, HWV 67: Act III. Air "Ev'ry sight these eyes behold (Queen of Sheba) (from 1988-06 until 1988-07)
- composer:
- George Frideric Handel (in 1748)
- part of:
- Solomon, HWV 67: Act III
| George Frideric Handel | 4:39 |
| 16 | Joshua, HWV 64: Act 3: Air. "Oh! Had I Jubal's Lyre" (Achsah)- producer:
- John Fraser
- soprano vocals:
- Kathleen Battle (in 1987-09, from 1988-06 until 1988-07)
- orchestra:
- Academy of St Martin in the Fields (in 1987-09, from 1988-06 until 1988-07)
- conductor:
- Sir Neville Marriner (in 1987-09, from 1988-06 until 1988-07)
- balance engineer:
- Mark Vigars
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1987-09, from 1988-06 until 1988-07)
- recording of:
- Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah) (in 1987-09)
- composer:
- George Frideric Handel (from 1747-07-19 until 1747-08-19)
- librettist:
- Thomas Morell
- part of:
- Joshua, HWV 64: Act III
- recording of:
- Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah) (from 1988-06 until 1988-07)
- composer:
- George Frideric Handel (from 1747-07-19 until 1747-08-19)
- librettist:
- Thomas Morell
- part of:
- Joshua, HWV 64: Act III
| George Frideric Handel | 2:46 |
| 17 | Concerto a due cori no. 3 in F major, HWV 334: I. Overture. Grave | George Frideric Handel | 1:37 |
| 18 | Concerto a due cori no. 3 in F major, HWV 334: II. Allegro | George Frideric Handel | 2:40 |
| 19 | Concerto a due cori no. 3 in F major, HWV 334: III. Allegro ma non troppo | George Frideric Handel | 2:57 |
| 20 | Concerto a due cori no. 3 in F major, HWV 334: IV. Adagio | George Frideric Handel | 1:12 |
| 21 | Concerto a due cori no. 3 in F major, HWV 334: V. Andante larghetto | George Frideric Handel | 3:41 |
| 22 | Concerto a due cori no. 3 in F major, HWV 334: VI. Allegro | George Frideric Handel | 4:33 |
| 23 | Serse, HWV 40: Act 1, Scene 1: Arioso. "Ombra mai fù" (Orch. Connah)- producer:
- Christopher Bishop
- orchestra:
- Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
- conductor:
- Sir Neville Marriner (on 1976-01-29, on 1976-10-26)
- balance engineer:
- Christopher Parker
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1976-01-29, on 1976-10-26)
- recording of:
- Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (on 1976-01-29)
- composer:
- George Frideric Handel (from 1737-12-26 until 1738-01-09)
- librettist:
- [anonymous]
- part of:
- Serse, HWV 40: Atto I
- recording of:
- Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (on 1976-01-29)
- composer:
- George Frideric Handel
- arrangement of:
- Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
- recording of:
- Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (on 1976-10-26)
- composer:
- George Frideric Handel (from 1737-12-26 until 1738-01-09)
- librettist:
- [anonymous]
- part of:
- Serse, HWV 40: Atto I
- recording of:
- Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (on 1976-10-26)
- composer:
- George Frideric Handel
- arrangement of:
- Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
| George Frideric Handel | 5:12 |
| 24 | Der Messias, HWV 56: Pt. 1: Sinfonia- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part I, no. 1. Symphony (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part I
- recording of:
- Messiah, HWV 56: Part I, no. 1. Symphony (on 1984-07-19)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part I
| George Frideric Handel | 3:19 |
| 25 | Der Messias, HWV 56: Pt. 1: Arie. "Doch wer wird ertragen den Tag seiner Ankunft"- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- contralto vocals:
- Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel
- version of:
- Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
- part of:
- Messiah, HWV 56: Part I
- recording of:
- Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (on 1984-07-19)
- composer:
- George Frideric Handel
- version of:
- Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
- part of:
- Messiah, HWV 56: Part I
| George Frideric Handel | 4:25 |
| 26 | Der Messias, HWV 56: Pt. 1: Chor. "Sein Joch ist sanft, die Bürde ist leicht"- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- choir vocals:
- Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- chorus master:
- Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part I
- recording of:
- Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (on 1984-07-19)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part I
| George Frideric Handel | 2:09 |
| 27 | Der Messias, HWV 56: Pt. 2: Arie. "Er ward verschmähet und verachtet"- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- contralto vocals:
- Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (on 1984-07-19)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 9:08 |
| 28 | Der Messias, HWV 56: Pt. 2: Arie. "Du fuhrst zum Himmel auf"- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- bass vocals:
- Robert Holl (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel (in 1741)
- version of:
- Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (on 1984-07-19)
- composer:
- George Frideric Handel (in 1741)
- version of:
- Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 3:27 |
| 29 | Der Messias, HWV 56: Pt. 2: Arie. "Du zerschlägst sie mit dem eisernen Zepter"- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- tenor vocals:
- Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (on 1984-07-19)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 2:05 |
| 30 | Der Messias, HWV 56: Pt. 2: Chor. "Hallelujah"- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- choir vocals:
- Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- chorus master:
- Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel (in 1741)
- librettist:
- Charles Jennens
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (on 1984-07-19)
- composer:
- George Frideric Handel (in 1741)
- librettist:
- Charles Jennens
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 4:04 |
| 31 | Der Messias, HWV 56: Pt. 3: Duett. "O Tod, o Tod, wo ist dein Stachel?" - Chor. "Drum Dank sei Dir, o Gott"- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- choir vocals:
- Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- contralto vocals:
- Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- tenor vocals:
- Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- chorus master:
- Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
- recording of:
- Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
- recording of:
- Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (on 1984-07-19)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
- recording of:
- Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (on 1984-07-19)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
| George Frideric Handel | 3:59 |
| 32 | Der Messias, HWV 56: Pt. 3: Chor. "Würdig ist das Lamm, das da starb"- engineer:
- Christfried Bickenbach (task: recording supervision)
- producer:
- Gerd Berg and Dr. Otto Tomek
- choir vocals:
- Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- orchestra:
- Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- conductor:
- Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- chorus master:
- Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- balance engineer:
- Hartwig Paulsen
- recorded at:
- Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
- recording of:
- Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1984-05-24 until 1984-05-30)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
- recording of:
- Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (on 1984-07-19)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
| George Frideric Handel | 6:01 |
| 33 | Water Music, Suite no. 1 in F major, HWV 348: XI. Allegro | George Frideric Handel | 3:09 |
| 34 | Water Music, Suite no. 2 in D major, HWV 349: I. Allegro | George Frideric Handel | 2:07 |
| 35 | Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe- producer:
- John Fraser and Simon Woods
- orchestra:
- Academy of St Martin in the Fields (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
- conductor:
- Sir Neville Marriner (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
- balance engineer:
- Mark Vigars
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
- recording of:
- Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (from 1988-06-27 until 1988-07-01)
- composer:
- George Frideric Handel (in 1717)
- part of:
- Water Music Suite no. 2 in D major, HWV 349
- recording of:
- Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (from 1988-06 until 1988-07)
- composer:
- George Frideric Handel (in 1717)
- part of:
- Water Music Suite no. 2 in D major, HWV 349
| George Frideric Handel | 4:10 |
| 36 | Water Music, Suite no. 2 in D major, HWV 349: III. Menuet | George Frideric Handel | 1:47 |
| 37 | Water Music, Suite no. 2 in D major, HWV 349: IV. Lentement | George Frideric Handel | 1:46 |
| 38 | Water Music, Suite no. 2 in D major, HWV 349: V. Bourrée | George Frideric Handel | 1:11 |
| 39 | Agrippina, HWV 6: Overture | George Frideric Handel | 4:15 |
| 40 | Concerto a due cori no. 1 in B-flat major, HWV 332: I. Overture | George Frideric Handel | 1:28 |
| 41 | Concerto a due cori no. 1 in B-flat major, HWV 332: II. Allegro ma non troppo | George Frideric Handel | 2:35 |
| 42 | Concerto a due cori no. 1 in B-flat major, HWV 332: III. Allegro | George Frideric Handel | 2:09 |
| 43 | Concerto a due cori no. 1 in B-flat major, HWV 332: IV Lento | George Frideric Handel | 1:47 |
| 44 | Concerto a due cori no. 1 in B-flat major, HWV 332: V. A tempo ordinario | George Frideric Handel | 1:28 |
| 45 | Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Alla breve moderato | George Frideric Handel | 1:29 |
| 46 | Concerto a due cori no. 1 in B-flat major, HWV 332: VII. Minuetto | George Frideric Handel | 3:18 |
| 47 | Trumpet Concerto no. 3 in G minor, HWV 287: I. Grave (transcr. of oboe concerto) | George Frideric Handel | 2:56 |
| 48 | Trumpet Concerto no. 3 in G minor, HWV 287: II. Allegro (transcr. of oboe concerto) | George Frideric Handel | 1:41 |
| 49 | Trumpet Concerto no. 3 in G minor, HWV 287: III. Sarabande (transcr. of oboe concerto) | George Frideric Handel | 2:51 |
| 50 | Trumpet Concerto no. 3 in G minor, HWV 287: IV. Allegro (transcr. of oboe concerto) | George Frideric Handel | 1:59 |
