| # | Title | Artist | Length |
|---|
| 1 | Filiae maestae Jerusalem, RV 638: II. “Sileant Zephyri” | Antonio Vivaldi | 6:31 |
| 2 | L’Ormindo: Atto II. “Che città” (Nerillo) | Francesco Cavalli | 3:23 |
| 3 | Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora | 5:53 |
| 4 | Semiramide riconosciuta: Atto II. "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora | 7:59 |
| 5 | Giustino, RV 717: Atto I. "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi | 5:13 |
| 6 | Il Xerse: Atto I. "Ombra mai fu" (Xerse) | Francesco Cavalli | 3:19 |
| 7 | Niobe, regina di Tebe: Atto I. "Sfere amiche" (Anfione) | Agostino Steffani | 4:55 |
| 8 | Gli amori d’Apollo e di Dafne: Atto III. "Misero Apollo" (Apollo) | Francesco Cavalli | 4:21 |
| 9 | Stabat Mater, RV 621: I. "Stabat Mater dolorosa" | Antonio Vivaldi | 3:06 |
| 10 | Stabat Mater, RV 621: VII. "Eia Mater" | Antonio Vivaldi | 3:32 |
| 11 | Confitebor tibi Domine, P. 66: V. "Sanctum et terribile nomen ejus" | Giovanni Battista Pergolesi | 3:59 |
| 12 | L’Erismena: Atto II. "Uscitemi dal cor, lacrime amare" (Idraspe) | Francesco Cavalli | 5:47 |
| 13 | Stabat Mater, P. 77: X. "Fac ut portem Christi mortem" | Giovanni Battista Pergolesi | 3:45 |
| 14 | Longe mala, umbrae, terrores, RV 629: I. "Longe mala, umbrae, terrores"- recording engineer, mixer and editor:
- Michel Pierre
- producer:
- Étienne Collard
- countertenor vocals:
- Philippe Jaroussky (from 2014-03-20 until 2014-03-28)
- orchestra:
- Ensemble Artaserse (from 2014-03-20 until 2014-03-28)
- conductor:
- Philippe Jaroussky (from 2014-03-20 until 2014-03-28)
- recorded at:
- Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2014-03-20 until 2014-03-28)
- recording of:
- Longe mala, umbrae, terrores, RV 629: I. Aria "Longe mala, umbrae, terrores" (Allegro) (from 2014-03-20 until 2014-03-28)
- composer:
- Antonio Vivaldi
- part of:
- Longe mala, umbrae, terrores, RV 629
| Antonio Vivaldi | 5:09 |
| 15 | Nisi Dominus, RV 608: "Cum dederit" | Antonio Vivaldi | 5:09 |
| 16 | "Flow My Tears" | John Dowland | 4:05 |
| 17 | Welcome to All the Pleasures, Z. 339: III. "Here the deities approve" | Henry Purcell arr. Christina Pluhar | 4:48 |
| 18 | "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell | 5:24 |
| 19 | Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto) | George Frideric Handel | 6:09 |
| 20 | Partenope, HWV 27: Atto II. "Furibondo spira il vento" (Arsace) | George Frideric Handel | 4:05 |
| 21 | Partenope, HWV 27: Atto III. "Ch'io parta?" (Arsace) | George Frideric Handel | 4:05 |
| 22 | Serse, HWV 40: Atto I. "Frondi tenere ... Ombra mai fu" (Serse) | George Frideric Handel | 4:13 |
| 23 | Flavio, re de' Longobardi, HWV 16: Atto II. "Rompo i lacci" (Guido) | George Frideric Handel | 5:21 |
| 24 | Ich habe genug, BWV 82: I. "Ich habe genug" | Johann Sebastian Bach | 7:31 |
| 25 | "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478 | Johann Sebastian Bach | 2:28 |
| 26 | Jesus liegt in letzten Zügen, TWV 1:983: III. "Mein liebster Heiland" | Georg Philipp Telemann | 5:01 |
| 27 | L'Orfeo, SV 318: Atto I. "Rosa del Ciel" (Euridice, Orfeo) | Claudio Monteverdi | 2:56 |
| 28 | Orfeo ed Euridice, Wq. 30: Atto III. "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck | 3:54 |
| 29 | "Du bist die Ruh", D. 776 | Franz Schubert | 4:28 |
| 30 | Schwanengesang, D. 957: IV. Ständchen | Franz Schubert | 3:58 |
| 31 | Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan) [Transc. for Counter-Tenor, Chorus, String Quartet and Piano] | Emmanuel Chabrier transcr. Jérôme Ducros | 2:34 |
| 32 | Colloque sentimental (Transc. for Counter-Tenor, String Quartet and Piano) | Léo Ferré transcr. Jérôme Ducros | 3:27 |
| 33 | Les feuilles mortes | Joseph Kosma | 5:46 |
| 34 | Polifemo: Atto II. "Placidetti zeffiretti" (Galatea, Polifemo) | Nicola Porpora | 2:53 |
| 35 | Stabat Mater, P. 77: I. "Stabat Mater dolorosa" | Giovanni Battista Pergolesi | 4:29 |
| 36 | L'Orfeo: Atto I. "Cara e amabile catena" (Euridice, Orfeo) | Antonio Sartorio | 2:21 |
| 37 | Giulio Cesare in Egitto, HWV 17: Atto I. "Son nata a lagrimar" (Cornelia, Sesto) | George Frideric Handel | 8:07 |
| 38 | Motetti a due, tre et quattro voci, Libro 3: No. 21, "O intemerata" | Alessandro Grandi | 3:11 |
| 39 | Faramondo, HWV 39: Atto III. "Caro, cara, tu m'accendi" (Clotilde, Adolfo) | George Frideric Handel | 5:52 |
| 40 | Orfeo ed Euridice, Wq. 30: Atto III. "Vieni, appaga il tuo consorte ... Grande, o Numi" (Orfeo, Euridice) | Christoph Willibald Gluck | 5:05 |
| 41 | Tirsi e Fileno, S. 475: "Veggio Fille ... Parlo a Clori" (Tirsi, Fileno) | Benedetto Marcello | 7:00 |
| 42 | Niobe, regina di Tebe: Atto I. "Mia fiamma, mio ardore" (Anfione, Niobe) | Agostino Steffani | 2:17 |
| 43 | Eritrea: Atto I. "O luci belle" (Laodicea, Theramene) | Francesco Cavalli | 2:29 |
| 44 | Magnificat in D Major, BWV 243: VI. "Et misericordia" | Johann Sebastian Bach | 3:25 |
| 45 | L’incoronazione di Poppea, SV 308: Atto III. "Pur ti miro" (Neron, Popea) | Claudio Monteverdi | 4:12 |
| 46 | Rêvons, c’est l’heure | Jules Massenet | 3:44 |
| 47 | Elégie | Jules Massenet | 3:13 |
| 48 | Violons dans le soir | Camille Saint‐Saëns | 5:16 |
| 49 | "Viens, une flûte invisible soupire" | André Caplet | 2:46 |
| 50 | Chanson d’automne (Transc. for Counter-Tenor, String Quartet and Piano) | Charles Trenet transcr. Jérôme Ducros | 2:53 |
| 51 | Cet air | David Assaraf, Toumani Diabaté, Matthieu Chedid | 3:16 |
| 52 | Oh My Love | John Lennon, Yoko Ono | 2:34 |
