| # | Title | Artist | Length |
|---|
| 1 | Losing My Religion | R.E.M. | 4:27 |
| 2 | Solsbury Hill- additional recording engineer:
- Jim Frank, Keith Grant, Dave Harris, Rod O’Brien, Robert Hrycyna and Robert Stasiak
- recording engineer:
- Brian Christian
- programming:
- Larry Fast
- producer:
- Bob Ezrin
- acoustic guitar and pedal steel guitar:
- Steve Hunter
- banjo and classical guitar:
- Robert Fripp
- bass and tuba:
- Tony Levin
- bones and percussion:
- Jimmy Maelen
- drums (drum set):
- Allan Schwartzberg
- electric guitar and guitar:
- Robert Fripp and Steve Hunter
- flute and recorder:
- Peter Gabriel
- keyboard:
- Jozef Chirowski and Peter Gabriel
- synthesizer:
- Larry Fast
- vocals:
- Peter Gabriel
- phonographic copyright (℗) by:
- Charisma Records (in 1977) and Peter Gabriel Ltd. (in 1977)
- additionally recorded at:
- Morgan Studios in Willesden, Brent, London, England, United Kingdom and Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom
- recorded at and mixed at:
- Sound Stage in Toronto, Ontario, Canada
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 472)
- recording of:
- Solsbury Hill
- lyricist and composer:
- Peter Gabriel
- publisher:
- Ear Pieces, EMI Music Publishing Ltd., EMI Virgin Music Publishing Australia Pty Ltd, Hit & Run Music, Intersong Music, Pentagon Lipservices Real World and Real World Music, Ltd.
| Peter Gabriel | 4:19 |
| 3 | The Whole of the Moon | The Waterboys | 5:00 |
| 4 | Street Life | Roxy Music | 3:25 |
| 5 | We’ve Gotta Get Out of This Place | The Animals | 3:12 |
| 6 | Cum on Feel the Noize | Slade | 4:23 |
| 7 | Pretty Vacant- engineer:
- Bill Price
- producer:
- Bill Price and Chris Thomas
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London, England, United Kingdom (in 1977-03)
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 34)
- live recording of:
- Pretty Vacant
- writer:
- Steve Jones, John Lydon, Glen Matlock and Paul Thomas Cook
- publisher:
- A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd, Stephen Philip Jones, Warner/Chappell Music Ltd. and WB Music Corp.
| Sex Pistols | 3:16 |
| 8 | Blockbuster | The Sweet | 3:12 |
| 9 | Telegram Sam | T. Rex | 3:43 |
| 10 | Cigarettes & Alcohol | Oasis | 4:49 |
| 11 | Wild Thing | The Troggs | 2:32 |
| 12 | You Really Got Me- producer:
- Shel Talmy (in 1964-07)
- additional piano:
- Perry Ford (in 1964-07)
- bass guitar:
- Pete Quaife (in 1964-07)
- drums (drum set):
- Bobby Graham (in 1964-07)
- guitar:
- Harry Fryer (in 1964-07)
- guitar [lead guitar]:
- Dave Davies (in 1964-07)
- guitar [rhythm guitar], harmonica, keyboard and lead vocals:
- Ray Davies (in 1964-07)
- phonographic copyright (℗) by:
- Sanctuary Records Group Ltd. (in 1964)
- miscellaneous support:
- PRT Records (task: Courtesy of / c/o Celebrity Licensing, Inc.)
- recorded at:
- IBC Studios in London, England, United Kingdom (in 1964-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 13), NME: 50 Greatest Guitar Riffs of All Time (number: 20), VH1: 100 Greatest Hard Rock Songs (number: 57), Rolling Stone: 500 Greatest Songs of All Time (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
- recording of:
- You Really Got Me (in 1964-07)
- lyricist and composer:
- Ray Davies
- publisher:
- Copyright Control, Edward Kassner Music Co. Ltd. and Jay Boy
| The Kinks | 2:13 |
| 13 | No More Heroes | The Stranglers | 2:55 |
| 14 | Down Down | Status Quo | 3:41 |
| 15 | Don’t Believe a Word | Thin Lizzy | 2:17 |
| 16 | Out in the Fields | Gary Moore & Phil Lynott | 4:16 |
| 17 | Black Night- drums (drum set):
- Ian Paice (in 1970-05)
- electric bass guitar:
- Roger Glover (in 1970-05)
- electric guitar:
- Ritchie Blackmore (in 1970-05)
- Hammond organ:
- Jon Lord (in 1970-05)
- lead vocals:
- Ian Gillan (in 1970-05)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London, England, United Kingdom (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- EMI Music Publishing, Glenwood Music Corp., HEC Music and Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 3:25 |
| 18 | She’s Not There- recording engineer:
- Tom Vicari (on 1977-08-05)
- producer:
- Tom Coster and Carlos Santana
- mixer:
- Chris Minto and Tom Vicari
- bass guitar:
- David Margen (on 1977-08-05)
- drums (drum set):
- Graham Lear (on 1977-08-05)
- guitar:
- Carlos Santana (on 1977-08-05)
- keyboard:
- Tom Coster (on 1977-08-05)
- percussion:
- Pete Escovedo (on 1977-08-05) and Raul Rekow (on 1977-08-05)
- vocals:
- Greg Walker (on 1977-08-05)
- strings arranger:
- Tom Coster
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- CBS Studios in San Francisco, California, United States (on 1977-08-05)
- mixed at:
- The Automatt in San Francisco, California, United States
- cover recording of:
- She’s Not There (on 1977-08-05)
- lyricist and composer:
- Rod Argent
- publisher:
- Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
- sub-publisher:
- Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ
| Santana | 4:01 |
| 19 | Feel Like Makin’ Love- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- drums (drum set):
- Simon Kirke (in 1974-09)
- electric bass guitar:
- Boz Burrell (in 1974-09)
- guitar:
- Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
- keyboard:
- Mick Ralphs (in 1974-09)
- piano and lead vocals:
- Paul Rodgers (in 1974-09)
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 78)
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music, MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 5:08 |
| 20 | All the Young Dudes- producer:
- David Bowie
- lead vocals:
- Ian Hunter
- arranger:
- David Bowie
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1972), CBS, Inc. (in 1972), Columbia Records (in 1972), Sony BMG Music Entertainment (in 1972) and Sony Music Entertainment Inc. (in 1972, in 1976)
- part of:
- Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (number: 253)
- recording of:
- All the Young Dudes
- lyricist and composer:
- David Bowie
- publisher:
- BMG Blue, Chrysalis Music, Chrysalis Music Ltd., Chrysalis Music Publishing, Chrysalis Songs, EMI Music, EMI Music Publishing, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Jones Music America, Mainman Ltd., Mainman Saag, MCA Music, Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
- sub-publisher:
- EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部, ヤマハミュージックEH(CM), ワーナー・チャペル音楽出版 Synch事業部, 渡辺音楽出版 CM事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
- cover recording of:
- All the Young Dudes
- lyricist and composer:
- David Bowie
- publisher:
- BMG Blue, Chrysalis Music, Chrysalis Music Ltd., Chrysalis Music Publishing, Chrysalis Songs, EMI Music, EMI Music Publishing, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Jones Music America, Mainman Ltd., Mainman Saag, MCA Music, Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
- sub-publisher:
- EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部, ヤマハミュージックEH(CM), ワーナー・チャペル音楽出版 Synch事業部, 渡辺音楽出版 CM事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Mott the Hoople | 3:27 |
| 21 | Walk on the Wild Side- producer:
- David Bowie, Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie, Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4:09 |
