| # | Title | Length |
|---|
| 1 | Baby, What a Big Surprise- assistant recording engineer and recording engineer:
- Armin Steiner (strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (in 1977)
- additional background vocals:
- Tim Cetera (in 1977) and Carl Wilson (in 1977)
- orchestrator:
- Peter Cetera, Dominic Frontiere and James William Guercio
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (in 2002, in 2007)
- recorded at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States
- recording of:
- Baby, What a Big Surprise (in 1977)
- orchestrator:
- Dominic Frontiere
- lyricist and composer:
- Peter Cetera (in 1977)
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
| 3:07 |
| 2 | No Tell Lover (single edit) | 3:51 |
| 3 | Hard to Say I’m Sorry (single edit) | 3:41 |
| 4 | Love Me Tomorrow (single edit) | 3:58 |
| 5 | Hard Habit to Break- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- lead vocals:
- Peter Cetera (in 1984) and Bill Champlin (in 1984)
- instruments arranger:
- Jeremy Lubbock
- arranger:
- David Foster
- phonographic copyright (℗) by:
- Warner Bros. Records, WEA International Inc. (in 1983, in 1984) and Warner Bros. Records Inc. (in 1984, in 2010)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- Hard Habit to Break (in 1984)
- writer:
- Steve Kipner (in 1984) and John Lewis Parker (in 1984)
- publisher:
- Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd, EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc., Songs of Universal, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| 4:46 |
| 6 | You’re the Inspiration- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- instruments arranger:
- Jeremy Lubbock
- arranger:
- Peter Cetera and David Foster
- phonographic copyright (℗) by:
- Warner Bros. Records, Warner Bros. Records Inc. (in 1984, in 2010) and WEA International Inc. (in 1984)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- You’re the Inspiration (in 1984)
- writer:
- Peter Cetera (in 1984) and David Foster (in 1984)
- publisher:
- BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd., Warner/Chappell North America Limited, Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
| 3:49 |
| 7 | Will You Still Love Me? (remix edit)- recording of:
- Will You Still Love Me?
- writer:
- Richard Baskin (in 1986), David Foster (in 1986) and Tom Keane (in 1986)
- publisher:
- Masonmack Music, MCA Music Ltd., Peermusic III, Ltd., Songs of Universal, Inc., Warner Bros. Music Ltd., Warner Chappell Music Ltd., ピアーミュージック, ユニバーサル・ミュージック・パブリッシング Synch事業部, Air Bear Music (in 1986), Music Corporation of America, Inc. (in 1986), Warm Springs Music (in 1986) and Young Millionaires Club Music (in 1986)
| 4:13 |
| 8 | If She Would Have Been Faithful… | 3:51 |
| 9 | I Don’t Wanna Live Without Your Love | 3:55 |
| 10 | Look Away | 4:00 |
| 11 | What Kind of Man Would I Be?- engineer:
- Daren Chadwick, Gary McGachan and Chas Sandford
- producer:
- Chas Sandford
- mixer:
- James Guthrie, Chas Sandford and Greg Walsh
- lead vocals:
- Jason Scheff
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 2010)
- recording of:
- What Kind of Man Would I Be? (in 1988)
- writer:
- Bobby Caldwell (in 1988), Chas Sandford (in 1988) and Jason Scheff (in 1988)
- publisher:
- Bobby Caldwell Music, EMI Blackwood Music Inc., EMI Songs Ltd., Fallwater Music, Jason Scheff Music, MCA Music Ltd., Music Corporation of America, Inc., SBK Blackwood Music Inc., Sin-Drome Music, Texascity Music, The Music Force, Warner Chappell Music Ltd., シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, 渡辺音楽出版 CM事業部, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| 4:20 |
| 12 | You’re Not Alone | 4:00 |
| 13 | Here in My Heart | 4:20 |
| 14 | Feel (With Horns) | 4:31 |
| 15 | Love Will Come Back | 3:43 |
