Baroque Treasures

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Orfeo: Toccata
orchestra:
Le Concert d’Astrée
conductor:
Emmanuelle Haïm
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio
part of:
L’Orfeo: Atto secondo
recording of:
L’Orfeo: Toccata
composer:
Claudio Monteverdi
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:41
2Serses: Frondi tenere … Ombra mai fù
countertenor vocals:
David Daniels
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 1998)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous]
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:07
3Canon and Gigue in D major: Canon
orchestra:
Taverner Players
conductor:
Andrew Parrott
phonographic copyright (℗) by:
EMI Records Ltd. (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:39
4Canon and Gigue in D major: Gigue
orchestra:
Taverner Players
conductor:
Andrew Parrott
recording of:
Canon and Gigue in D major, P. 37, T. 337: II. Gigue
composer:
Johann Pachelbel
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel1:25
5Gloria RV 589: Gloria in excelsis Deo
instruments:
Taverner Players
choir vocals:
Taverner Choir (in 1992-11) and Taverner Consort (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (in 1992-11)
recorded at:
St. Augustine’s Church in London, England, United Kingdom (in 1992-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:31
6Three parts upon a Ground Z731
orchestra:
Taverner Players
conductor:
Andrew Parrott
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (in 1988)
recording of:
Fantasia, 3 parts on a Ground for three recorders, Z. 731
composer:
Henry Purcell
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 731)
Henry Purcell5:09
7A Suite of Theatre Music: II. Rondeau (Abdelazer, or The Moor's Revenge Z.570 no. 2)
orchestra:
Taverner Players
conductor:
Andrew Parrott
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (in 1988)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:36
8Laetatus sum (Psalm 121) RV607
choir vocals:
Taverner Choir (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (in 1992-11)
recorded at:
St. Augustine’s Church in London, England, United Kingdom (in 1992-11)
recording of:
Salmo 121: Laetatus sum, RV 607: Allegro (in 1992-11)
composer:
Antonio Vivaldi
part of:
Ryom-Verzeichnis (number: RV 607)
Antonio Vivaldi3:37
9The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: I. Allegro
producer:
Simon Woods
editor and balance engineer:
Tim Handley
solo violin:
Chiara Banchini (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (in 1990-03)
recorded at:
Hackney Church in Hackney, London, England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (in 1990-03)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:23
10The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: II. Largo e pianissimo
producer:
Simon Woods
editor and balance engineer:
Tim Handley
solo violin:
Chiara Banchini (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (in 1990-03)
recorded at:
Hackney Church in Hackney, London, England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1990-03)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:36
11The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: III. Danza pastorale (Allegro)
producer:
Simon Woods
editor and balance engineer:
Tim Handley
solo violin:
Chiara Banchini (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (in 1990-03)
recorded at:
Hackney Church in Hackney, London, England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1990-03)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:02
12Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: I. Largo
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: I. Largo
composer:
Antonio Vivaldi
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:33
13Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: II. Presto (Fantasmi) ; III. Largo
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: II. Presto “Fantasmi”
composer:
Antonio Vivaldi
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: III. Largo
composer:
Antonio Vivaldi
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:43
14Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: IV. Presto
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: IV. Presto
composer:
Antonio Vivaldi
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:00
15Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: V. Largo (Il sonno)
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno”
composer:
Antonio Vivaldi
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:41
16Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: VI. Allegro
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro
composer:
Antonio Vivaldi
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi2:16
17Cantata “Wir danken dir, Gott, wir danken dir” BWV 29: Sinfonia
orchestra:
Taverner Players (from 1987-04 until 1987-06)
conductor:
Andrew Parrott (from 1987-04 until 1987-06)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1987-04 until 1987-06)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1987-04 until 1987-06)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:40
18Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring)
choir vocals:
Taverner Consort (in 1987)
orchestra:
Taverner Players (in 1987)
conductor:
Andrew Parrott (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (in 1665)
composer:
Johann Sebastian Bach (in 1723)
part of:
Classic 100: Piano (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:17
19Orchestral Suite no. 3 in D Major, BWV 1068: Air
producer:
Simon Woods
editor:
Tim Handley and Mary Hughes
cello:
Myron Lutzke (in 1992-04)
double bass:
Michael Willens (in 1992-04)
harpsichord:
John Gibbons (in 1992-04)
oboe:
Stephen Hammer (in 1992-04) and Marc Schachman (in 1992-04)
percussion:
John Grimes (in 1992-04)
trumpet:
Dennis Ferry (in 1992-04), Jesse Levine (in 1992-04) and John Thiessen (in 1992-04)
viola:
David Miller (in 1992-04)
violin:
Elizabeth Blumenstock (in 1992-04) and Anthony Martin (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (in 1992-04)
balance engineer:
Mike Hatch
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1992-04)
composer:
Johann Sebastian Bach (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:07
20Orchestral Suite no. 2 in B minor, BWV 1067: Menuet
producer:
Simon Woods
editor:
Tim Handley and Mary Hughes
cello:
Myron Lutzke (in 1992-04)
flute:
Christopher Krueger (in 1992-04)
harpsichord:
John Gibbons (in 1992-04)
viola:
David Miller (in 1992-04)
violin:
Elizabeth Blumenstock (in 1992-04) and Anthony Martin (in 1992-04)
violone:
Michael Willens (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (in 1992-04)
balance engineer:
Mike Hatch
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1992-04)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:19
21Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie
producer:
Simon Woods
editor:
Tim Handley and Mary Hughes
cello:
Myron Lutzke (in 1992-04)
flute:
Christopher Krueger (in 1992-04)
harpsichord:
John Gibbons (in 1992-04)
viola:
David Miller (in 1992-04)
violin:
Elizabeth Blumenstock (in 1992-04) and Anthony Martin (in 1992-04)
violone:
Michael Willens (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (in 1992-04)
balance engineer:
Mike Hatch
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1992-04)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:27
22Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro]
oboe:
Paul Goodwin (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (from 1988-07 until 1988-10)
trumpet:
David Staff (from 1988-07 until 1988-10)
violin:
John Holloway (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1989)
recorded at:
Gateway Studio in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:55
23Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
oboe:
Paul Goodwin (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (from 1988-07 until 1988-10)
trumpet:
David Staff (from 1988-07 until 1988-10)
violin:
John Holloway (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1989)
recorded at:
Gateway Studio in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:23
24Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
oboe:
Paul Goodwin (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (from 1988-07 until 1988-10)
trumpet:
David Staff (from 1988-07 until 1988-10)
violin:
John Holloway (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1989)
recorded at:
Gateway Studio in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:52
25Solomon HWV 67: Sinfonia: Act 3, The Arrival of the Queen of Sheba
orchestra:
Taverner Players
conductor:
Andrew Parrott
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (in 1988)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain
part of:
Solomon, HWV 67: Act III
George Frideric Handel2:50
26Messiah, HWV 56: Overture (Grave – Allegro moderato)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:37
27Messiah, HWV 56: Hallelujah
choir vocals:
Taverner Choir (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (in 1988-04)
performer:
The Taverner Choir, Consort & Players (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-04)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:57
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ASIN:FR: B008R9QAZU [info]