| # | Title | Artist | Length |
|---|
| 1 | Are You Lonely for Me, Baby | Freddie Scott | 3:16 |
| 2 | Mercy, Mercy, Mercy | Cannonball Adderley | 3:05 |
| 3 | Funky Broadway (Part 1) | Dyke & the Blazers | 2:38 |
| 4 | Girls Are Out to Get You | The Fascinations | 2:06 |
| 5 | Sweet Soul Music | Arthur Conley | 2:19 |
| 6 | Nothing Takes the Place of You | Toussaint McCall | 3:22 |
| 7 | Jimmy Mack | Martha Reeves and the Vandellas | 2:53 |
| 8 | She’s Looking Good | Rodger Collins | 2:21 |
| 9 | Eight Men, Four Women | O.V. Wright | 3:04 |
| 10 | Tramp | Otis Redding & Carla Thomas | 3:02 |
| 11 | Ain’t No Mountain High Enough | Marvin Gaye & Tammi Terrell | 2:38 |
| 12 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 2:27 |
| 13 | Make Me Yours | Bettye Swann | 3:12 |
| 14 | Baby Please Come Back Home | J. J. Barnes | 2:58 |
| 15 | Soul Finger | The Bar‐Kays | 2:20 |
| 16 | I Was Made to Love Her- producer:
- Henry Cosby
- bass:
- James Jamerson (on 1967-03-31)
- electric sitar:
- Eddie Willis (on 1967-03-31)
- harmonica and lead vocals:
- Stevie Wonder (on 1967-03-31)
- instruments:
- The Funk Brothers (on 1967-03-31)
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1966) and Motown Record Corporation (in 1967)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1967-03-31)
- recording of:
- I Was Made to Love Her (on 1967-03-31)
- writer:
- Henry Cosby, Lula Mae Hardaway, Sylvia Moy and Stevie Wonder
- publisher:
- Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
| Stevie Wonder | 2:36 |
| 17 | Some Kind of Wonderful | Soul Brothers Six | 2:39 |
| 18 | Hypnotized | Linda Jones | 2:39 |
| 19 | Come on Sock It to Me | Syl Johnson | 2:27 |
| 20 | (I Wanna) Testify | The Parliaments | 3:01 |
| 21 | Cold Sweat (Part 1) | James Brown and the Famous Flames | 2:52 |
| 22 | Get On Up | The Esquires | 2:22 |
| 23 | (Your Love Keeps Lifting Me) Higher and Higher- producer:
- Carl Davis
- bass:
- James Jamerson (on 1967-07-06)
- drums (drum set):
- Richard "Pistol" Allen (on 1967-07-06)
- guitar:
- Robert White (on 1967-07-06)
- keyboard:
- Johnny Griffith (on 1967-07-06)
- lead vocals:
- Jackie Wilson (on 1967-07-06)
- performer:
- Jackie Wilson
- arranger:
- Sonny Sanders
- phonographic copyright (℗) by:
- Brunswick Recording Corporation (in 1967)
- recorded at:
- Columbia Recording Studios in Chicago, Illinois, United States (on 1967-07-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 246) and Billboard: The 500 Best Pop Songs (number: 301)
- recording of:
- (Your Love Keeps Lifting Me) Higher and Higher (on 1967-07-06)
- writer:
- Gary Jackson, Raynard Miner and Carl Smith
- publisher:
- Chevis Publishing Corp., EMI Music, EMI Music Publishing Ltd., Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp., Warner/Chappell Music Ltd., ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- MJ: The Musical
| Jackie Wilson | 2:59 |
| 24 | Dirty Man | Laura Lee | 2:52 |
| 25 | Expressway to Your Heart | The Soul Survivors | 2:20 |
| 26 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing, Rondor Music (London) Ltd., Rondor Music Ltd., Walden Music, Inc., Warner Chappell Music Ltd., Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 2:37 |
| 27 | I Heard It Through the Grapevine | Gladys Knight & the Pips | 2:45 |
| 28 | Piece of My Heart | Erma Franklin | 2:34 |
| 29 | Skinny Legs and All | Joe Tex | 3:03 |
| 30 | Tell Mama | Etta James | 2:21 |
