Milestones of a Legend

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

1▶CD: Harvest of Hits / Unforgettable / Nat King Cole Sings for Two in Love
2▶CD: Nat King Cole Sings for Two in Love - Continued / Nat King Cole’s 8 Top Pop’s / Nat King Cole At The Piano - Penthouse Serenade / Nat King Cole 10th Anniversary
3▶CD: The Piano Style of Nat King Cole / Ballads of the Day
4▶CD: Love Is the Thing / Just One of Those Things
5▶CD: St. Louis Blues / To Whom It May Concern
6▼CD: Welcome to the Club / A Mis Amigos
#TitleLength
1Welcome to the Club
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (on 1958-07-01) and Billy Mitchell (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-01)
recording of:
Welcome to the Club (on 1958-07-01)
writer:
Noel Sherman and Dick Wolf
2:46
2Anytime, Anyday, Anywhere
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Anytime, Anyday, Anywhere (on 1958-06-30)
lyricist:
Ned Washington
composer:
Lee Wiley and Victor Young
publisher:
Catharine Hinen Music, Chappell & Co., Inc. and Patti Washington Music
2:21
3The Blues Don’t Care
2:11
4Mood Indigo
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1958-06-30)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
3:22
5Baby Won’t You Please Come Home
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (on 1958-07-01) and Billy Mitchell (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Baby Won’t You Please Come Home (on 1958-07-01)
writer:
Charles Warfield and Clarence Williams
publisher:
Redwood Music Ltd., Universal‐MCA Music Publishing and Universal/MCA Music Ltd.
2:12
6The Late Late Show
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (on 1958-07-01) and Billy Mitchell (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
The Late Late Show (on 1958-07-01)
lyricist:
Murray Berlin
composer:
Roy Alfred
recording of:
The Late Late Show
lyricist:
Murray Berlin
composer:
Roy Alfred
2:33
7Avalon
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (on 1958-07-01) and Billy Mitchell (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Avalon (on 1958-07-01)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
1:47
8She’s Funny That Way
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
She’s Funny That Way (on 1958-06-30)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:03
9I Want a Little Girl
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
I Want a Little Girl (on 1958-06-30)
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
recording of:
I Want a Little Girl
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
2:50
10Wee Baby Blues
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-02)
cover recording of:
Wee Baby Blues (on 1958-07-02)
writer:
Pete Johnson and Big Joe Turner
publisher:
Leeds Music Ltd.
3:17
11Look Out for Love
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Look Out for Love (on 1958-07-02)
writer:
Danny Meehan and Colin Romoff
1:59
12Ay, Cosita Linda
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (from 1959-04-13 until 1959-04-16)
producer:
Lee Gillette
piano:
Nat King Cole
vocals:
Nat King Cole and Trio Irakitan (in 1959)
conductor:
Dave Cavanaugh (in 1959, from 1959-04-13 until 1959-04-16)
instruments arranger:
Dave Cavanaugh (in 1959)
recording of:
Ay cosita linda (from 1959-04-13 until 1959-04-16)
lyricist and composer:
Pacho Galán
cover recording of:
Ay cosita linda (in 1959)
lyricist and composer:
Pacho Galán
2:16
13Aquellos Ochos Verde
cover recording of:
Aquellos ojos verdes
lyricist:
Adolfo Utrera
composer:
Nilo Menéndez
2:12
14Suas Maos
cover recording of:
Suas Mãos
writer:
Antônio Maria and Pernambuco
2:21
15Capullito de Aleli
recording of:
Capullito de alhelí
lyricist and composer:
Rafael Hernández Marín
2:28
16Caboclo Do Rio
cover recording of:
Caboclo do Rio
lyricist and composer:
Babi de Oliveira
1:54
17Fantastico
cover recording of:
Fantástico
writer:
Jack Keller and Noel Sherman
1:56
18Nadie Me Ama
recording of:
Nadie me ama
writer:
Fernando Lobo and Antônio Maria
2:33
19Yo Vendo Unos Ojos Negros
cover recording of:
Yo vendo unos ojos negros
lyricist:
Pablo Ara Lucena
composer:
Donato Román Heitman
2:22
20Perfidia
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (from 1959-04-13 until 1959-04-16)
bass:
Charlie Harris (from 1959-04-13 until 1959-04-16)
drums (drum set):
Lee Young (from 1959-04-13 until 1959-04-16)
guitar:
John Collins (from 1959-04-13 until 1959-04-16)
vocals:
Nat King Cole (from 1959-04-13 until 1959-04-16)
conductor:
Dave Cavanaugh (from 1959-04-13 until 1959-04-16)
instruments arranger:
Dave Cavanaugh (in 1959)
cover recording of:
Perfidia (from 1959-04-13 until 1959-04-16)
lyricist and composer:
Alberto Domínguez
2:20
21El Choclo
cover recording of:
El choclo (Villoldo's original version, written circa 1898–1903)
lyricist and composer:
Ángel Villoldo
2:12
22Ansiedad
cover recording of:
Ansiedad (Tito Mendoza)
writer:
Roberto Mendoza and José Enrique Sarabia
3:28
23Nao Tenho Lagrimas
cover recording of:
Não tenho lágrimas
writer:
Max Bulhões and Milton de Oliveira
translated version of:
Come to the Mardi Gras
2:17
7▶CD: Everytime I Feel the Spirit / Tell Me All About Yourself
8▶CD: The Touch of Your Lips / Dear Lonely Hearts
9▶CD: Nat King Cole Sings - George Shearing Plays / Ramblin’ Rose
10▶CD: Cole Espanol / More Cole Espanol