Blues

~ Release by Nina Simone (see all versions of this release, 1 available)

Annotation

This compilation is part of a 3-CD set (https://www.discogs.com/release/5896178), which was sold separately, too.

Tracklist

1▼CD
#TitleLength
1My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd., Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3:39
2I Love You, Porgy
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:11
3Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music, EMI Music Publishing Ltd., Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp., Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
3:24
4I Got It Bad and That Ain’t Good
lead vocals:
Nina Simone (in 1962)
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:11
5Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Phillips (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
4:04
6Solitude
lead vocals:
Nina Simone (in 1962)
cover recording of:
(In My) Solitude (in 1962)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. and J. R. Lafleur & Son Ltd.
3:49
7Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
2:54
8Angel of the Morning
cover recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
3:17
9It Don’t Mean a Thing
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:29
10He’s Got the Whole World in His Hand
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
lyricist and composer:
[traditional]
publisher:
Thandewye Music
3:12
11Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. and Unichappell Music, Inc. (in 1981)
2:49
12Trouble in Mind
producer:
Hal Mooney
cover recording of:
Trouble in Mind (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. and Universal‐MCA Music Publishing
2:43
13For All We Know
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
lyricist:
Sam M. Lewis (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
4:02
14Don’t Take All Night
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
2:54
15Blues for Mama
recording of:
Blues for Mama
writer:
Abbey Lincoln and Nina Simone
publisher:
Ninandy Music
4:02
16The House of the Rising Sun
cover recording of:
House of the Rising Sun
lyricist and composer:
[traditional]
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
3:53